Actually, the Dead Are Not Dead. Una forma de ser. | Introduction

Actually, the Dead Are Not Dead. Una forma de ser. | Introduction

The exhibition explores the interplay between celebration and political expression, rooted in the context of marginalized communities. Drawing inspiration from the Bergen Assembly 2019, this exhibition examines how festivities serve as platforms for social emancipation and self-determination, particularly within the Rom*nja, Flamenco, and Bohemian cultures since the 19th century. By interweaving historical and contemporary works, the exhibition highlights the transformative power of communal gatherings, where joy, rebellion, and artistic innovation intertwine. Una forma de ser invites visitors to reflect on the significance of togetherness, creativity, and resilience in the face of adversity.

Why should you watch this?

Una forma de ser offers a deeper understanding of the vital connections between celebration and social justice within marginalized communities. In a time when the world has faced unprecedented challenges like social distancing, the insights from an expert guide can illuminate the historical context and contemporary relevance of the works on display. These tours foster a greater appreciation for how communal gatherings can serve as acts of resistance and self-assertion, encouraging critical reflection on our own experiences of connection and separation. Additionally, the guided tour provides a unique opportunity to engage with the complexities of identity and representation that the exhibition addresses, enriching the viewer’s experience and sparking meaningful conversations about the role of art in shaping our understanding of community and resilience in today’s society.
Maya Schweizer – Voices

Maya Schweizer – Voices

Human perception of time often resembles a collage — fragmented and layered, shaped by memory and experience. Berlin-based artist Maya Schweizer captures this complexity through her unique language of short film. In her work, everyday spaces become carriers of memory, interweaving found footage, situational observations, and soundscapes to create immersive, multifaceted narratives. Schweizer’s art subtly explores the intricacies of cultural identity and the role individuals play as political actors, encouraging deeper reflection on how we engage with our surroundings and their embedded histories. In her solo exhibition Stimmen (Voices) at the Museum Villa Stuck, composed of 10 films spanning the past 14 years, Schweizer gives voice to those who have disappeared, recounting stories of violence, memory, and loss, particularly within the context of German history and Munich’s past. By blending personal and collective histories, her work oscillates between documentation and staged reality, using urban spaces as laboratories for examining overlapping historical layers. As viewers dive into the culture of remembrance, Schweizer uncovers new and often unsettling depths of human memory, sparking a reflection on the invisible ties between people, places, and their histories.

Why should you watch this?

Maya Schweizer’s exhibition illuminates pressing issues of collective memory, identity, and the power dynamics embedded in our urban environments. In an age where historical narratives are constantly contested and reshaped, Schweizer’s work offers a profound reflection on how personal and societal histories intersect, particularly in divided or marginalized spaces. Her exploration of everyday locations — spaces that might seem mundane — invites viewers to question how memory is inscribed into these environments, often highlighting forgotten or overlooked stories. With rising global tensions surrounding borders, migration, and the politics of identity, Schweizer’s art becomes a timely and poignant commentary on how we perceive and interact with both physical and symbolic boundaries. A guided tour offers a deeper understanding of these complex themes, fostering critical engagement with the socio-political narratives that shape our contemporary world.
Sergiy Bratkov. My Brother’s Cats | Curatorial Introduction with Annegret Laabs

Sergiy Bratkov. My Brother’s Cats | Curatorial Introduction with Annegret Laabs

Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war.

In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.

Why should you watch this?

Sergiy Bratkov’s latest exhibition captures a profound shift in his artistic practice, where irony gives way to a sobering confrontation with the brutal realities of war. Renowned for his socially charged photography rooted in the “Kharkiv School,” Bratkov’s new works — created after Russia’s invasion of Ukraine — delve into the trauma of conflict in his homeland. Emigrating to Berlin in 2022, his vivid and unsettling images, once focused on Soviet clichés and post-Soviet capitalism, now engage deeply with the devastation of war, transforming him from a detached observer to a reflective witness of historical tragedy.
Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour

Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour

Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war.

In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.

Why should you watch this?

Sergiy Bratkov’s latest exhibition captures a profound shift in his artistic practice, where irony gives way to a sobering confrontation with the brutal realities of war. Renowned for his socially charged photography rooted in the “Kharkiv School,” Bratkov’s new works — created after Russia’s invasion of Ukraine — delve into the trauma of conflict in his homeland. Emigrating to Berlin in 2022, his vivid and unsettling images, once focused on Soviet clichés and post-Soviet capitalism, now engage deeply with the devastation of war, transforming him from a detached observer to a reflective witness of historical tragedy.
Vladimir Bogdanov. Retrospective. Part of “The Classics of Russian Photography” Program

Vladimir Bogdanov. Retrospective. Part of “The Classics of Russian Photography” Program

As part of the Classics of Russian Photography program, MAMM presents the first large-scale retrospective of renowned contemporary photographer Vladimir Bogdanov. The exhibition features over 100 photographs from the Multimedia Art Museum, Moscow, highlighting his work from the 1960s to the 1990s. Born in 1937, Bogdanov’s artistic journey began during the Khrushchev thaw, a period that allowed artists to explore themes beyond socialist realism. This era marked a shift where humanism replaced official dogma, enabling photographers to capture the lives of ordinary people. In 1955, while studying at the Textile Institute, he joined the Leningrad photo club VDK, transforming his passion into a profession. His compelling images reflect a deep connection to Russian society and its complexities during a time of change.

Why should you watch this?

The retrospective exhibition of Vladimir Bogdanov at MAMM is a must-see for anyone interested in the evolution of Russian photography. With over 100 photographs spanning three decades, it showcases Bogdanov’s profound ability to capture the nuances of everyday life against the backdrop of a rapidly changing society. Emerging during the Khrushchev thaw, his work offers a rare glimpse into a time when artists could break free from the constraints of socialist realism. Each image is not just a photograph but a reflection of human experience and resilience, making this exhibition a poignant exploration of cultural identity and history. Engaging with Bogdanov’s art invites viewers to reflect on the complexities of Russian society, enriching their understanding of both past and present.

Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”

Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”

The Human Condition exhibition, a thought-provoking exploration of contemporary art that delves into the complexities of human experience. This showcase features a diverse collection of works that challenge perceptions and provoke dialogue about identity, society, and the emotional landscape of modern life. Each piece serves as a mirror, reflecting the multifaceted nature of existence in today’s world. Through innovative mediums and striking visuals, the artists invite viewers to engage deeply with themes of vulnerability, connection, and resilience. This exhibition is not just a display of art; it’s an immersive journey that encourages introspection and a deeper understanding of what it means to be human in an ever-evolving society.

Why should you watch this?

А thought-provoking contemporary art exhibition that delves into the intricacies of identity and societal dynamics in our rapidly changing world. This collection brings together diverse artists whose works challenge perceptions and provoke dialogue about what it means to be human today. Through innovative mediums and poignant narratives, the exhibition invites viewers to reflect on personal and collective experiences, making it an essential exploration for anyone interested in the intersections of art, culture, and self. Don’t miss the opportunity to engage with pieces that resonate deeply with our shared humanity, encouraging both introspection and conversation. Experience art that speaks to the heart of contemporary life — your perspective might just change.