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excoursio is a free platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences. excours.io means culture for everyone, everywhere.

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The exhibition Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 examines the intersection of underground music and visual arts under communist regimes in Eastern Europe. It highlights how rock, punk, and new wave music, alongside performance art, fashion, and film, became tools of countercultural expression against state control. In response to censorship and scarcity, artists and musicians created homemade instruments, produced Samizdat magazines, and distributed recordings. The exhibition underscores the role of improvisation and irony in resisting authoritarianism, with works from Poland, Yugoslavia, the Soviet Union, and Czechoslovakia, offering a new perspective on how art and music intertwined as forms of dissent.Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war. In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.The exhibition illuminates the profound influence of the Great October Revolution on Eastern art. Featuring over 100 works from Soviet Turkmenistan, Uzbekistan, Azerbaijan, Mongolia, China, and Vietnam, the exhibition showcases a rich tapestry of artistic expressions—embroideries, posters, paper cutouts, and more—that reflect a unique amalgamation of local traditions and Soviet ideologies. Visitors will encounter the cult of personality through portraits of revolutionary leaders, discover the vibrant propaganda posters that redefined societal roles, and engage with stunning engravings depicting the industrial ambitions of China. This exhibition not only highlights the artistic responses to political shifts but also serves as a testament to the complex legacy of the Russian Revolution, revealing how hope, trauma, and cultural identity were woven into the fabric of artistry across nations. Many of these pieces are being showcased to the Russian public for the first time in decades, offering fresh insights into this historical narrative.Step back into the vibrant world of the 1920s with the Movement. 1920s exhibition, which captures the revolutionary spirit and artistic innovation of this transformative decade. Celebrating a surge of creativity across visual arts, architecture, and design, the exhibit showcases how artists challenged traditional norms and embraced new mediums and themes. Through a carefully curated selection of works and engaging installations, visitors can explore the interplay between art, politics, and society during a time marked by upheaval and change. From the bold geometries of constructivism to the experimental forms of avant-garde movements, Movement. 1920s invites audiences to witness how the decade laid the groundwork for contemporary art, illuminating the ongoing dialogue between past and present in the ever-evolving landscape of visual culture.The exhibition presents Roman Babichev’s collection as a compelling exploration of Soviet modernism, challenged by decades of controversy surrounding the term due to the anti-formalist campaigns of the 1930s and Cold War ideological battles. Offering a fresh lens, the exhibition sheds light on the often-overlooked variety within Soviet art, breaking down entrenched stereotypes and revealing the interconnections among post-avant-garde communities active after the 1932 ban on creative associations. By emphasizing the nuanced expressions of these artists—whose declarations were rendered in their unique painting styles rather than explicit statements—the exhibition invites viewers to reassess the rich tapestry of Soviet artistic heritage through a symbolist perspective, encouraging a more multidimensional understanding of its evolving narrative.
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Institutions

Academy of Arts, Berlin

Alfred Ehrhardt Foundation

Bauhaus Dessau Foundation

Cartoonmuseum Basel – Centre for Narrative Art

Estonian Museum of Architecture

Gallery for Contemporary Art Leipzig (GfZK)

Garage Museum of Contemporary Art

GROUND Solyanka (formerly Solyanka State Gallery)

HALLE 14 – Centre for Сontemporary Art

International Memorial Association

K21, Art Collection Nordrhein-Westfalen

KOW Berlin

Kunstverein am Rosa–Luxemburg–Platz

Latvian Museum of Photography

Maria & Vadim Zakharov - FREEHOME

Moscow Museum of Modern Art (MMOMA)

Multimedia Art Museum Moscow

Museum Folkwang

Museum Kunstpalast

Museum Villa Stuck

Na Shabolovke Gallery / Avant-Garde Museum

Sprengel Museum Hannover

Tartu Art Museum

The art museum Kloster Unser Lieben Frauen

The Ekaterina Cultural Foundation

The History of Money Museum of GOZNAK

The Institute of Russian Realist Art (IRRA)

The National Centre for Contemporary Arts (NCCA)

The New Wing of the Gogol House

The State Museum of Oriental Art

The State Museum of Oriental Art ― Roerichs Museum

The State Museum of Religion History

The Wuerttemberg Art Association Stuttgart

University Library, Ruhr-Universität Bochum

Zilberman Gallery

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