Maya Schweizer – Voices
Germany
Munich
2020
43
Human perception of time often resembles a collage — fragmented and layered, shaped by memory and experience. Berlin-based artist Maya Schweizer captures this complexity through her unique language of short film. In her work, everyday spaces become carriers of memory, interweaving found footage, situational observations, and soundscapes to create immersive, multifaceted narratives. Schweizer’s art subtly explores the intricacies of cultural identity and the role individuals play as political actors, encouraging deeper reflection on how we engage with our surroundings and their embedded histories. In her solo exhibition Stimmen (Voices) at the Museum Villa Stuck, composed of 10 films spanning the past 14 years, Schweizer gives voice to those who have disappeared, recounting stories of violence, memory, and loss, particularly within the context of German history and Munich’s past. By blending personal and collective histories, her work oscillates between documentation and staged reality, using urban spaces as laboratories for examining overlapping historical layers. As viewers dive into the culture of remembrance, Schweizer uncovers new and often unsettling depths of human memory, sparking a reflection on the invisible ties between people, places, and their histories.
Why should you watch this?
Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
Germany
Berlin
2018
56
The exhibition Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 examines the intersection of underground music and visual arts under communist regimes in Eastern Europe. It highlights how rock, punk, and new wave music, alongside performance art, fashion, and film, became tools of countercultural expression against state control. In response to censorship and scarcity, artists and musicians created homemade instruments, produced Samizdat magazines, and distributed recordings. The exhibition underscores the role of improvisation and irony in resisting authoritarianism, with works from Poland, Yugoslavia, the Soviet Union, and Czechoslovakia, offering a new perspective on how art and music intertwined as forms of dissent.
Why should you watch this?
In a time where freedom of expression remains a contested issue, Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 draws vital parallels between past and present struggles against authoritarianism. By showcasing how rock, punk, and new wave music intertwined with visual arts to resist state control, the exhibition highlights the subversive power of creativity. From DIY instruments to Samizdat magazines, it captures the spirit of rebellion and improvisation that thrived under repressive regimes, making it a timely exploration of art’s role in confronting oppression and fueling collective resistance.
Implicit Modernism. Roman Babichev’s Collection. Part II.
Russia
Moscow
2017
95
The exhibition presents Roman Babichev’s collection as a compelling exploration of Soviet modernism, challenged by decades of controversy surrounding the term due to the anti-formalist campaigns of the 1930s and Cold War ideological battles. Offering a fresh lens, the exhibition sheds light on the often-overlooked variety within Soviet art, breaking down entrenched stereotypes and revealing the interconnections among post-avant-garde communities active after the 1932 ban on creative associations. By emphasizing the nuanced expressions of these artists—whose declarations were rendered in their unique painting styles rather than explicit statements—the exhibition invites viewers to reassess the rich tapestry of Soviet artistic heritage through a symbolist perspective, encouraging a more multidimensional understanding of its evolving narrative.
Why should you watch this?
The exhibition challenges prevailing narratives about art and encourages critical engagement with the complexities of cultural identity. In a time when discussions about artistic censorship, identity politics, and the role of art in society are more pertinent than ever, this exhibition provides a vital platform to explore how historical legacies shape contemporary artistic expressions. By delving into the often-misunderstood facets of Soviet modernism, viewers will uncover important parallels with current global movements calling for the recognition of marginalized voices and the reevaluation of entrenched ideologies. The guided experience not only enriches understanding of the artwork but also fosters a dialogue about the role of art as a form of resistance and expression in addressing modern societal challenges.
BIG D@T@! BIG MON€Y!
Germany
Leipzig
2020
55
BIG D@T@! BIG MON€Y! is a bold, thought-provoking exhibition that explores the intersection of data, finance, and digitalization. Featuring seven artists and collectives, the works explore how our everyday digital footprints and the rise of cryptocurrencies are reshaping economies, identities, and power structures. Through projects like a speculative trading AI, a data-driven remake of classic art, and an analysis of the hidden infrastructure behind Amazon transactions, the exhibition sheds light on the often-invisible forces governing our digital lives. In an era of increasing surveillance and technological control, the exhibition raises critical questions about freedom, privacy, and the future of society.
Why should you watch this?
