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The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century.The exhibition Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 examines the intersection of underground music and visual arts under communist regimes in Eastern Europe. It highlights how rock, punk, and new wave music, alongside performance art, fashion, and film, became tools of countercultural expression against state control. In response to censorship and scarcity, artists and musicians created homemade instruments, produced Samizdat magazines, and distributed recordings. The exhibition underscores the role of improvisation and irony in resisting authoritarianism, with works from Poland, Yugoslavia, the Soviet Union, and Czechoslovakia, offering a new perspective on how art and music intertwined as forms of dissent.BIG D@T@! BIG MON€Y! is a bold, thought-provoking exhibition that explores the intersection of data, finance, and digitalization. Featuring seven artists and collectives, the works explore how our everyday digital footprints and the rise of cryptocurrencies are reshaping economies, identities, and power structures. Through projects like a speculative trading AI, a data-driven remake of classic art, and an analysis of the hidden infrastructure behind Amazon transactions, the exhibition sheds light on the often-invisible forces governing our digital lives. In an era of increasing surveillance and technological control, the exhibition raises critical questions about freedom, privacy, and the future of society.Wow! ★ Y-Junctions presents Yokoo Tadanori’s extensive and evolving series, initiated in 2000, which transforms familiar three-way road junctions into profound artistic landscapes. This ambitious project began when Yokoo photographed a night scene in his hometown, revealing unexpected depths in everyday scenery. What started as an introspective world of light and shadow evolved through phases of explosive color, continuously generating new variations. The exhibition highlights this ongoing artistic exploration, featuring works from the series’ early years (2000-2005) and more recent creations from 2016 onwards. Visitors can witness how one artist’s singular vision redefines perception, inviting reflection on the hidden beauty and endless transformations within the commonplace world around us.In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.
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Contributor / Jeannie Javelosa

Yuchengco Museum Arts | Culture | History
18+

Eloquent Simplicity in Wood and Fiber

Philippines Makati 2012 13

Eloquent Simplicity in Wood and Fiber is an exhibition exploring the versatility of natural materials, presenting sculptural forms and functional objects that blend traditional expression with contemporary design. The display defines the distinct aesthetic sensibilities of the Cordillera Mountain groups, including the Ifugao and Kalinga, who have long used wood and fiber to create objects for both utilitarian and ritual purposes. Juxtaposed against these traditional items, the exhibition features contemporary works by notable voices like National Artist Napoleon Abueva and designer Claude Tayag, who utilize Philippine hardwoods such as narra and molave. Addressing the modern scarcity of natural resources, the project highlights how artists continue to create meaningful, practical objects. This presentation encourages visitors to appreciate the enduring beauty, tactile quality, and profound functionality inherent in the world’s simplest materials.

Why should you watch this?

Eloquent Simplicity in Wood and Fiber illuminates how human creativity transforms humble natural materials into objects of enduring beauty and purpose. By placing traditional Cordillera pieces alongside contemporary works by Napoleon Abueva and Claude Tayag, the exhibition highlights the dialogue between ancestral craft and modern design, revealing the ways material, hand, and intention shape culture across generations. Visitors are drawn to striking details — the flowing curves of a carved molave bowl, the clarity of a geometric wooden sculpture — that invite touch, reflection, and wonder. In the process, it underscores a timeless human connection to nature, craftsmanship, and meaningful daily life.

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