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Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.The exhibition delves deep into the captivating world of shells and snails as seen through the lenses of iconic modern photographers like Edward Weston and Imogen Cunningham. This pioneering showcase assembles a rich tapestry of images, tracing humanity’s longstanding fascination with these natural forms—from their mathematical elegance to their cosmic symbolism. Grounded in Alfred Ehrhardt’s seminal works, including his influential books “Muscheln und Schnecken” and “Geprägte Form,” the exhibition also highlights the intersection of art and science, featuring innovative techniques like X-ray photography and the New Objectivity movement. Beyond mere visual appeal, the show offers an exploration of cultural significance, inviting viewers to reflect on the beauty and complexity of these “structural forms in nature,” culminating in the screening of Ehrhardt’s award-winning film “Tanz der Muscheln.”Yokoo Tadanori’s Game of Life transforms the artist’s remarkable journey into an interactive board game, inviting visitors to experience his extensive artistic world firsthand. Born in 1936, Yokoo Tadanori has navigated a career spanning decades, marked by a philosophy that embraces destiny and chance. The exhibition explores how his art reflects life’s unpredictable path, where outcomes are often left to fate, much like reaching the “Finish” square in a game. Through this engaging format, featuring the visionary artist’s work, the exhibition encourages reflection on the interplay of choice and fortune in shaping creative expression and individual trajectories. Visitors will gain a fresh perspective on his unique artistic vision and the unpredictable nature of life itself.“Arrival of the Train” is a captivating exhibition that unites over a hundred artistic works from both Russian and international creators, celebrating the train’s rich cultural significance as a harbinger of change and progress. It delves into the multifaceted roles of trains throughout history—from transformative technological marvels to poignant symbols in art—inviting viewers to journey through time and space. Showcasing everything from the historic funeral train of Lenin to the nostalgic echoes of the Trans-Siberian Railway, the exhibition highlights the train’s enduring impact on civilization and its power as a vessel for communication and innovation, ultimately crafting a shared narrative that connects cultures and eras in a uniquely dynamic way.100 Takes of Hanshan and Shide presents artist Yokoo Tadanori’s series of 102 paintings, reinterpreting figures from China’s Tang dynasty. Hanshan and Shide, eccentric poets believed to be bodhisattvas, have inspired artists for centuries with their enduring mystery. Yokoo found them an ideal image, projecting them onto diverse scenes like ukiyo-e-style women and marathon runners, a quest begun with his interpretation of Soga Shohaku. This exhibition reveals Yokoo’s sustained creative power after forty years, connecting ancient legends with contemporary art. Visitors will reflect on the timeless interplay between myth and artistic vision, appreciating how one artist continually reshapes enduring narratives.
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https://www.youtube.com/watch?v=txj1MWCWseY&rel=0&autoplay=0&controls=1
Curators in Panic – A still from the docursion (#1)
Curators in Panic – A still from the docursion (#1)
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Curators in Panic – A still from the docursion (#2)
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Curators in Panic – A still from the docursion (#3)
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Curators in Panic – A still from the docursion (#5)
Curators in Panic – A still from the docursion (#5)
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Curators in Panic – A still from the docursion (#5)
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18+
Yokoo Tadanori Museum of Contemporary Art Arts | Culture

Curators in Panic

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Original Exhibition Title: 学芸員危機一髪
Japan Kobe 2021 21 Japanese Japanese, English
Art Collecting HistoryArt in the Time of CrisisArtistic ResearchContemporary ArtCultural MemoryCultural ResilienceDaily LifeDigital EconomyInnovations in ArtMuseum Engagement

All rights and copyrights to the film are held by the producer: Yokoo Tadanori Museum of Contemporary Art, Kobe, Japan.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

The exhibition Curators in Panic addresses the unpredictable realities of operating a contemporary art museum, presenting unique works by artist Yokoo Tadanori, who has continuously redefined painting since the 1980s. Rooted in the early 2020s — a period marked by the coronavirus crisis and logistical demands from the large-scale retrospective Genkyo Yokoo Tadanori — this show responds directly to the sudden absence of major holdings and the challenges of museum governance. Three participating curators, deeply familiar with the collection, selected their personal favorites not included in the tour, highlighting the profound existence of the artist’s full creative output. This perspective reflects the confusion of managing a cultural facility during a state of emergency. By adopting the curators’ viewpoint, visitors gain an opportunity to freely enjoy the viewing experience and rediscover the rich, constantly changing creative world of Yokoo Tadanori.

Why should you watch this?

Curators in Panic speaks directly to the uncertainties of our present, when cultural institutions and everyday life alike are shaped by disruption and absence. The film captures the uneasy humor of curators calling their own exhibition a “state of emergency,” a phrase that resonates far beyond the museum walls in a world still negotiating the aftershocks of the coronavirus crisis. Their candid voices, recounting both discoveries and setbacks, turn curatorial practice into a deeply human story of resilience and adaptation. Viewers are left with a striking reminder that art, even when interrupted or displaced, continues to create meaning and connection.

Curators

Yu Hayashi

Bio

Yu Hayashi is a Japanese curator at the Yokoo Tadanori Museum of Contemporary Art, known for his work on exhibitions dedicated to Tadanori Yokoo, the celebrated graphic designer and painter. Hayashi has edited several exhibition catalogs that explore Yokoo’s distinctive blend of psychedelic, Pop Art-inspired imagery with traditional Japanese aesthetics.

All films Last updated: 01/09/2025

Atsuo Yamamoto

Bio

Atsuo Yamamoto is a Japanese curator and Chief Curator at the Yokoo Tadanori Museum of Contemporary Art (Y+T MOCA), Kobe. He has held curator roles previously at the Ashiya City Museum of Art & History and the Museum of Modern Art, Shiga. Yamamoto has been closely involved with the establishment of Y+T MOCA since about 2011; the museum opened in November 2012 in a renovated wing of a building originally designed by architect Tōgō Murano. Under his direction, the museum’s holdings have grown to thousands of works and materials — including hundreds of paintings, prints, posters, drawings, photographs and archival boxes — and he oversees the archival, conservation, and exhibition programs. Yamamoto is also known for his interest in post-war Japanese modernism, including the Gutai art movement. He has curated exhibitions and contributed publications about Gutai members such as Saburo Murakami.

All films Last updated: 12/09/2025

Megumi Hirabayashi

Bio

Megumi Hirabayashi is curator at the Yokoo Tadanori Museum of Contemporary Art, Kobe. She previously worked at the 21st Century Museum of Contemporary Art, Kanazawa, and with Gifu Prefectural Museum Hida. Hirabayashi plays a central role in managing Yokoo’s archives, selecting both finished and in-process works for exhibition, and she champions displays that reveal not only Yokoo’s iconic finished pieces but also his sketches, idea notebooks, and lesser-seen creative material.

All films Last updated: 15/09/2025

Artist

Tadanori Yokoo

Bio

Tadanori Yokoo (born 1936 in Nishiwaki, Hyogo, Japan) is a celebrated Japanese graphic designer, illustrator, printmaker, and painter, widely recognized as one of Japan’s most influential contemporary artists. After a successful career in graphic design in the 1960s and 70s, where he gained international acclaim for his psychedelic, pop art-infused posters and album covers, he shifted his focus to painting in 1981. Yokoo’s work is characterized by its vibrant colors, intricate collages, and a unique blend of Japanese tradition with Western influences, often exploring themes of mysticism, the subconscious, and the human condition. His diverse career and unconventional approach have left an indelible mark on both Japanese and international art.

All films Last updated: 15/09/2025
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