Raqs Media Collective. Everything Else is Ordinary

Raqs Media Collective. Everything Else is Ordinary

The Raqs Media Collective, founded in 1992 in New Delhi by Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta, operates at the intersection of contemporary art, historical inquiry, philosophical speculation, and political critique. Their work probes the fundamental, often elusive, concepts of time, language, and history, challenging linear narratives and fixed interpretations. Central to their practice is the interrogation of time — not merely as a measurable entity but as a force that governs societal rhythms, disciplines human life, and underpins capitalist structures. In works such as Escapement (2009) and Re-Run (2013), they explore how time shapes experience, asking what it means to measure time and how it intersects with space and history.

Why should you watch this?

The Raqs Media Collective’s exploration of time as a force shaping human experience offers a profound critique of how society functions under capitalism. Their works challenge traditional notions of time, revealing its role in regulating life and framing historical narratives. By dismantling these fixed interpretations, they invite audiences to rethink the ways time is measured, experienced, and manipulated. In doing so, their practice merges art, history, and philosophy, making their work a compelling reflection on the rhythms that shape our individual and collective existence.

If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century.

Why should you watch this?

This exhibition is a must-see for anyone interested in the deep connections between art, politics, and society. Lifshitz’s The Crisis of Ugliness offers a rare Soviet critique of modernism, challenging Cubism and Pop Art in ways that still resonate today. The exhibition’s exploration of these ideas through archival materials, artworks, and Lifshitz’s own writings sheds light on the complex relationship between avant-garde art and political ideology. In a time of global crisis, Lifshitz’s critiques are more relevant than ever, inviting viewers to reconsider the role of art in shaping social consciousness.

Vladimir Bogdanov. Retrospective. Part of “The Classics of Russian Photography” Program

Vladimir Bogdanov. Retrospective. Part of “The Classics of Russian Photography” Program

As part of the Classics of Russian Photography program, MAMM presents the first large-scale retrospective of renowned contemporary photographer Vladimir Bogdanov. The exhibition features over 100 photographs from the Multimedia Art Museum, Moscow, highlighting his work from the 1960s to the 1990s. Born in 1937, Bogdanov’s artistic journey began during the Khrushchev thaw, a period that allowed artists to explore themes beyond socialist realism. This era marked a shift where humanism replaced official dogma, enabling photographers to capture the lives of ordinary people. In 1955, while studying at the Textile Institute, he joined the Leningrad photo club VDK, transforming his passion into a profession. His compelling images reflect a deep connection to Russian society and its complexities during a time of change.

Why should you watch this?

The retrospective exhibition of Vladimir Bogdanov at MAMM is a must-see for anyone interested in the evolution of Russian photography. With over 100 photographs spanning three decades, it showcases Bogdanov’s profound ability to capture the nuances of everyday life against the backdrop of a rapidly changing society. Emerging during the Khrushchev thaw, his work offers a rare glimpse into a time when artists could break free from the constraints of socialist realism. Each image is not just a photograph but a reflection of human experience and resilience, making this exhibition a poignant exploration of cultural identity and history. Engaging with Bogdanov’s art invites viewers to reflect on the complexities of Russian society, enriching their understanding of both past and present.

Katrin Nenasheva. Between Here and There: Stories of City Isolations

Katrin Nenasheva. Between Here and There: Stories of City Isolations

Between Here and There: Stories of Urban Isolation is an exhibition by Katrin Nenasheva that explores the lives of individuals permanently isolated in psychiatric institutions. In her performance, Nenasheva traversed city streets wearing virtual reality glasses displaying panoramic images from these institutions, highlighting the barriers that separate their world from ours. She engaged with the public in various locations, including the subway and Red Square, inviting them to experience her perspective and share the motivations behind her work. The exhibition presents documentation of her journey, allowing visitors to engage with virtual reality themselves, fostering a dialogue between “here” and “there.” This immersive experience encourages reflection on societal isolation and connection.

Why should you watch this?

Katrin Nenasheva’s exhibition Between Here and There: Stories of Urban Isolation offers a profound exploration of the often-overlooked lives of individuals in psychiatric institutions. By donning virtual reality glasses that display panoramic views of these spaces, Nenasheva creates a striking connection between the isolated and the public, inviting visitors to step into her shoes as she navigates familiar urban landscapes. This immersive performance, paired with documentation of her interactions in locations like the subway and Red Square, blurs the lines between separation and engagement. Through this unique experience, attendees are encouraged to confront their perceptions of mental health, societal isolation, and human connection, prompting vital conversations about empathy and understanding in our communities.

Alexander Grinberg. Movement. 1920s

Alexander Grinberg. Movement. 1920s

Step back into the vibrant world of the 1920s with the Movement. 1920s exhibition, which captures the revolutionary spirit and artistic innovation of this transformative decade. Celebrating a surge of creativity across visual arts, architecture, and design, the exhibit showcases how artists challenged traditional norms and embraced new mediums and themes. Through a carefully curated selection of works and engaging installations, visitors can explore the interplay between art, politics, and society during a time marked by upheaval and change. From the bold geometries of constructivism to the experimental forms of avant-garde movements, Movement. 1920s invites audiences to witness how the decade laid the groundwork for contemporary art, illuminating the ongoing dialogue between past and present in the ever-evolving landscape of visual culture.