From Kerenkа to Sovznak: Money and Revolution
Russia
Saint Petersburg
2017
38
The exhibition invites viewers into the intricate narrative of Russia’s monetary evolution during a time of upheaval. It explores the profound impact of the 1917 revolution on currency, showcasing how money served as both a reflection and catalyst of societal change. Visitors can discover unique artifacts, many on display for the first time, organized into sections such as “Stable Ruble,” “Money and War,” and “The New Economic Policy.” Highlights include the first “Kerensky” notes, designs featuring Marx, and the initial Soviet currency.
Why should you watch this?
This exhibition offers a fascinating glimpse into a pivotal period in Russian history, exploring how currency reflects the societal upheavals of the early 20th century. It presents unique artifacts, many on public display for the first time, showcasing the evolution of money from the stable ruble to revolutionary currencies. Each section meticulously details the impact of World War I and the 1917 revolution on the monetary system, featuring highlights like the iconic “Kerensky” notes and innovative designs for Soviet currency. This exploration not only reveals the artistic and political significance of currency but also connects past struggles with contemporary economic debates, making it a thought-provoking experience for anyone interested in history, art, or economics.
![Tobias Zielony. Maskirovka [Concealment]](https://cloud.excours.io/film-previews/tobias-zielony.gif "Tobias Zielony. Maskirovka [Concealment]")
Tobias Zielony. Maskirovka [Concealment]
Germany
Berlin
2018
37
Why should you watch this?
Tobias Zielony’s “Maskirovka” is a compelling reflection on the resilience and creativity of Kyiv’s queer techno scene, resonating profoundly in today’s world marked by social and political upheaval. Set against the backdrop of the post-Maidan era, this exhibition underscores the ongoing struggle for identity and belonging in the face of repression and misinformation, themes that echo in various global contexts today. By employing the concept of “maskirovka”—a tactic of deception used in conflict—Zielony captures how both artists and activists navigate the complexities of expression and resistance. His photographs and dynamic animated film form a visual narrative that invites critical reflection on the intersection of culture, politics, and personal agency. As societies grapple with fragmentation and polarization, “Maskirovka” reminds us of the power of art to forge connections, challenge norms, and provoke dialogue, making it an essential commentary on contemporary struggles for freedom.
Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903–1979
Germany
Dessau
2020
84
Why should you watch this?
Vladimir Bogdanov. Retrospective. Part of “The Classics of Russian Photography” Program
Russia
Moscow
2017
80
As part of the Classics of Russian Photography program, MAMM presents the first large-scale retrospective of renowned contemporary photographer Vladimir Bogdanov. The exhibition features over 100 photographs from the Multimedia Art Museum, Moscow, highlighting his work from the 1960s to the 1990s. Born in 1937, Bogdanov’s artistic journey began during the Khrushchev thaw, a period that allowed artists to explore themes beyond socialist realism. This era marked a shift where humanism replaced official dogma, enabling photographers to capture the lives of ordinary people. In 1955, while studying at the Textile Institute, he joined the Leningrad photo club VDK, transforming his passion into a profession. His compelling images reflect a deep connection to Russian society and its complexities during a time of change.
Why should you watch this?
The retrospective exhibition of Vladimir Bogdanov at MAMM is a must-see for anyone interested in the evolution of Russian photography. With over 100 photographs spanning three decades, it showcases Bogdanov’s profound ability to capture the nuances of everyday life against the backdrop of a rapidly changing society. Emerging during the Khrushchev thaw, his work offers a rare glimpse into a time when artists could break free from the constraints of socialist realism. Each image is not just a photograph but a reflection of human experience and resilience, making this exhibition a poignant exploration of cultural identity and history. Engaging with Bogdanov’s art invites viewers to reflect on the complexities of Russian society, enriching their understanding of both past and present.
“Your Feedback is Very Important for Us”
Russia
Moscow
2018
47
The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse.
Why should you watch this?
The exhibition “Your review is very important to us” holds significant relevance in today’s digital landscape, where reader voices and online reviews have transformed the way we engage with classical literature. In an age that celebrates individual expression, the show challenges traditional hierarchies of literary criticism by emphasizing the importance of personal perspectives alongside established viewpoints. It invites us to reflect on how technology, from machine learning to social media, reshapes our interaction with texts and broadens our understanding of art and literature. By highlighting the dynamic relationship between modern readers, artists, and classical works, this exhibition not only redefines the role of the audience in literary discourse but also underscores the importance of diverse interpretations in a cultural dialogue increasingly shaped by digital platforms.