Yokoo Tadanori: Forest in Soul
Japan
Kobe
2023
17
Yokoo Tadanori: Forest in Soul brings to life the artist’s 2022 novel, Genkyo no mori, transforming its narrative into an immersive exhibition. Yokoo Tadanori, a renowned painter and writer, explores art and life through conversations with 280 departed souls. These figures, from celebrated artists like Pablo Picasso and Marcel Duchamp to personal acquaintances and his beloved cat Tama, profoundly shaped Yokoo’s artistic vision throughout his career. The exhibition’s forest-like setting visually embodies these dialogues, inviting visitors to wander through Yokoo’s imagined world. Guests will discover how timeless influences from diverse realms can inspire creativity, prompting reflection on the enduring connections between existence, artistry, and memory.
Why should you watch this?
The film Forest in Soul speaks urgently to our moment by turning absence into conversation, showing how art sustains communities when memory fragments. Yokoo stages a forest where Y meets 280 departed voices — Picasso and Duchamp one moment, Mishima and Tama the next — so that art, history, and the personal overlap. The effect is at once uncanny and consoling: a circle of vanished figures arguing, joking, and offering stubborn truths that unsettle received stories while nourishing imagination. Moments such as the grand forum of the departed and a whispered exchange with Yokoo’s cat create both wonder and intimacy. The takeaway: listening across time renews how we live and make meaning together.
Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
Japan
Kobe
2022
17
The exhibition Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide presents artist Yokoo Tadanori’s compelling new paintings, inspired by the Tang-dynasty (618-907 CE) Zen monks Hanshan and Shide, alongside key works from his extensive artistic journey. Responding to the profound global shifts beginning in 2020, Yokoo retreated to his studio, developing his “moro-tai” (obscure style) to portray Hanshan and Shide, celebrated for their tousled hair, ragged clothes, and hearty laughter. This collection reveals how an artist’s personal introspection during times of societal change can lead to an unexpected connection with historical figures and artistic renewal, inviting visitors to consider the enduring power of creative resilience across ages.
Why should you watch this?
The film Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide is timely because it shows how an artist’s practice can turn isolation into a public language of resilience and wit. Yokoo’s loose moro-tai brushwork reimagines Tang-era misfits as companions for our own fraught moment—ragged clothes and hearty laughter become forms of resistance. A trembling contour that bursts into a grin, or a pale wash that reads like a private confession, mixes unease with solace. The experience challenges and comforts in equal measure, leaving a simple charge: art can hold loss, reopen stories, and invite renewed care for one another.
Yokoo Tadanori: 100 Takes of Hanshan and Shide
Japan
Kobe
2024
2020
100 Takes of Hanshan and Shide presents artist Yokoo Tadanori’s series of 102 paintings, reinterpreting figures from China’s Tang dynasty. Hanshan and Shide, eccentric poets believed to be bodhisattvas, have inspired artists for centuries with their enduring mystery. Yokoo found them an ideal image, projecting them onto diverse scenes like ukiyo-e-style women and marathon runners, a quest begun with his interpretation of Soga Shohaku. This exhibition reveals Yokoo’s sustained creative power after forty years, connecting ancient legends with contemporary art. Visitors will reflect on the timeless interplay between myth and artistic vision, appreciating how one artist continually reshapes enduring narratives.
Why should you watch this?
The film 100 Takes of Hanshan and Shide speaks to our moment by showing how myth and misrule become tools for thinking about continuity and change. Yokoo’s decision to paint 102 versions — placing ragged, poetic figures beside ukiyo-e women, Belorussian lovers, and marathon runners — stretches time and tests who belongs in stories we keep. Some images shock: Hanshan laughing in garish color or Shide pacing through a crowd of runners; others disarm with tenderness. The work feels at once playful and provocative, inviting viewers to reconsider tradition as a living practice and to carry forward compassion and imagination into uncertain futures.