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Yokoo Tadanori’s Haunted Museum presents a compelling exploration of the intrinsic connection between art and fear, featuring a diverse range of the artist’s works. Yokoo Tadanori has consistently pursued phenomena that remain invisible or unexplainable by science, a fascination rooted in his childhood experiences with profound darkness and mystical encounters in Nishiwaki. This deeply personal history informs much of his art, from his celebrated illustrations for the Complete Works of Edogawa Rampo to his paintings created since his “painter’s declaration.” The exhibition, designed with deliberately darkened spaces, encourages visitors to engage with their own ambivalent emotions of wanting to look yet fearing the unknown. It highlights art’s enduring capacity to interpret and express humanity’s primal responses to mystery and the unseen, fostering a reflection on these universal aspects of human existence.The exhibition delves deep into the captivating world of shells and snails as seen through the lenses of iconic modern photographers like Edward Weston and Imogen Cunningham. This pioneering showcase assembles a rich tapestry of images, tracing humanity’s longstanding fascination with these natural forms—from their mathematical elegance to their cosmic symbolism. Grounded in Alfred Ehrhardt’s seminal works, including his influential books “Muscheln und Schnecken” and “Geprägte Form,” the exhibition also highlights the intersection of art and science, featuring innovative techniques like X-ray photography and the New Objectivity movement. Beyond mere visual appeal, the show offers an exploration of cultural significance, inviting viewers to reflect on the beauty and complexity of these “structural forms in nature,” culminating in the screening of Ehrhardt’s award-winning film “Tanz der Muscheln.”KOMAR & MELAMID delves into the fusion of art and ideology, spotlighting the pioneering duo known for their satirical takes on Soviet culture. This exhibition showcases their innovative approach to ‘Sots Art,’ a movement that critiques the socialist aesthetic while playfully engaging with the political and commercial landscapes of the 20th century. Through a diverse array of works, including paintings, installations, and conceptual pieces, Komar and Melamid invite viewers to reconsider the purpose and function of art in society. Their collaboration challenges traditional boundaries, marrying humor with profound sociopolitical commentary—a must-see for anyone interested in contemporary art’s dialogue with history and culture.The exhibition Hyogo Prefectural Yokoo Emergency Hospital explores the profound connection between artist Yokoo Tadanori’s body, his life, and his creative output. Spanning his journey from sensory childhood experiences to confronting old age, the exhibition highlights Yokoo’s unique philosophy of trusting physical sensation over mental states, even in the face of numerous illnesses and injuries such as asthma and facial palsy. The museum is transformed into a hospital setting, featuring works, diaries, and sketches by Yokoo, including his prophetic With Corona series of 2020 which addressed masks. Viewers are invited to reexamine their own relationship with the physical and consider how challenges, including those of a global pandemic, can inspire resilience and artistic force. This presentation underscores the body as a truthful guide for life and art.The exhibition Curators in Panic addresses the unpredictable realities of operating a contemporary art museum, presenting unique works by artist Yokoo Tadanori, who has continuously redefined painting since the 1980s. Rooted in the early 2020s — a period marked by the coronavirus crisis and logistical demands from the large-scale retrospective Genkyo Yokoo Tadanori — this show responds directly to the sudden absence of major holdings and the challenges of museum governance. Three participating curators, deeply familiar with the collection, selected their personal favorites not included in the tour, highlighting the profound existence of the artist’s full creative output. This perspective reflects the confusion of managing a cultural facility during a state of emergency. By adopting the curators’ viewpoint, visitors gain an opportunity to freely enjoy the viewing experience and rediscover the rich, constantly changing creative world of Yokoo Tadanori.
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https://www.youtube.com/watch?v=txj1MWCWseY&rel=0&autoplay=0&controls=1
Curators in Panic – A still from the docursion (#1)
Curators in Panic – A still from the docursion (#1)
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Curators in Panic – A still from the docursion (#2)
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Curators in Panic – A still from the docursion (#3)
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Curators in Panic – A still from the docursion (#5)
Curators in Panic – A still from the docursion (#5)
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Curators in Panic – A still from the docursion (#5)
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18+
Yokoo Tadanori Museum of Contemporary Art Arts | Culture

