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The exhibition Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow opens Morocco’s first National Museum of Photography, showcasing contemporary Moroccan image-makers. Inaugurated in January 2020 within Rabat’s historic Fort Rottembourg, a landmark built in 1888, this institution makes art accessible to diverse neighborhoods. The project expands cultural access, reflecting Morocco’s commitment to visual self-expression and societal reflection through its artists. Curated by acclaimed photographer Yassine Alaoui Ismaili (Yoriyas), it consciously bridges generations, presenting established and emerging talents. Visitors discover how local photographic voices capture a nation’s evolving identity and foster community connections.Tobias Zielony’s “Maskirovka” offers a striking exploration of Kyiv’s queer techno scene in the wake of the post-Maidan era, blending artistic expression with a profound commentary on societal resistance. This project reflects the duality of its title, capturing moments where identity is both concealed and celebrated amid an unstable political landscape. Through his evocative photographs and a dynamic animated film composed of 5,400 images, Zielony provides a lens into a vibrant, underground community that challenges nationalism and conventional norms. The interplay of nighttime revelry and the stark realities of conflict creates a vivid tapestry, inviting viewers to engage with the multi-faceted narratives of the individuals within, while questioning the representation of Ukraine within broader sociopolitical dialogues. In this nuanced portrayal, Zielony reveals the fragility and resilience of a generation caught between chaos and the pursuit of self-determination.The exhibition serves as a poignant exploration of the pervasive and often absurd censorship that defined Soviet culture over 70 years. By navigating through the Russian alphabet—from the arrest of manuscripts to the Yauza tape recorder and the underground phenomenon of magnitizdat—visitors will uncover a narrative rich in both cruelty and resilience. Each letter unveils stories of meticulous scrutiny and cold repression, highlighting the complex interplay between censorship and state security, while also showcasing remarkable acts of civil defiance against artistic oppression. Enhanced by an array of documents, media, and artifacts, this exhibition invites you to explore the hidden layers of Soviet history and the power of creative expression that endeavored to resist the “red pencils” of authority.Eloquent Simplicity in Wood and Fiber is an exhibition exploring the versatility of natural materials, presenting sculptural forms and functional objects that blend traditional expression with contemporary design. The display defines the distinct aesthetic sensibilities of the Cordillera Mountain groups, including the Ifugao and Kalinga, who have long used wood and fiber to create objects for both utilitarian and ritual purposes. Juxtaposed against these traditional items, the exhibition features contemporary works by notable voices like National Artist Napoleon Abueva and designer Claude Tayag, who utilize Philippine hardwoods such as narra and molave. Addressing the modern scarcity of natural resources, the project highlights how artists continue to create meaningful, practical objects. This presentation encourages visitors to appreciate the enduring beauty, tactile quality, and profound functionality inherent in the world’s simplest materials.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.
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excoursio

Contributor / Ilyoung Jung Piccato

Korean Cultural Center (KCC) Arts | Culture | History
18+

Hanbok, Poetics of Line and the Passage of Life

선이 흘러 삶, 그리고 한복이 되다
Canada Ottawa 2021 19

The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context.

Why should you watch this?

Hanbok, Poetics of Line and the Passage of Life resonates today because it frames clothing as both a vessel of memory and a mirror of change. The exhibition’s display of the Obangjang durumagi, alive with five elemental colors, reminds us of humanity’s search for balance with nature at a time when sustainability is a global concern. Equally striking are the “new women” who reshaped Hanbok to claim individuality during Korea’s modernization — a gesture that still feels bold and liberating. This exhibition shows that tradition is not fixed but evolving, offering viewers a timeless reflection on identity, resilience, and creativity.

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