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In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.The exhibition GASTEV. How to Work examines the profound influence of Alexey Gastev, a key figure in Soviet thought and the founder of the Central Institute of Labor (CIT). Gastev’s work in the 1920s and 1930s revolutionized labor practices through his development of scientific labor organization (NOT), blending Marxist ideology with avant-garde approaches to efficiency, biomechanics, and human-machine interaction. His theories sought to transform workers into precise, efficient elements of industrial production, reflecting the broader Soviet utopian vision of reshaping society through labor. The exhibition contextualizes Gastev’s role not just as an organizer but as a visionary whose ideas on human potential and mechanization resonate with contemporary discussions on automation and the future of work. Despite his execution during the Stalin’s Great Purge/Terror, Gastev’s legacy continues to provoke thought on the relationship between labor, politics, and the shaping of the modern human. More at http://avantgarde.center/gastev (in Russian only)The exhibition serves as a poignant exploration of the pervasive and often absurd censorship that defined Soviet culture over 70 years. By navigating through the Russian alphabet—from the arrest of manuscripts to the Yauza tape recorder and the underground phenomenon of magnitizdat—visitors will uncover a narrative rich in both cruelty and resilience. Each letter unveils stories of meticulous scrutiny and cold repression, highlighting the complex interplay between censorship and state security, while also showcasing remarkable acts of civil defiance against artistic oppression. Enhanced by an array of documents, media, and artifacts, this exhibition invites you to explore the hidden layers of Soviet history and the power of creative expression that endeavored to resist the “red pencils” of authority.The exhibition Whispers of the Forest presents a playful, interactive world where contemporary Korean art explores themes of nature, community, and coexistence. This immersive installation, designed especially for children and families, addresses pressing modern issues like rapid urban development, environmental loss, and displacement. The gallery becomes a forest playground featuring works by artists Um A Long, who creates sculptures from discarded materials, and Haksoon Hong, who brings his vibrant Wink Tokki World to life through murals and animations. Visitors are encouraged to engage directly with the art, moving beyond passive viewing to reflect on sustainability and our relationships with others. The experience prompts us to imagine a future where all beings can live and grow together in harmony.Yokoo Tadanori: State of Emergency Declaration explores the artist’s prescient depictions of tense situations where the line between fact and fiction dissolves. Long before the novel coronavirus crisis, Yokoo Tadanori repeatedly created works that now resonate with contemporary global events, reflecting a timeless human experience of uncertainty. This exhibition features his impactful paintings alongside an installation of his recent online series, With Corona, which incorporates imagery like masks in a direct artistic response to the virus. Visitors can observe how Yokoo’s vision, spanning from earlier works to current creations, challenges perceptions of reality, encouraging reflection on art’s power to interpret and shape our understanding of the world during moments of profound change.
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https://www.youtube.com/watch?v=ns5ezVdyG10&rel=0&autoplay=0&controls=1
Yokoo Tadanori: Forest in Soul
Yokoo Tadanori: Forest in Soul
Yokoo Tadanori: Forest in Soul
Yokoo Tadanori: Forest in Soul
Yokoo Tadanori: Forest in Soul
Yokoo Tadanori: Forest in Soul
Yokoo Tadanori: Forest in Soul
18+
Yokoo Tadanori Museum of Contemporary Art Arts | Culture | Philosophy

Yokoo Tadanori: Forest in Soul

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Original Exhibition Title: 横尾忠則 原郷の森
Japan Kobe 2023 17 Japanese Japanese, English
Artistic ResearchContemporary ArtCultural MemoryHumanismIndividual and Collective in ArtInterdisciplinary StudiesMuseum EngagementSpiritualism in ArtSymbolic Art

All rights and copyrights to the film are held by the producer: Yokoo Tadanori Museum of Contemporary Art, Kobe, Japan.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

Yokoo Tadanori: Forest in Soul brings to life the artist’s 2022 novel, Genkyo no mori, transforming its narrative into an immersive exhibition. Yokoo Tadanori, a renowned painter and writer, explores art and life through conversations with 280 departed souls. These figures, from celebrated artists like Pablo Picasso and Marcel Duchamp to personal acquaintances and his beloved cat Tama, profoundly shaped Yokoo’s artistic vision throughout his career. The exhibition’s forest-like setting visually embodies these dialogues, inviting visitors to wander through Yokoo’s imagined world. Guests will discover how timeless influences from diverse realms can inspire creativity, prompting reflection on the enduring connections between existence, artistry, and memory.

Why should you watch this?

The film Forest in Soul speaks urgently to our moment by turning absence into conversation, showing how art sustains communities when memory fragments. Yokoo stages a forest where Y meets 280 departed voices — Picasso and Duchamp one moment, Mishima and Tama the next — so that art, history, and the personal overlap. The effect is at once uncanny and consoling: a circle of vanished figures arguing, joking, and offering stubborn truths that unsettle received stories while nourishing imagination. Moments such as the grand forum of the departed and a whispered exchange with Yokoo’s cat create both wonder and intimacy. The takeaway: listening across time renews how we live and make meaning together.

Curator

Naoko Ono

Bio

Naoko Ono is a curator at the Yokoo Tadanori Museum of Contemporary Art. She has collaborated with the museum’s archival and curatorial teams to bring lesser-seen works of Tadanori Yokoo to light, including drawings, preparatory sketches, and personal materials. Ono contributes to thematic exhibitions that emphasize overlooked moments in Yokoo’s long career, offering fresh perspectives on his creative process.

All films Last updated: 15/09/2025

Artist

Tadanori Yokoo

Bio

Tadanori Yokoo (born 1936 in Nishiwaki, Hyogo, Japan) is a celebrated Japanese graphic designer, illustrator, printmaker, and painter, widely recognized as one of Japan’s most influential contemporary artists. After a successful career in graphic design in the 1960s and 70s, where he gained international acclaim for his psychedelic, pop art-infused posters and album covers, he shifted his focus to painting in 1981. Yokoo’s work is characterized by its vibrant colors, intricate collages, and a unique blend of Japanese tradition with Western influences, often exploring themes of mysticism, the subconscious, and the human condition. His diverse career and unconventional approach have left an indelible mark on both Japanese and international art.

All films Last updated: 15/09/2025
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