When I see the future, I close my eyes: Chapter II

When I see the future, I close my eyes: Chapter II

In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.

Why should you watch this?

This exhibition is essential for gaining a deeper understanding of how colonial histories and technological advancements continue to shape global power dynamics today. In a world increasingly dominated by digital surveillance, militarization, and the exploitation of resources, Heba Y. Amin’s works offer critical insights into how these tools are rooted in historical forms of oppression. The tour provides context to complex pieces that tackle everything from colonial photography to nuclear fallout, showing how these past events resonate with current issues like digital authoritarianism and neocolonialism. At a time when technology is both a tool for liberation and control, this exhibition is especially relevant, helping us reconsider the role of visual culture in framing our collective future.
TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism

TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Why should you watch this?

As political polarization, social inequality, and widespread protests dominate global headlines, the exhibition sheds light on the emotional and political power of anger as a response to injustice. The tour offers nuanced insights into how contemporary artists interpret and challenge societal issues like fake news, racial violence, and the erosion of democratic values. By exploring the different artistic expressions of outrage, viewers gain a richer understanding of how these works speak to our current moment, making the exhibition incredibly relevant as we navigate a world increasingly defined by conflict and resistance.
TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism

TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Why should you watch this?

As political polarization, social inequality, and widespread protests dominate global headlines, the exhibition sheds light on the emotional and political power of anger as a response to injustice. The tour offers nuanced insights into how contemporary artists interpret and challenge societal issues like fake news, racial violence, and the erosion of democratic values. By exploring the different artistic expressions of outrage, viewers gain a richer understanding of how these works speak to our current moment, making the exhibition incredibly relevant as we navigate a world increasingly defined by conflict and resistance.
TIME FOR OUTRAGE! Art in Times of Social Anger | Protest

TIME FOR OUTRAGE! Art in Times of Social Anger | Protest

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition Time for Outrage! in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

 

Why should you watch this?

As political polarization, social inequality, and widespread protests dominate global headlines, the exhibition sheds light on the emotional and political power of anger as a response to injustice. The tour offers nuanced insights into how contemporary artists interpret and challenge societal issues like fake news, racial violence, and the erosion of democratic values. By exploring the different artistic expressions of outrage, viewers gain a richer understanding of how these works speak to our current moment, making the exhibition incredibly relevant as we navigate a world increasingly defined by conflict and resistance.
TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination

TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Why should you watch this?

As political polarization, social inequality, and widespread protests dominate global headlines, the exhibition sheds light on the emotional and political power of anger as a response to injustice. The tour offers nuanced insights into how contemporary artists interpret and challenge societal issues like fake news, racial violence, and the erosion of democratic values. By exploring the different artistic expressions of outrage, viewers gain a richer understanding of how these works speak to our current moment, making the exhibition incredibly relevant as we navigate a world increasingly defined by conflict and resistance.
TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift

TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Why should you watch this?

As political polarization, social inequality, and widespread protests dominate global headlines, the exhibition sheds light on the emotional and political power of anger as a response to injustice. The tour offers nuanced insights into how contemporary artists interpret and challenge societal issues like fake news, racial violence, and the erosion of democratic values. By exploring the different artistic expressions of outrage, viewers gain a richer understanding of how these works speak to our current moment, making the exhibition incredibly relevant as we navigate a world increasingly defined by conflict and resistance.
TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction

TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Why should you watch this?

As political polarization, social inequality, and widespread protests dominate global headlines, the exhibition sheds light on the emotional and political power of anger as a response to injustice. The tour offers nuanced insights into how contemporary artists interpret and challenge societal issues like fake news, racial violence, and the erosion of democratic values. By exploring the different artistic expressions of outrage, viewers gain a richer understanding of how these works speak to our current moment, making the exhibition incredibly relevant as we navigate a world increasingly defined by conflict and resistance.
Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour

Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour

Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war.

In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.

Why should you watch this?

Sergiy Bratkov’s latest exhibition captures a profound shift in his artistic practice, where irony gives way to a sobering confrontation with the brutal realities of war. Renowned for his socially charged photography rooted in the “Kharkiv School,” Bratkov’s new works — created after Russia’s invasion of Ukraine — delve into the trauma of conflict in his homeland. Emigrating to Berlin in 2022, his vivid and unsettling images, once focused on Soviet clichés and post-Soviet capitalism, now engage deeply with the devastation of war, transforming him from a detached observer to a reflective witness of historical tragedy.
CLUBS of the FUTURE. Common Spaces in Transitional Societies

CLUBS of the FUTURE. Common Spaces in Transitional Societies

CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/

Why should you watch this?

CLUBS of the FUTURE is a compelling exhibition that explores the significance of communal spaces and collective practices, particularly in light of the legacy of the GDR’s Houses of Culture. By addressing the societal gaps left by their closure, the project invites reflection on how shared spaces can foster collaboration and social cohesion in a time of increasing individualism. With diverse artistic practices, including innovative workshops, installations, and performances, the exhibition engages with contemporary issues such as the rise of right-wing extremism and the ongoing conflict in Ukraine. It highlights community-centric projects that inspire collective action and offers a hopeful vision for sustainable, inclusive futures through art.