Estonia
Tartu
2018
53
Estonian
English, Estonian
In a nutshell
This innovative exhibition reimagines the traditional museum experience through the lens of dance and choreography, inviting audiences to become active participants in the artistic dialogue. It foregrounds the unpredictable interplay between viewer movement and static artworks, showcasing how personal histories, cultural contexts, and physical presence transform the museum into a living, dynamic space. By exploring the nuances of how we look at and engage with art, the exhibition challenges visitors to reflect on their own movement and interactions within the gallery. This exhibition is a thought-provoking exploration of the embodied experience of art, making the viewer an integral part of the creative narrative.
Why should you watch this?
In today’s rapidly evolving cultural landscape, this exhibition stands out by positioning dance and choreography as vital means of understanding and engaging with art in the museum context. By centering the audience’s experience, it reflects our collective need for connection and interaction in spaces that often feel static and distant. In an era where individual perspectives and cultural backgrounds shape our understanding of art, this exhibition invites viewers to reclaim their role, reminding us that museums are not just repositories of art but vibrant environments shaped by human presence and movement. As the act of looking becomes more layered and complex in our digital world, this exhibition challenges us to reconsider our relationship with art, encouraging a deeper engagement that resonates well beyond the gallery walls.
Curators(s)
Hanna-Liis Kont
BioHanna-Liis Kont is a freelance curator and art historian located in southern Estonia. She has organized numerous exhibitions featuring both Estonian and international artists and is currently spearheading the Creative Connections initiative, which focuses on art and anti-bullying within the framework of Tartu 2024, the European Capital of Culture programme. Additionally, Kont is working towards a PhD at the Estonian Academy of Arts, where her research examines recent curatorial practices in the Baltic region, particularly their impact on community involvement and social well-being. Her endeavors highlight art’s potential to create inclusive communities.
