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The exhibition explores the interplay between celebration and political expression, rooted in the context of marginalized communities. Drawing inspiration from the Bergen Assembly 2019, this exhibition examines how festivities serve as platforms for social emancipation and self-determination, particularly within the Rom*nja, Flamenco, and Bohemian cultures since the 19th century. By interweaving historical and contemporary works, the exhibition highlights the transformative power of communal gatherings, where joy, rebellion, and artistic innovation intertwine. Una forma de ser invites visitors to reflect on the significance of togetherness, creativity, and resilience in the face of adversity.Victoria Lomasko’s retrospective at Cartoonmuseum Basel invites viewers to engage deeply with her explorations of Russia’s marginalized communities. This vibrant exhibition showcases her striking murals and drawings, which intricately depict the lives of LGBT activists, sex workers, and migrant laborers. Through her keen observations and bold, expressive style, Lomasko highlights the social injustices and political repression faced by these groups.CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/The group exhibition presents a compelling exploration of how art provides resilience in times of personal and societal crisis. The exhibition features works by renowned artists like Gustav Metzger, Shusaku Arakawa, and Alina Szapocznikow, each of whom faced extreme adversity and transformed their experiences into profound artistic statements. Whether addressing environmental destruction, illness, or existential threats, these artists used creativity as a means to survive and challenge the limits of human endurance. The exhibition emphasizes the power of art to propose alternative perspectives when the world seems trapped in binary thinking. By engaging with radical artistic responses to crisis, visitors are invited to reflect on how creativity can offer strength, hope, and new possibilities for navigating the uncertainties of modern life. Art, in this context, becomes more than expression — it becomes a strategy for survival and transformation.Richard Paulick’s career was a mosaic of contradictions — modernist Bauhaus ideals alongside socialist industrialism, avant-garde innovation woven into national architectural traditions. His life was marked by war, shifting ideologies, and forced relocations, yet his dedication to architecture never wavered. Paulick emerged as one of the most influential architects of the German Democratic Republic, breathing new life into war-torn cities like Dresden and Berlin, while also shaping the industrial landscapes of smaller East German towns. Remarkably, his work extended far beyond Europe’s borders, leaving a legacy in pre-communist Shanghai as well. The exhibition at the Bauhaus Dessau Foundation, a beacon of German avant-garde architecture, vividly captures Paulick’s lifelong quest for self-realization in the face of the political and social currents of the 20th century. Through his work, the complexities of personal and ideological resilience unfold, offering viewers a window into both the man and the turbulent world he helped to shape.
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