Arts, Arts and Politics, Culture, Data and Financial Flows, Philosophy, Society & Politics, Technology
18+

BIG D@T@! BIG MON€Y!

BIG D@T@! BIG MON€Y! 2020 45

BIG D@T@! BIG MON€Y! is a bold, thought-provoking exhibition that delves into the intersection of data, finance, and digitalization. Featuring seven artists and collectives, the works explore how our everyday digital footprints and the rise of cryptocurrencies are reshaping economies, identities, and power structures. Through projects like a speculative trading AI, a data-driven remake of classic art, and an analysis of the hidden infrastructure behind Amazon transactions, the exhibition sheds light on the often-invisible forces governing our digital lives. In an era of increasing surveillance and technological control, the exhibition raises critical questions about freedom, privacy, and the future of society.

Arts, Cultures of Remembrance and Perception of Time, Data and Financial Flows, Language as a Tool for Cultural Critique, Philosophy, Society & Politics
18+

Raqs Media Collective. Everything Else is Ordinary

Raqs Media Collective. Everything Else is Ordinary 2018 54
The Raqs Media Collective, founded in 1992 in New Delhi by Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta, operates at the intersection of contemporary art, historical inquiry, philosophical speculation, and political critique. Their work probes the fundamental, often elusive, concepts of time, language, and history, challenging linear narratives and fixed interpretations. Central to their practice is the interrogation of time — not merely as a measurable entity but as a force that governs societal rhythms, disciplines human life, and underpins capitalist structures. In works such as Escapement (2009) and Re-Run (2013), they explore how time shapes experience, asking what it means to measure time and how it intersects with space and history.