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The Raqs Media Collective, founded in 1992 in New Delhi by Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta, operates at the intersection of contemporary art, historical inquiry, philosophical speculation, and political critique. Their work probes the fundamental, often elusive, concepts of time, language, and history, challenging linear narratives and fixed interpretations. Central to their practice is the interrogation of time — not merely as a measurable entity but as a force that governs societal rhythms, disciplines human life, and underpins capitalist structures. In works such as Escapement (2009) and Re-Run (2013), they explore how time shapes experience, asking what it means to measure time and how it intersects with space and history.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art.Yokoo in Wonderland invites visitors into artist Yokoo Tadanori’s parallel realm, where the boundaries of reality dissolve into a collection of wonders. Drawing inspiration from Lewis Carroll’s classic Alice in Wonderland, the exhibition guides viewers through a journey that begins with a girl falling into an underground kingdom, then continues into space and an unknown world. The experience progresses through “The Looking-Glass World,” where real and virtual images intertwine, and concludes in “The Land of Dreams,” blurring reality and unreality. Through Yokoo’s distinctive artistic vision, this exhibition encourages a deep immersion into an infinitely expanding universe, prompting reflection on how art can transport and reshape our perception of the world.This exhibition, Of Rage and Desire, The Beating Heart of Men, presents a unique photographic and literary confrontation exploring the state of humanity in the modern era. Conceived by international photographer Gérard Rancinan and French author Caroline Gaudriault, the project uses monumental imagery and reflective texts to critically examine the profound social contradictions and transformations that have defined life in the 20th and 21st centuries. The display features Rancinan’s striking, metaphor-rich photographs, which often reinterpret classic masterpieces, alongside Gaudriault’s powerful calligraphic installations. Organized into three immersive parts, the exhibition charts our complex relationship with Modernity and societal upheaval. Visitors leave having considered the full range of human feeling — our hopes, rages, desires, and responsibilities — within the continuous transformation of the global world.
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Tartu Art Museum Arts | Culture | Music
18+

Museum Choreography

Muuseumi Koreograafia
Estonia Tartu 2018 53

This innovative exhibition reimagines the traditional museum experience through the lens of dance and choreography, inviting audiences to become active participants in the artistic dialogue. It foregrounds the unpredictable interplay between viewer movement and static artworks, showcasing how personal histories, cultural contexts, and physical presence transform the museum into a living, dynamic space. By exploring the nuances of how we look at and engage with art, the exhibition challenges visitors to reflect on their own movement and interactions within the gallery. This exhibition is a thought-provoking exploration of the embodied experience of art, making the viewer an integral part of the creative narrative.

Why should you watch this?

In today’s rapidly evolving cultural landscape, this exhibition stands out by positioning dance and choreography as vital means of understanding and engaging with art in the museum context. By centering the audience’s experience, it reflects our collective need for connection and interaction in spaces that often feel static and distant. In an era where individual perspectives and cultural backgrounds shape our understanding of art, this exhibition invites viewers to reclaim their role, reminding us that museums are not just repositories of art but vibrant environments shaped by human presence and movement. As the act of looking becomes more layered and complex in our digital world, this exhibition challenges us to reconsider our relationship with art, encouraging a deeper engagement that resonates well beyond the gallery walls.

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