TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
Germany
Dusseldorf
2020
24
Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.
The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.
A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.
Why should you watch this?
KOMAR & MELAMID
Russia
Moscow
2019
135
KOMAR & MELAMID delves into the fusion of art and ideology, spotlighting the pioneering duo known for their satirical takes on Soviet culture. This exhibition showcases their innovative approach to ‘Sots Art,’ a movement that critiques the socialist aesthetic while playfully engaging with the political and commercial landscapes of the 20th century. Through a diverse array of works, including paintings, installations, and conceptual pieces, Komar and Melamid invite viewers to reconsider the purpose and function of art in society. Their collaboration challenges traditional boundaries, marrying humor with profound sociopolitical commentary—a must-see for anyone interested in contemporary art’s dialogue with history and culture.
Why should you watch this?
This exhibition represents the place where art meets incisive commentary on society and culture. This dynamic duo takes you on a journey through the playful yet poignant realm of Sots Art, characterized by a mix of humor and critique. Their works challenges normative ideals and question the role of art under Soviet influence, making it both a historical exploration and a contemporary dialogue. By engaging with their art, you’ll uncover layers of meaning about ideological constructs, consumerism, and identity. It’s a unique opportunity to reflect on how these themes continue to resonate today. Experience firsthand how Komar and Melamid’s innovative spirit invites a critical look at the world around us — ensuring you walk away with new insights and a deeper appreciation for the complexities of art.
Nautilus – Snails, Shells, and Mollusks in Photography
Germany
Berlin
2018
68
The exhibition delves deep into the captivating world of shells and snails as seen through the lenses of iconic modern photographers like Edward Weston and Imogen Cunningham. This pioneering showcase assembles a rich tapestry of images, tracing humanity’s longstanding fascination with these natural forms—from their mathematical elegance to their cosmic symbolism. Grounded in Alfred Ehrhardt’s seminal works, including his influential books “Muscheln und Schnecken” and “Geprägte Form,” the exhibition also highlights the intersection of art and science, featuring innovative techniques like X-ray photography and the New Objectivity movement. Beyond mere visual appeal, the show offers an exploration of cultural significance, inviting viewers to reflect on the beauty and complexity of these “structural forms in nature,” culminating in the screening of Ehrhardt’s award-winning film “Tanz der Muscheln.”
Why should you watch this?
The exhibition at the Alfred Ehrhardt Foundation serves as a timely reminder of the profound connection between art, nature, and cultural history, inviting contemporary audiences to reflect on our relationship with the natural world. In an era increasingly defined by technology and rapid change, this exploration of shells and snails highlights the enduring allure of organic forms, encouraging a return to appreciation for the intricate beauty found in nature. By showcasing how modern photographers have captured these motifs—often imbued with deep symbolic significance—the exhibition underscores the relevance of natural elements in contemporary art and design, prompting discussions about sustainability and the need for mindful engagement with our environment. Furthermore, the intersection of art and science represented in this collection resonates with current dialogues on ecological awareness, reminding us that aesthetic appreciation can foster a deeper understanding of the world we inhabit.
TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
Germany
Dusseldorf
2020
32
Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.
The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.
A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.
Why should you watch this?
Mikhail Grachev. Soviet Daily Life. 1930s—1960s
Russia
Moscow
2019
62
In Mikhail Grachev. Soviet Daily Life. 1930s—1960s through an array of photographs, artifacts, and multimedia installations, attendees are invited to experience the complexities of everyday existence during a transformative era in Russian history. The exhibition captures the interplay of culture, politics, and personal narratives, reflecting how art and design were interwoven into the fabric of daily routines — from the bustling streets to communal celebrations. By showcasing both the mundane and the extraordinary, the exhibition offers a unique lens on how people lived, worked, and dreamt in a time of significant socio-political change, encouraging visitors to ponder the lasting impact of this period on contemporary society and culture.
Why should you watch this?
Within this exhibition you can immerse yourself in a pivotal chapter of history at this thought-provoking exhibition that brings to life Soviet daily life from the 1930s to the 1960s. Explore a rich collection that reveals the nuances of everyday existence during an era marked by both creative expression and political upheaval. From candid photographs to everyday objects, the showcase highlights the resilience and spirit of individuals navigating a complex social landscape. Beyond mere nostalgia, this exhibition invites you to reflect on how art shaped identity and community, providing timeless lessons on the interplay between personal life and broader societal movements.
