Nautilus – Snails, Shells, and Mollusks in Photography

The exhibition delves deep into the captivating world of shells and snails as seen through the lenses of iconic modern photographers like Edward Weston and Imogen Cunningham. This pioneering showcase assembles a rich tapestry of images, tracing humanity’s longstanding fascination with these natural forms—from their mathematical elegance to their cosmic symbolism. Grounded in Alfred Ehrhardt’s seminal works, including his influential books “Muscheln und Schnecken” and “Geprägte Form,” the exhibition also highlights the intersection of art and science, featuring innovative techniques like X-ray photography and the New Objectivity movement. Beyond mere visual appeal, the show offers an exploration of cultural significance, inviting viewers to reflect on the beauty and complexity of these “structural forms in nature,” culminating in the screening of Ehrhardt’s award-winning film “Tanz der Muscheln.”

Why should you watch this?

The exhibition at the Alfred Ehrhardt Foundation serves as a timely reminder of the profound connection between art, nature, and cultural history, inviting contemporary audiences to reflect on our relationship with the natural world. In an era increasingly defined by technology and rapid change, this exploration of shells and snails highlights the enduring allure of organic forms, encouraging a return to appreciation for the intricate beauty found in nature. By showcasing how modern photographers have captured these motifs—often imbued with deep symbolic significance—the exhibition underscores the relevance of natural elements in contemporary art and design, prompting discussions about sustainability and the need for mindful engagement with our environment. Furthermore, the intersection of art and science represented in this collection resonates with current dialogues on ecological awareness, reminding us that aesthetic appreciation can foster a deeper understanding of the world we inhabit.

Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979

Richard Paulick’s career was a mosaic of contradictions — modernist Bauhaus ideals alongside socialist industrialism, avant-garde innovation woven into national architectural traditions. His life was marked by war, shifting ideologies, and forced relocations, yet his dedication to architecture never wavered. Paulick emerged as one of the most influential architects of the German Democratic Republic, breathing new life into war-torn cities like Dresden and Berlin, while also shaping the industrial landscapes of smaller East German towns. Remarkably, his work extended far beyond Europe’s borders, leaving a legacy in pre-communist Shanghai as well. The exhibition at the Bauhaus Dessau Foundation, a beacon of German avant-garde architecture, vividly captures Paulick’s lifelong quest for self-realization in the face of the political and social currents of the 20th century. Through his work, the complexities of personal and ideological resilience unfold, offering viewers a window into both the man and the turbulent world he helped to shape.

Why should you watch this?

This exhibition offers more than just an understanding of Richard Paulick’s architectural legacy — it provides timely insights into the enduring tension between modernism, tradition, and the political influence on design. In today’s context, where cities worldwide face the issues of sustainable development, urban sprawl, and the preservation of cultural identity, Paulick’s work exemplifies the challenges of building for both functionality and aesthetic character under shifting ideologies. The guided tour illuminates how these issues resonate in contemporary debates about urban planning, sustainability, and the role of architecture in shaping not only cities but societal values. Understanding Paulick’s adaptive yet visionary approach offers fresh perspectives on the balance we seek today between innovation and heritage.

Clemens von Wedemeyer – Mehrheiten [Majorities]

The exhibition critically examines the evolution of mass mobilization and crowd dynamics in both historical and contemporary contexts, drawing inspiration from Elias Canetti’s “Crowds and Power.” Set against the backdrop of the GfZK’s new architectural space, the exhibition engages with the complexities of collective action, exploring how digital public spheres shape democratic participation while simultaneously being exploited for exclusionary practices. Featuring a rich array of video installations and cinematic works, including the new production “70.001,” which reimagines the 1989 Leipzig demonstrations, “Majorities” invites reflection on the nuances of social behavior and the implications of simulated experiences in gaming and surveillance. Through this thoughtful presentation, Wedemeyer prompts us to consider the intertwining narratives of isolation and community, resonating powerfully in today’s fragmented society.

Why should you watch this?

Watching this guided tour is crucial in our current landscape marked by digital polarization and the resurgence of mass movements. As societies grapple with issues of identity, representation, and exclusion within online spaces, this exhibition offers a vital framework for understanding how crowd dynamics shape our collective psyche and political discourse. In an age where social media can amplify divisive ideologies, gaining insights into the historical and psychological underpinnings of mass mobilization is essential. The tour encourages participants to critically examine how these dynamics operate today, heightening awareness of the fine line between community engagement and manipulation. By exploring these themes, viewers are invited to reflect on their agency within the digital public sphere, making the experience not just an exploration of art and history, but also a compelling call to engage thoughtfully in the ongoing dialogue about democracy and social responsibility in our interconnected world.