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The exhibition illuminates the profound influence of the Great October Revolution on Eastern art. Featuring over 100 works from Soviet Turkmenistan, Uzbekistan, Azerbaijan, Mongolia, China, and Vietnam, the exhibition showcases a rich tapestry of artistic expressions—embroideries, posters, paper cutouts, and more—that reflect a unique amalgamation of local traditions and Soviet ideologies. Visitors will encounter the cult of personality through portraits of revolutionary leaders, discover the vibrant propaganda posters that redefined societal roles, and engage with stunning engravings depicting the industrial ambitions of China. This exhibition not only highlights the artistic responses to political shifts but also serves as a testament to the complex legacy of the Russian Revolution, revealing how hope, trauma, and cultural identity were woven into the fabric of artistry across nations. Many of these pieces are being showcased to the Russian public for the first time in decades, offering fresh insights into this historical narrative.The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.Nissky. Horizon is a compelling exhibition at the Institute of Russian Realistic Art that explores the intricate relationship between contemporary art and traditional Russian realism. Featuring a diverse array of artists, the exhibition invites viewers to engage with works that reflect on cultural heritage while pushing artistic boundaries. Each piece serves as a dialogue between past and present, showcasing how contemporary creators reinterpret classical themes and techniques. This fusion not only honors the legacy of Russian art but also challenges perceptions, encouraging a deeper understanding of identity and artistic expression in today’s globalized context. Through thought-provoking installations and evocative imagery, Nissky. Horizon celebrates the enduring relevance of realism in contemporary discourse.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.
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https://www.youtube.com/watch?v=PqX4SONZ3ec&rel=0&autoplay=0&controls=1
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#1)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#1)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#2)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#2)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#3)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#3)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#4)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#4)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#5)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#5)
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Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Arts | Culture | History

110 Years, 110 Works. Société Générale Collection

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Original Exhibition Title: 110 ans, 110 oeuvres. Collection Société Générale
Morocco Rabat 2024 8 French
Art Collecting HistoryCommunity-based ArtContemporary ArtCultural MemoryCultural ResilienceIntercultural RelationsMuseum EngagementNational IdentityParticipation

All rights and copyrights to the film are held by the producer: Musée Mohammed VI d’Art Moderne et Contemporain, Rabat, Morocco / Fondation Nationale des Musées du Maroc.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

110 ans, 110 œuvres, at the Mohammed VI Museum of Modern and Contemporary Art in Rabat, commemorates Société Générale Maroc’s 110th anniversary and its long-standing commitment to art and Moroccan culture. This exceptional exhibition, a collaboration with the National Museum Foundation, features a precious part of the bank’s collection, including previously unseen works. It takes visitors on a timeless journey, tracing Moroccan art’s evolution from the early 20th century, starting with pioneers like Ben Ali R’bati, across four distinct periods to the present day. The exhibition highlights Moroccan artists’ contribution to national identity. It celebrates a rich artistic heritage and Société Générale Maroc’s enduring role in art’s promotion, anticipating the opening of its own museum in 2024. Visitors gain insight into Morocco’s artistic dynamism and the intricate relationship between banking and cultural patronage over more than a century.

Why should you watch this?

The exhibition 110 ans, 110 œuvres matters today because it shows how art can carry a nation’s memory while speaking to its future. Moving between the early brushstrokes of Ben Ali R’bati and the global perspectives of contemporary Moroccan artists, it evokes both pride and questioning: how does creativity define who we are in a world of constant change? Visitors may feel inspired by the intimate voices of the 1980s generation, who turned personal experience into universal expression, or by today’s works shaped through worldwide dialogue. Ultimately, the exhibition reminds us that art’s power to connect time, place, and people remains urgently relevant.

Curator

Abdelaziz El Idrissi

Bio

Abdelaziz El Idrissi is a prominent Moroccan art historian, curator, and cultural leader. He currently serves as the Director of the Mohammed VI Museum of Modern and Contemporary Art in Rabat, the first national institution in Morocco devoted entirely to modern and contemporary art.
With a background as curator of the Kasbah Museum in Tangier and a long-standing commitment to cultural preservation and artistic innovation, El Idrissi has been instrumental in shaping the museum landscape in Morocco.

All films Last updated: 09/08/2025

In the press

“The 110 selected works are part of a “chrono-thematic” journey that sheds light on the history of Moroccan art, from its founding moments to the present day, explains El Idrissi. It is a stroll through artistic practices and movements, from the 1950s and their first pictorial experiments to the contemporary era, with works integrated into a globalized context. This rich collection, showcasing masterpieces by Chaibia, Hamri, Melehi, Kacimi, Belkahia, Gharbaoui, Labied, Demnati, Bellamine, Ouazzani, Yamou, Darsi, Erruas, Abouelouakar, and many others, reflects “a long history of encounters between exceptional men and women,” emphasizes Ahmed El Yacoubi.”
(translated from French)

― Houda Outarahout

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“The exhibition “110 Years, 110 Works” traces the evolution of Moroccan art from Ben Ali R’bati’s pioneering experiments in the early 20th century to the present day, highlighting the different eras and influences that have shaped its development. On this occasion, Société Générale Maroc announced the creation of the Société Générale Maroc Museum, scheduled to open in 2024 at its historic headquarters in Casablanca, underscoring the bank’s long-term commitment to supporting the arts and culture. According to Ahmed El Yacoubi, Chairman of the Management Board, this initiative seeks to enrich the bank’s artistic legacy while sharing a collective memory with the wider public.“
(translated from French)

 

― Noura Mzaghrani

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