In a nutshell
Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition Time for Outrage! in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.
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Curators(s)
Linda Peitz
BioA Berlin-based curator and creative director, Linda Peitz has been a prominent figure in the art world since founding CCCCCOMA e.V. in 2020. This curatorial collective explores the intersections of communication, art, and curatorial practices. Peitz is also a curator and exhibition manager at Gallery Ebensperger in Berlin and Austria, where she develops exhibition concepts and manages artist relations. Her international experience includes a curatorial residency at ARAC in Bucharest (2022-2023). Known for her innovative approach, Peitz often engages with contemporary themes, including textile art and political expression.
Florian Peters-Messer
BioBorn in 1964, Florian Peters-Messer is a German real estate entrepreneur and art collector who began acquiring contemporary works in the mid-1990s. His collection, now comprising over 450 pieces, focuses on sociopolitical, psychological, and sociological themes, with notable works by artists such as Thomas Hirschhorn, Sophie Calle, and David Wojnarowicz. Peters-Messer’s collection debuted in 2018 at the Weserburg Museum in Bremen and has since been exhibited in prominent venues across Germany. He also curates exhibitions and contributes to discussions on queer art, right-wing radicalization, and art’s role in societal critique.