Why should you watch this?

This exhibition features a diverse array of works that reflect the pulse of a society in transformation — bold colors, experimental forms, and a celebration of motion that captures the zeitgeist of post-war optimism. Each piece invites the viewer to engage with the revolutionary ideas that shaped modern art, making it a must-see for anyone interested in the interplay between culture and creativity. It demonstrates how artists of the 1920s broke boundaries and redefined artistic expression, leaving an indelible mark on the contemporary landscape.

KOMAR & MELAMID

KOMAR & MELAMID

KOMAR & MELAMID delves into the fusion of art and ideology, spotlighting the pioneering duo known for their satirical takes on Soviet culture. This exhibition showcases their innovative approach to ‘Sots Art,’ a movement that critiques the socialist aesthetic while playfully engaging with the political and commercial landscapes of the 20th century. Through a diverse array of works, including paintings, installations, and conceptual pieces, Komar and Melamid invite viewers to reconsider the purpose and function of art in society. Their collaboration challenges traditional boundaries, marrying humor with profound sociopolitical commentary—a must-see for anyone interested in contemporary art’s dialogue with history and culture.

Why should you watch this?

This exhibition represents the place where art meets incisive commentary on society and culture. This dynamic duo takes you on a journey through the playful yet poignant realm of Sots Art, characterized by a mix of humor and critique. Their works challenges normative ideals and question the role of art under Soviet influence, making it both a historical exploration and a contemporary dialogue. By engaging with their art, you’ll uncover layers of meaning about ideological constructs, consumerism, and identity. It’s a unique opportunity to reflect on how these themes continue to resonate today. Experience firsthand how Komar and Melamid’s innovative spirit invites a critical look at the world around us — ensuring you walk away with new insights and a deeper appreciation for the complexities of art.

History of the Photo Club “Riga”

History of the Photo Club “Riga”

In the early 1960s, photography emerged as a recognized art form, yet, in Latvia, it struggled for acceptance in traditional art spaces. The establishment of the Photo Club “Rīga” in 1962 marked a pivotal moment, fostering a vibrant community that embraced photography’s artistic potential. This collective became a vital force in shaping the perception of art photography both locally and globally, drawing in visionary talents who pushed creative boundaries. The club’s ongoing legacy reflects not just the evolution of photography as an art form but also its enduring relevance within contemporary Latvian culture. As it adapts to new challenges and styles, the Photo Club remains a cherished cornerstone, celebrating its historical impact while inspiring future generations of photographers.

Why should you watch this?

Joining a guided tour of this exhibition offers an invaluable opportunity to delve into the nuanced evolution of photography as an art form, enriching our understanding of its role in contemporary visual culture. With today’s landscape awash in images, the tour provides context to the historical dialogues and artistic practices that shaped current perceptions of photography. It invites reflection on the delicate interplay between artist and viewer, shedding light on how these artworks resonate with themes of identity and memory. Engaging with the photographs in a communal setting not only enhances appreciation for the craft but also encourages a deeper connection to the stories that accompany each piece, making the experience both enriching and thought-provoking in our fast-paced, image-driven world.
Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution

Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution

The exhibition illuminates the profound influence of the Great October Revolution on Eastern art. Featuring over 100 works from Soviet Turkmenistan, Uzbekistan, Azerbaijan, Mongolia, China, and Vietnam, the exhibition showcases a rich tapestry of artistic expressions—embroideries, posters, paper cutouts, and more—that reflect a unique amalgamation of local traditions and Soviet ideologies. Visitors will encounter the cult of personality through portraits of revolutionary leaders, discover the vibrant propaganda posters that redefined societal roles, and engage with stunning engravings depicting the industrial ambitions of China. This exhibition not only highlights the artistic responses to political shifts but also serves as a testament to the complex legacy of the Russian Revolution, revealing how hope, trauma, and cultural identity were woven into the fabric of artistry across nations. Many of these pieces are being showcased to the Russian public for the first time in decades, offering fresh insights into this historical narrative.

Why should you watch this?

The centenary of the October Revolution resonates deeply in today’s world, reflecting how political upheaval can shape cultural identity and artistic expression. The legacy of this pivotal event continues to inform contemporary discussions on nationalism, ideology, and the role of art as both a tool for propaganda and a medium of resistance. As nations grapple with their histories, the transformation of traditional art forms under revolutionary pressures serves as a powerful reminder of how creative expression can embody the struggles for freedom, equality, and social change. By examining the intersections of art and politics in this context, we gain valuable insights into the ongoing dialogues surrounding identity, power, and the cultural narratives that define our societies today. This exhibition not only connects us to the past but also encourages us to contemplate the implications of ideological movements on contemporary artistic practices and cultural discourse.