When I see the future, I close my eyes: Chapter II
Arts | Culture | History | Society & Politics
18+

When I see the future, I close my eyes: Chapter II

Germany Berlin 2023 45

In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.

Why should you watch this?

This exhibition is essential for gaining a deeper understanding of how colonial histories and technological advancements continue to shape global power dynamics today. In a world increasingly dominated by digital surveillance, militarization, and the exploitation of resources, Heba Y. Amin’s works offer critical insights into how these tools are rooted in historical forms of oppression. The tour provides context to complex pieces that tackle everything from colonial photography to nuclear fallout, showing how these past events resonate with current issues like digital authoritarianism and neocolonialism. At a time when technology is both a tool for liberation and control, this exhibition is especially relevant, helping us reconsider the role of visual culture in framing our collective future.
CLUBS of the FUTURE. Common Spaces in Transitional Societies
Arts | Culture | History | Society & Politics
18+

CLUBS of the FUTURE. Common Spaces in Transitional Societies

CLUBS der ZUKUNFT. Gemeinsame Räume in Übergangsgesellschaften
Germany Berlin 2024 54

CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/

Why should you watch this?

CLUBS of the FUTURE is a compelling exhibition that explores the significance of communal spaces and collective practices, particularly in light of the legacy of the GDR’s Houses of Culture. By addressing the societal gaps left by their closure, the project invites reflection on how shared spaces can foster collaboration and social cohesion in a time of increasing individualism. With diverse artistic practices, including innovative workshops, installations, and performances, the exhibition engages with contemporary issues such as the rise of right-wing extremism and the ongoing conflict in Ukraine. It highlights community-centric projects that inspire collective action and offers a hopeful vision for sustainable, inclusive futures through art.
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