Russia
Moscow
2018
1.35
Russian
English, Russian
In a nutshell
The Human Condition exhibition, a thought-provoking exploration of contemporary art that delves into the complexities of human experience. This showcase features a diverse collection of works that challenge perceptions and provoke dialogue about identity, society, and the emotional landscape of modern life. Each piece serves as a mirror, reflecting the multifaceted nature of existence in today’s world. Through innovative mediums and striking visuals, the artists invite viewers to engage deeply with themes of vulnerability, connection, and resilience. This exhibition is not just a display of art; it’s an immersive journey that encourages introspection and a deeper understanding of what it means to be human in an ever-evolving society.
Why should you watch this?
А thought-provoking contemporary art exhibition that delves into the intricacies of identity and societal dynamics in our rapidly changing world. This collection brings together diverse artists whose works challenge perceptions and provoke dialogue about what it means to be human today. Through innovative mediums and poignant narratives, the exhibition invites viewers to reflect on personal and collective experiences, making it an essential exploration for anyone interested in the intersections of art, culture, and self. Don’t miss the opportunity to engage with pieces that resonate deeply with our shared humanity, encouraging both introspection and conversation. Experience art that speaks to the heart of contemporary life — your perspective might just change.
Curators(s)
Viktor Misiano
BioViktor Misiano (born 1957 in Moscow) is a prominent Russian art curator, theorist, and critic, recognized for his influential role in shaping contemporary art discourse in Russia and internationally. He was curator at the Pushkin State Museum of Fine Arts (1980–1990) and later directed the Center for Contemporary Art (CAC) in Moscow (1992–1997). Misiano curated several major international exhibitions, including the Russian Pavilion at the Venice Biennale (1995, 2003), and was part of the curatorial team for Manifesta 1 (1996). He founded Moscow Art Magazine (1993) and Manifesta Journal (2003), serving as editor-in-chief.
