Actually, the Dead Are Not Dead. Una forma de ser | Introduction

The exhibition explores the interplay between celebration and political expression, rooted in the context of marginalized communities. Drawing inspiration from the Bergen Assembly 2019, this exhibition examines how festivities serve as platforms for social emancipation and self-determination, particularly within the Rom*nja, Flamenco, and Bohemian cultures since the 19th century. By interweaving historical and contemporary works, the exhibition highlights the transformative power of communal gatherings, where joy, rebellion, and artistic innovation converge. The curators, Pedro G. Romero and María García Ruiz, delve into the complexities of identity politics, showcasing how these communities have shaped avant-garde movements while also confronting ongoing societal exclusion. In a time marked by social distancing and isolation, Una forma de ser invites visitors to reflect on the significance of togetherness, creativity, and resilience in the face of adversity.

BIG D@T@! BIG MON€Y!

BIG D@T@! BIG MON€Y! is a bold, thought-provoking exhibition that delves into the intersection of data, finance, and digitalization. Featuring seven artists and collectives, the works explore how our everyday digital footprints and the rise of cryptocurrencies are reshaping economies, identities, and power structures. Through projects like a speculative trading AI, a data-driven remake of classic art, and an analysis of the hidden infrastructure behind Amazon transactions, the exhibition sheds light on the often-invisible forces governing our digital lives. In an era of increasing surveillance and technological control, the exhibition raises critical questions about freedom, privacy, and the future of society.