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excoursio is a free platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences. excours.io means culture for everyone, everywhere.

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In the early 1960s, photography emerged as a recognized art form, yet, in Latvia, it struggled for acceptance in traditional art spaces. The establishment of the Photo Club “Rīga” in 1962 marked a pivotal moment, fostering a vibrant community that embraced photography’s artistic potential. This collective became a vital force in shaping the perception of art photography both locally and globally, drawing in visionary talents who pushed creative boundaries. The club’s ongoing legacy reflects not just the evolution of photography as an art form but also its enduring relevance within contemporary Latvian culture. As it adapts to new challenges and styles, the Photo Club remains a cherished cornerstone, celebrating its historical impact while inspiring future generations of photographers.The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse.The exhibition Curators in Panic addresses the unpredictable realities of operating a contemporary art museum, presenting unique works by artist Yokoo Tadanori, who has continuously redefined painting since the 1980s. Rooted in the early 2020s — a period marked by the coronavirus crisis and logistical demands from the large-scale retrospective Genkyo Yokoo Tadanori — this show responds directly to the sudden absence of major holdings and the challenges of museum governance. Three participating curators, deeply familiar with the collection, selected their personal favorites not included in the tour, highlighting the profound existence of the artist’s full creative output. This perspective reflects the confusion of managing a cultural facility during a state of emergency. By adopting the curators’ viewpoint, visitors gain an opportunity to freely enjoy the viewing experience and rediscover the rich, constantly changing creative world of Yokoo Tadanori.The exhibition critically examines the evolution of mass mobilization and crowd dynamics in both historical and contemporary contexts, drawing inspiration from Elias Canetti’s “Crowds and Power.” Set against the backdrop of the GfZK’s new architectural space, the exhibition engages with the complexities of collective action, exploring how digital public spheres shape democratic participation while simultaneously being exploited for exclusionary practices. Featuring a rich array of video installations and cinematic works, including the new production “70.001,” which reimagines the 1989 Leipzig demonstrations, “Majorities” invites reflection on the nuances of social behavior and the implications of simulated experiences in gaming and surveillance. Through this thoughtful presentation, Wedemeyer prompts us to consider the intertwining narratives of isolation and community, resonating powerfully in today’s fragmented society.Yokoo Tadanori: State of Emergency Declaration explores the artist’s prescient depictions of tense situations where the line between fact and fiction dissolves. Long before the novel coronavirus crisis, Yokoo Tadanori repeatedly created works that now resonate with contemporary global events, reflecting a timeless human experience of uncertainty. This exhibition features his impactful paintings alongside an installation of his recent online series, With Corona, which incorporates imagery like masks in a direct artistic response to the virus. Visitors can observe how Yokoo’s vision, spanning from earlier works to current creations, challenges perceptions of reality, encouraging reflection on art’s power to interpret and shape our understanding of the world during moments of profound change.
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excoursio

Institutions

Academy of Arts

Agadir Art Museum

Alfred Ehrhardt Foundation

Bauhaus Dessau Foundation

Cartoonmuseum Basel – Centre for Narrative Art

Estonian Museum of Architecture

Gallery for Contemporary Art Leipzig (GfZK)

Garage Museum of Contemporary Art

GROUND Solyanka (formerly Solyanka State Gallery)

HALLE 14 – Centre for Сontemporary Art

International Memorial Association

K21, Art Collection Nordrhein-Westfalen

Korean Cultural Center (KCC)

KOW Berlin

Kunstverein am Rosa–Luxemburg–Platz

Latvian Museum of Photography

Maria & Vadim Zakharov - FREEHOME

Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat)

Moscow Museum of Modern Art (MMOMA)

Multimedia Art Museum Moscow

Museum Folkwang

Museum Kunstpalast

Museum Villa Stuck

Na Shabolovke Gallery / Avant-Garde Museum

National Museum of Ceramics in Safi

Sprengel Museum Hannover

Tartu Art Museum

The art museum Kloster Unser Lieben Frauen

The Ekaterina Cultural Foundation

The History of Money Museum of GOZNAK

The Institute of Russian Realist Art (IRRA)

The National Centre for Contemporary Arts (NCCA)

The National Photography Museum in Rabat

The New Wing of the Gogol House

The State Museum of Oriental Art

The State Museum of Oriental Art ― Roerichs Museum

The State Museum of Religion History

The Wuerttemberg Art Association Stuttgart

University Library, Ruhr-Universität Bochum

Yokoo Tadanori Museum of Contemporary Art

Yuchengco Museum

Zilberman Gallery

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