Sergiy Bratkov. My Brother’s Cats ― Curatorial Introduction with Annegret Laabs

Sergiy Bratkov. My Brother’s Cats
― Curatorial Introduction with Annegret Laabs

Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war.

In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.

Why should you watch this?

Sergiy Bratkov’s latest exhibition captures a profound shift in his artistic practice, where irony gives way to a sobering confrontation with the brutal realities of war. Renowned for his socially charged photography rooted in the “Kharkiv School,” Bratkov’s new works — created after Russia’s invasion of Ukraine — delve into the trauma of conflict in his homeland. Emigrating to Berlin in 2022, his vivid and unsettling images, once focused on Soviet clichés and post-Soviet capitalism, now engage deeply with the devastation of war, transforming him from a detached observer to a reflective witness of historical tragedy.
Sergiy Bratkov. My Brother’s Cats ― Immersive Artist Tour

Sergiy Bratkov. My Brother’s Cats ― Immersive Artist Tour

Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war.

In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.

Why should you watch this?

Sergiy Bratkov’s latest exhibition captures a profound shift in his artistic practice, where irony gives way to a sobering confrontation with the brutal realities of war. Renowned for his socially charged photography rooted in the “Kharkiv School,” Bratkov’s new works — created after Russia’s invasion of Ukraine — delve into the trauma of conflict in his homeland. Emigrating to Berlin in 2022, his vivid and unsettling images, once focused on Soviet clichés and post-Soviet capitalism, now engage deeply with the devastation of war, transforming him from a detached observer to a reflective witness of historical tragedy.
CLUBS of the FUTURE. Common Spaces in Transitional Societies

CLUBS of the FUTURE. Common Spaces in Transitional Societies

CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/

Why should you watch this?

CLUBS of the FUTURE is a compelling exhibition that explores the significance of communal spaces and collective practices, particularly in light of the legacy of the GDR’s Houses of Culture. By addressing the societal gaps left by their closure, the project invites reflection on how shared spaces can foster collaboration and social cohesion in a time of increasing individualism. With diverse artistic practices, including innovative workshops, installations, and performances, the exhibition engages with contemporary issues such as the rise of right-wing extremism and the ongoing conflict in Ukraine. It highlights community-centric projects that inspire collective action and offers a hopeful vision for sustainable, inclusive futures through art.
GASTEV. How to Work

GASTEV. How to Work

The exhibition GASTEV. How to Work examines the profound influence of Alexey Gastev, a key figure in Soviet thought and the founder of the Central Institute of Labor (CIT). Gastev’s work in the 1920s and 1930s revolutionized labor practices through his development of scientific labor organization (NOT), blending Marxist ideology with avant-garde approaches to efficiency, biomechanics, and human-machine interaction. His theories sought to transform workers into precise, efficient elements of industrial production, reflecting the broader Soviet utopian vision of reshaping society through labor. The exhibition contextualizes Gastev’s role not just as an organizer but as a visionary whose ideas on human potential and mechanization resonate with contemporary discussions on automation and the future of work. Despite his execution during the Stalin’s Great Purge/Terror, Gastev’s legacy continues to provoke thought on the relationship between labor, politics, and the shaping of the modern human.
More at http://avantgarde.center/gastev (in Russian only)

Why should you watch this?

This exhibition’ topic is especially relevant now because it connects Gastev’s groundbreaking theories on labor and mechanization to current debates about automation, AI, and the future of work. As industries rapidly evolve, Gastev’s vision of optimizing human potential through scientific organization offers critical insights into the challenges we face today. The show raises urgent questions about how labor is being transformed, the role of technology, and the balance between human and machine — a timely reflection in an era where these issues impact our daily lives more than ever.
Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994

Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994

The exhibition Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 examines the intersection of underground music and visual arts under communist regimes in Eastern Europe. It highlights how rock, punk, and new wave music, alongside performance art, fashion, and film, became tools of countercultural expression against state control. In response to censorship and scarcity, artists and musicians created homemade instruments, produced Samizdat magazines, and distributed recordings. The exhibition underscores the role of improvisation and irony in resisting authoritarianism, with works from Poland, Yugoslavia, the Soviet Union, and Czechoslovakia, offering a new perspective on how art and music intertwined as forms of dissent.

Why should you watch this?

