TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
Germany
Dusseldorf
2020
27
Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.
The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.
A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.
Why should you watch this?
Sergiy Bratkov. My Brother’s Cats | Curatorial Introduction with Annegret Laabs
Germany
Magdeburg
2024
25
Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war.
In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.
Why should you watch this?
Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour
Germany
Magdeburg
2024
43
Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war.
In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.
Why should you watch this?
HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
Germany
Hannover
2020
34
The group exhibition presents a compelling exploration of how art provides resilience in times of personal and societal crisis. The exhibition features works by renowned artists like Gustav Metzger, Shusaku Arakawa, and Alina Szapocznikow, each of whom faced extreme adversity and transformed their experiences into profound artistic statements. Whether addressing environmental destruction, illness, or existential threats, these artists used creativity as a means to survive and challenge the limits of human endurance. The exhibition emphasizes the power of art to propose alternative perspectives when the world seems trapped in binary thinking. By engaging with radical artistic responses to crisis, visitors are invited to reflect on how creativity can offer strength, hope, and new possibilities for navigating the uncertainties of modern life. Art, in this context, becomes more than expression — it becomes a strategy for survival and transformation.
Why should you watch this?
The exhibition tackles pressing issues like climate change, personal trauma, and social upheaval, and having a knowledgeable guide helps to bring those themes to life. It’s not just about admiring the art; it’s about understanding the stories and survival strategies that inspired each piece. This context makes the art resonate even more, helping you connect with the messages in a meaningful way. In a time when we’re all looking for ways to navigate challenges, a guided tour offers fresh insights that can spark reflection and inspire hope.
CLUBS of the FUTURE. Common Spaces in Transitional Societies
Germany
Berlin
2024
54
CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/
Why should you watch this?
Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
Germany
Stuttgart
2020
The exhibition explores the interplay between celebration and political expression, rooted in the context of marginalized communities. Drawing inspiration from the Bergen Assembly 2019, this exhibition examines how festivities serve as platforms for social emancipation and self-determination, particularly within the Rom*nja, Flamenco, and Bohemian cultures since the 19th century. By interweaving historical and contemporary works, the exhibition highlights the transformative power of communal gatherings, where joy, rebellion, and artistic innovation intertwine. Una forma de ser invites visitors to reflect on the significance of togetherness, creativity, and resilience in the face of adversity.
Why should you watch this?
GASTEV. How to Work
Russia
Moscow
2019
66
The exhibition GASTEV. How to Work examines the profound influence of Alexey Gastev, a key figure in Soviet thought and the founder of the Central Institute of Labor (CIT). Gastev’s work in the 1920s and 1930s revolutionized labor practices through his development of scientific labor organization (NOT), blending Marxist ideology with avant-garde approaches to efficiency, biomechanics, and human-machine interaction. His theories sought to transform workers into precise, efficient elements of industrial production, reflecting the broader Soviet utopian vision of reshaping society through labor. The exhibition contextualizes Gastev’s role not just as an organizer but as a visionary whose ideas on human potential and mechanization resonate with contemporary discussions on automation and the future of work. Despite his execution during the Stalin’s Great Purge/Terror, Gastev’s legacy continues to provoke thought on the relationship between labor, politics, and the shaping of the modern human.
More at http://avantgarde.center/gastev (in Russian only)
Why should you watch this?
BIG D@T@! BIG MON€Y!
Germany
Leipzig
2020
55
BIG D@T@! BIG MON€Y! is a bold, thought-provoking exhibition that explores the intersection of data, finance, and digitalization. Featuring seven artists and collectives, the works explore how our everyday digital footprints and the rise of cryptocurrencies are reshaping economies, identities, and power structures. Through projects like a speculative trading AI, a data-driven remake of classic art, and an analysis of the hidden infrastructure behind Amazon transactions, the exhibition sheds light on the often-invisible forces governing our digital lives. In an era of increasing surveillance and technological control, the exhibition raises critical questions about freedom, privacy, and the future of society.
Why should you watch this?
Notes from the Underground.
Art and Alternative Music in Eastern Europe 1968-1994
Germany
Berlin
2018
56
The exhibition Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 examines the intersection of underground music and visual arts under communist regimes in Eastern Europe. It highlights how rock, punk, and new wave music, alongside performance art, fashion, and film, became tools of countercultural expression against state control. In response to censorship and scarcity, artists and musicians created homemade instruments, produced Samizdat magazines, and distributed recordings. The exhibition underscores the role of improvisation and irony in resisting authoritarianism, with works from Poland, Yugoslavia, the Soviet Union, and Czechoslovakia, offering a new perspective on how art and music intertwined as forms of dissent.
Why should you watch this?
In a time where freedom of expression remains a contested issue, Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 draws vital parallels between past and present struggles against authoritarianism. By showcasing how rock, punk, and new wave music intertwined with visual arts to resist state control, the exhibition highlights the subversive power of creativity. From DIY instruments to Samizdat magazines, it captures the spirit of rebellion and improvisation that thrived under repressive regimes, making it a timely exploration of art’s role in confronting oppression and fueling collective resistance.