“A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities
Russia
Moscow
2019
66
The exhibition serves as a poignant exploration of the pervasive and often absurd censorship that defined Soviet culture over 70 years. By navigating through the Russian alphabet—from the arrest of manuscripts to the Yauza tape recorder and the underground phenomenon of magnitizdat—visitors will uncover a narrative rich in both cruelty and resilience. Each letter unveils stories of meticulous scrutiny and cold repression, highlighting the complex interplay between censorship and state security, while also showcasing remarkable acts of civil defiance against artistic oppression. Enhanced by an array of documents, media, and artifacts, this exhibition invites you to explore the hidden layers of Soviet history and the power of creative expression that endeavored to resist the “red pencils” of authority.
Why should you watch this?
Being familiar with censorship practices is crucial in today’s increasingly polarized society, where issues of free speech and artistic expression are under threat globally. In an era marked by social media scrutiny, fake news, and governmental overreach, understanding the historical context of censorship serves as a stark reminder of the fragility of our rights and liberties. This exhibition resonates with contemporary struggles against misinformation, the suppression of dissent, and the erosion of trust in media and government institutions. By delving into the past, viewers gain insights into the tactics used to stifle voices and the importance of civil resistance. Thus, this tour becomes not just a historical observation, but a call to action, encouraging us to safeguard freedom of expression and advocate for a culture where diverse narratives can flourish without fear of repercussion in our modern landscape.
TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
Germany
Dusseldorf
2020
27
Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.
The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.
A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.
Why should you watch this?
Vasily Ulitin. Elegy
Russia
Moscow
2018
63
Vasily Ulitin. Elegy is a poignant exploration of memory and the human experience, showcasing contemporary artworks that delve into themes of loss and nostalgia. This compelling exhibition brings together a diverse array of artists, each offering a unique lens on the fragility of existence and the echoes of the past. Through striking visuals and thought-provoking installations, visitors are invited to reflect on the transient nature of life and the artifacts of memory that linger in our minds. The careful curation weaves a narrative that transcends individual perspectives, creating a shared space for solace and contemplation.
Why should you watch this?
This exhibition is an emotional journey that invites you to confront the depth of human experience through the lens of contemporary creativity. By showcasing artists who grapple with themes of memory, loss, and the passage of time, this exhibition resonates with anyone reflecting on their own stories. Each piece acts as a portal into personal and collective memories, encouraging introspection and dialogue. The thought-provoking installations challenge you to consider how we hold onto the past and the beauty and pain that intertwine in our lives. Whether you’re an art aficionado or simply curious, this guided tour offers a unique opportunity to engage with profound artistic expressions that linger in the heart and mind long after you leave.
![Clemens von Wedemeyer – Mehrheiten [Majorities]](https://cloud.excours.io/film-previews/clemens-von-wedemeyer.gif "Clemens von Wedemeyer – Mehrheiten [Majorities]")
Clemens von Wedemeyer – Mehrheiten [Majorities]
Germany
Leipzig
2019
27
The exhibition critically examines the evolution of mass mobilization and crowd dynamics in both historical and contemporary contexts, drawing inspiration from Elias Canetti’s “Crowds and Power.” Set against the backdrop of the GfZK’s new architectural space, the exhibition engages with the complexities of collective action, exploring how digital public spheres shape democratic participation while simultaneously being exploited for exclusionary practices. Featuring a rich array of video installations and cinematic works, including the new production “70.001,” which reimagines the 1989 Leipzig demonstrations, “Majorities” invites reflection on the nuances of social behavior and the implications of simulated experiences in gaming and surveillance. Through this thoughtful presentation, Wedemeyer prompts us to consider the intertwining narratives of isolation and community, resonating powerfully in today’s fragmented society.
Why should you watch this?
Watching this guided tour is crucial in our current landscape marked by digital polarization and the resurgence of mass movements. As societies grapple with issues of identity, representation, and exclusion within online spaces, this exhibition offers a vital framework for understanding how crowd dynamics shape our collective psyche and political discourse. In an age where social media can amplify divisive ideologies, gaining insights into the historical and psychological underpinnings of mass mobilization is essential. The tour encourages participants to critically examine how these dynamics operate today, heightening awareness of the fine line between community engagement and manipulation. By exploring these themes, viewers are invited to reflect on their agency within the digital public sphere, making the experience not just an exploration of art and history, but also a compelling call to engage thoughtfully in the ongoing dialogue about democracy and social responsibility in our interconnected world.