Menu

  • Categories
    • Arts
    • Culture
    • History
    • Music
    • Philosophy
    • Society & Politics
    • Technology & Science
  • Collections
  • Tags
  • Institutions
  • Contributors
  • All Films
  • Random Film

About

excoursio is a free platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences. excours.io means culture for everyone, everywhere.

Stay tuned

  • instagram
  • facebook
  • linkedin
  • bluesky
  • mastodon
The exhibition illuminates the profound influence of the Great October Revolution on Eastern art. Featuring over 100 works from Soviet Turkmenistan, Uzbekistan, Azerbaijan, Mongolia, China, and Vietnam, the exhibition showcases a rich tapestry of artistic expressions—embroideries, posters, paper cutouts, and more—that reflect a unique amalgamation of local traditions and Soviet ideologies. Visitors will encounter the cult of personality through portraits of revolutionary leaders, discover the vibrant propaganda posters that redefined societal roles, and engage with stunning engravings depicting the industrial ambitions of China. This exhibition not only highlights the artistic responses to political shifts but also serves as a testament to the complex legacy of the Russian Revolution, revealing how hope, trauma, and cultural identity were woven into the fabric of artistry across nations. Many of these pieces are being showcased to the Russian public for the first time in decades, offering fresh insights into this historical narrative.The exhibition delves into a groundbreaking aspect of Russian cultural history birthed from the revolution—mobile propaganda trains. These unique vehicles served as a fusion of art and technology, transforming into vibrant mobile platforms that combined exhibitions, theater, libraries, and cinema on wheels. Launched in 1918 under the directive of the All-Russian Central Executive Committee, these trains traversed vast distances, reaching from Odessa to Irkutsk and engaging communities with their painted exteriors and rich artistic content. Supervised by renowned graphic artist Ignatiy Nivinsky, the trains featured contributions from a diverse array of artists, blending Symbolism with early avant-garde ideas. This exhibition promises an in-depth exploration of their socio-political significance during the Civil War, showcasing archival photos, posters, and various artifacts that capture the ethos of an era where art became instrumental in uniting and inspiring a nation.The exhibition critically examines the evolution of mass mobilization and crowd dynamics in both historical and contemporary contexts, drawing inspiration from Elias Canetti’s “Crowds and Power.” Set against the backdrop of the GfZK’s new architectural space, the exhibition engages with the complexities of collective action, exploring how digital public spheres shape democratic participation while simultaneously being exploited for exclusionary practices. Featuring a rich array of video installations and cinematic works, including the new production “70.001,” which reimagines the 1989 Leipzig demonstrations, “Majorities” invites reflection on the nuances of social behavior and the implications of simulated experiences in gaming and surveillance. Through this thoughtful presentation, Wedemeyer prompts us to consider the intertwining narratives of isolation and community, resonating powerfully in today’s fragmented society.In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition Time for Outrage! in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.  
Toggle sidebar & navigation
  • Categories
    • Arts
    • Culture
    • History
    • Music
    • Philosophy
    • Society & Politics
    • Technology & Science
  • Collections
  • Tags
  • Institutions
  • Contributors
  • All Films
  • Random Film
excoursio

Institutions

Academy of Arts

Agadir Art Museum

Alfred Ehrhardt Foundation

Bauhaus Dessau Foundation

Cartoonmuseum Basel – Centre for Narrative Art

Estonian Museum of Architecture

Gallery for Contemporary Art Leipzig (GfZK)

Garage Museum of Contemporary Art

GROUND Solyanka (formerly Solyanka State Gallery)

HALLE 14 – Centre for Сontemporary Art

International Memorial Association

K21, Art Collection Nordrhein-Westfalen

Korean Cultural Center (KCC)

KOW Berlin

Kunstverein am Rosa–Luxemburg–Platz

Latvian Museum of Photography

Maria & Vadim Zakharov - FREEHOME

Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat)

Moscow Museum of Modern Art (MMOMA)

Multimedia Art Museum Moscow

Museum Folkwang

Museum Kunstpalast

Museum Villa Stuck

Na Shabolovke Gallery / Avant-Garde Museum

National Museum of Ceramics in Safi

Sprengel Museum Hannover

Tartu Art Museum

The art museum Kloster Unser Lieben Frauen

The Ekaterina Cultural Foundation

The History of Money Museum of GOZNAK

The Institute of Russian Realist Art (IRRA)

The National Centre for Contemporary Arts (NCCA)

The National Photography Museum in Rabat

The New Wing of the Gogol House

The State Museum of Oriental Art

The State Museum of Oriental Art ― Roerichs Museum

The State Museum of Religion History

The Wuerttemberg Art Association Stuttgart

University Library, Ruhr-Universität Bochum

Yokoo Tadanori Museum of Contemporary Art

Yuchengco Museum

Zilberman Gallery

Explore

  • About
  • Contacts
  • FAQ
  • Collaborate
  • Any ideas?

Network

  • Institutions
  • Contributors
  • Partners
  • Support us

Transparency

  • Accessibility
  • Sustainability
  • #GoodForEducation
  • Usage Policy
  • Cookies

Latest guided tour films

loader

By subscribing, you acknowledge and agree that we will store, process, and manage your personal information in accordance with our Privacy Policy.

Stay tuned

  • instagram
  • facebook
  • linkedin
  • bluesky
  • mastodon
  • Imprint
  • Privacy Policy
  • Community Guidelines
  • Jobs

© 2026 excoursio e.V. (non-profit). All rights reserved.