In a time where freedom of expression remains a contested issue, Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 draws vital parallels between past and present struggles against authoritarianism. By showcasing how rock, punk, and new wave music intertwined with visual arts to resist state control, the exhibition highlights the subversive power of creativity. From DIY instruments to Samizdat magazines, it captures the spirit of rebellion and improvisation that thrived under repressive regimes, making it a timely exploration of art’s role in confronting oppression and fueling collective resistance.

If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century.

Why should you watch this?

This exhibition is a must-see for anyone interested in the deep connections between art, politics, and society. Lifshitz’s The Crisis of Ugliness offers a rare Soviet critique of modernism, challenging Cubism and Pop Art in ways that still resonate today. The exhibition’s exploration of these ideas through archival materials, artworks, and Lifshitz’s own writings sheds light on the complex relationship between avant-garde art and political ideology. In a time of global crisis, Lifshitz’s critiques are more relevant than ever, inviting viewers to reconsider the role of art in shaping social consciousness.

From Kerenkа to Sovznak: Money and Revolution

From Kerenkа to Sovznak: Money and Revolution

The exhibition invites viewers into the intricate narrative of Russia’s monetary evolution during a time of upheaval. It explores the profound impact of the 1917 revolution on currency, showcasing how money served as both a reflection and catalyst of societal change. Visitors can discover unique artifacts, many on display for the first time, organized into sections such as “Stable Ruble,” “Money and War,” and “The New Economic Policy.” Highlights include the first “Kerensky” notes, designs featuring Marx, and the initial Soviet currency.

Why should you watch this?

This exhibition offers a fascinating glimpse into a pivotal period in Russian history, exploring how currency reflects the societal upheavals of the early 20th century. It presents unique artifacts, many on public display for the first time, showcasing the evolution of money from the stable ruble to revolutionary currencies. Each section meticulously details the impact of World War I and the 1917 revolution on the monetary system, featuring highlights like the iconic “Kerensky” notes and innovative designs for Soviet currency. This exploration not only reveals the artistic and political significance of currency but also connects past struggles with contemporary economic debates, making it a thought-provoking experience for anyone interested in history, art, or economics.

“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story

“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story

The exhibition Heart of a Dog: Adventures of a Banned Book. A Monstrous Story delves into the provocative themes of banned literature, spotlighting the cultural ripples caused by censorship. Through a compelling blend of visual art and literary references, this showcase invites visitors to reflect on the power of words and the resilience of artistic expression. By intertwining the narrative of Mikhail Bulgakov’s infamous novella with contemporary artistic interpretations, the exhibition not only celebrates the defiance against oppression but also fosters a dialogue on freedom and creativity in our modern world.

Why should you watch this?

This exhibition boldly confronts the legacy of censorship through Mikhail Bulgakov’s iconic novella. This engaging showcase interweaves contemporary artistic interpretations with the rich narrative of a story that has faced bans and challenges throughout history. Visitors will be invited to reflect on the resilience of creativity and the vital role of free expression in society. By exploring the intersection of literature and visual art, this exhibition not only honors those who defy oppression but also ignites crucial conversations about the boundaries of artistic freedom today.

Mikhail Grachev. Soviet Daily Life. 1930s—1960s

Mikhail Grachev. Soviet Daily Life. 1930s—1960s

In Mikhail Grachev. Soviet Daily Life. 1930s—1960s through an array of photographs, artifacts, and multimedia installations, attendees are invited to experience the complexities of everyday existence during a transformative era in Russian history. The exhibition captures the interplay of culture, politics, and personal narratives, reflecting how art and design were interwoven into the fabric of daily routines — from the bustling streets to communal celebrations. By showcasing both the mundane and the extraordinary, the exhibition offers a unique lens on how people lived, worked, and dreamt in a time of significant socio-political change, encouraging visitors to ponder the lasting impact of this period on contemporary society and culture.

Why should you watch this?

Within this exhibition you can immerse yourself in a pivotal chapter of history at this thought-provoking exhibition that brings to life Soviet daily life from the 1930s to the 1960s. Explore a rich collection that reveals the nuances of everyday existence during an era marked by both creative expression and political upheaval. From candid photographs to everyday objects, the showcase highlights the resilience and spirit of individuals navigating a complex social landscape. Beyond mere nostalgia, this exhibition invites you to reflect on how art shaped identity and community, providing timeless lessons on the interplay between personal life and broader societal movements.