Curators in Panic

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Original Exhibition Title: 学芸員危機一髪
Japan Kobe 2021 21 Japanese Japanese, English
Art Collecting HistoryArt in the Time of CrisisArtistic ResearchContemporary ArtCultural MemoryCultural ResilienceDaily LifeDigital EconomyInnovations in ArtMuseum Engagement

All rights and copyrights to the film are held by the producer: Yokoo Tadanori Museum of Contemporary Art, Kobe, Japan.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

The exhibition Curators in Panic addresses the unpredictable realities of operating a contemporary art museum, presenting unique works by artist Yokoo Tadanori, who has continuously redefined painting since the 1980s. Rooted in the early 2020s — a period marked by the coronavirus crisis and logistical demands from the large-scale retrospective Genkyo Yokoo Tadanori — this show responds directly to the sudden absence of major holdings and the challenges of museum governance. Three participating curators, deeply familiar with the collection, selected their personal favorites not included in the tour, highlighting the profound existence of the artist’s full creative output. This perspective reflects the confusion of managing a cultural facility during a state of emergency. By adopting the curators’ viewpoint, visitors gain an opportunity to freely enjoy the viewing experience and rediscover the rich, constantly changing creative world of Yokoo Tadanori.

Why should you watch this?

Curators in Panic speaks directly to the uncertainties of our present, when cultural institutions and everyday life alike are shaped by disruption and absence. The film captures the uneasy humor of curators calling their own exhibition a “state of emergency,” a phrase that resonates far beyond the museum walls in a world still negotiating the aftershocks of the coronavirus crisis. Their candid voices, recounting both discoveries and setbacks, turn curatorial practice into a deeply human story of resilience and adaptation. Viewers are left with a striking reminder that art, even when interrupted or displaced, continues to create meaning and connection.

Curators

Yu Hayashi

Bio

Yu Hayashi is a Japanese curator at the Yokoo Tadanori Museum of Contemporary Art, known for his work on exhibitions dedicated to Tadanori Yokoo, the celebrated graphic designer and painter. Hayashi has edited several exhibition catalogs that explore Yokoo’s distinctive blend of psychedelic, Pop Art-inspired imagery with traditional Japanese aesthetics.

All films Last updated: 01/09/2025

Atsuo Yamamoto

Bio

Atsuo Yamamoto is a Japanese curator and Chief Curator at the Yokoo Tadanori Museum of Contemporary Art (Y+T MOCA), Kobe. He has held curator roles previously at the Ashiya City Museum of Art & History and the Museum of Modern Art, Shiga. Yamamoto has been closely involved with the establishment of Y+T MOCA since about 2011; the museum opened in November 2012 in a renovated wing of a building originally designed by architect Tōgō Murano. Under his direction, the museum’s holdings have grown to thousands of works and materials — including hundreds of paintings, prints, posters, drawings, photographs and archival boxes — and he oversees the archival, conservation, and exhibition programs. Yamamoto is also known for his interest in post-war Japanese modernism, including the Gutai art movement. He has curated exhibitions and contributed publications about Gutai members such as Saburo Murakami.

All films Last updated: 12/09/2025

Megumi Hirabayashi

Bio

Megumi Hirabayashi is curator at the Yokoo Tadanori Museum of Contemporary Art, Kobe. She previously worked at the 21st Century Museum of Contemporary Art, Kanazawa, and with Gifu Prefectural Museum Hida. Hirabayashi plays a central role in managing Yokoo’s archives, selecting both finished and in-process works for exhibition, and she champions displays that reveal not only Yokoo’s iconic finished pieces but also his sketches, idea notebooks, and lesser-seen creative material.

All films Last updated: 15/09/2025

Artist

Tadanori Yokoo

Bio

Tadanori Yokoo (born 1936 in Nishiwaki, Hyogo, Japan) is a celebrated Japanese graphic designer, illustrator, printmaker, and painter, widely recognized as one of Japan’s most influential contemporary artists. After a successful career in graphic design in the 1960s and 70s, where he gained international acclaim for his psychedelic, pop art-infused posters and album covers, he shifted his focus to painting in 1981. Yokoo’s work is characterized by its vibrant colors, intricate collages, and a unique blend of Japanese tradition with Western influences, often exploring themes of mysticism, the subconscious, and the human condition. His diverse career and unconventional approach have left an indelible mark on both Japanese and international art.

All films Last updated: 15/09/2025
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