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The exhibition delves deep into the captivating world of shells and snails as seen through the lenses of iconic modern photographers like Edward Weston and Imogen Cunningham. This pioneering showcase assembles a rich tapestry of images, tracing humanity’s longstanding fascination with these natural forms—from their mathematical elegance to their cosmic symbolism. Grounded in Alfred Ehrhardt’s seminal works, including his influential books “Muscheln und Schnecken” and “Geprägte Form,” the exhibition also highlights the intersection of art and science, featuring innovative techniques like X-ray photography and the New Objectivity movement. Beyond mere visual appeal, the show offers an exploration of cultural significance, inviting viewers to reflect on the beauty and complexity of these “structural forms in nature,” culminating in the screening of Ehrhardt’s award-winning film “Tanz der Muscheln.”100 Takes of Hanshan and Shide presents artist Yokoo Tadanori’s series of 102 paintings, reinterpreting figures from China’s Tang dynasty. Hanshan and Shide, eccentric poets believed to be bodhisattvas, have inspired artists for centuries with their enduring mystery. Yokoo found them an ideal image, projecting them onto diverse scenes like ukiyo-e-style women and marathon runners, a quest begun with his interpretation of Soga Shohaku. This exhibition reveals Yokoo’s sustained creative power after forty years, connecting ancient legends with contemporary art. Visitors will reflect on the timeless interplay between myth and artistic vision, appreciating how one artist continually reshapes enduring narratives.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.The group exhibition presents a compelling exploration of how art provides resilience in times of personal and societal crisis. The exhibition features works by renowned artists like Gustav Metzger, Shusaku Arakawa, and Alina Szapocznikow, each of whom faced extreme adversity and transformed their experiences into profound artistic statements. Whether addressing environmental destruction, illness, or existential threats, these artists used creativity as a means to survive and challenge the limits of human endurance. The exhibition emphasizes the power of art to propose alternative perspectives when the world seems trapped in binary thinking. By engaging with radical artistic responses to crisis, visitors are invited to reflect on how creativity can offer strength, hope, and new possibilities for navigating the uncertainties of modern life. Art, in this context, becomes more than expression — it becomes a strategy for survival and transformation.The exhibition critically examines the evolution of mass mobilization and crowd dynamics in both historical and contemporary contexts, drawing inspiration from Elias Canetti’s “Crowds and Power.” Set against the backdrop of the GfZK’s new architectural space, the exhibition engages with the complexities of collective action, exploring how digital public spheres shape democratic participation while simultaneously being exploited for exclusionary practices. Featuring a rich array of video installations and cinematic works, including the new production “70.001,” which reimagines the 1989 Leipzig demonstrations, “Majorities” invites reflection on the nuances of social behavior and the implications of simulated experiences in gaming and surveillance. Through this thoughtful presentation, Wedemeyer prompts us to consider the intertwining narratives of isolation and community, resonating powerfully in today’s fragmented society.
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excoursio

Contributor / Abdelaziz El Idrissi

Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Arts | Culture | History
18+

110 Years, 110 Works. Société Générale Collection

110 ans, 110 oeuvres. Collection Société Générale
Morocco Rabat 2024 8

110 ans, 110 œuvres, at the Mohammed VI Museum of Modern and Contemporary Art in Rabat, commemorates Société Générale Maroc’s 110th anniversary and its long-standing commitment to art and Moroccan culture. This exceptional exhibition, a collaboration with the National Museum Foundation, features a precious part of the bank’s collection, including previously unseen works. It takes visitors on a timeless journey, tracing Moroccan art’s evolution from the early 20th century, starting with pioneers like Ben Ali R’bati, across four distinct periods to the present day. The exhibition highlights Moroccan artists’ contribution to national identity. It celebrates a rich artistic heritage and Société Générale Maroc’s enduring role in art’s promotion, anticipating the opening of its own museum in 2024. Visitors gain insight into Morocco’s artistic dynamism and the intricate relationship between banking and cultural patronage over more than a century.

Why should you watch this?

The exhibition 110 ans, 110 œuvres matters today because it shows how art can carry a nation’s memory while speaking to its future. Moving between the early brushstrokes of Ben Ali R’bati and the global perspectives of contemporary Moroccan artists, it evokes both pride and questioning: how does creativity define who we are in a world of constant change? Visitors may feel inspired by the intimate voices of the 1980s generation, who turned personal experience into universal expression, or by today’s works shaped through worldwide dialogue. Ultimately, the exhibition reminds us that art’s power to connect time, place, and people remains urgently relevant.

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