TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
Germany
Dusseldorf
2020
33
Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.
The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.
A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.
Why should you watch this?
Raqs Media Collective. Everything Else is Ordinary
Germany
Dusseldorf
2018
97
Why should you watch this?
The Raqs Media Collective’s exploration of time as a force shaping human experience offers a profound critique of how society functions under capitalism. Their works challenge traditional notions of time, revealing its role in regulating life and framing historical narratives. By dismantling these fixed interpretations, they invite audiences to rethink the ways time is measured, experienced, and manipulated. In doing so, their practice merges art, history, and philosophy, making their work a compelling reflection on the rhythms that shape our individual and collective existence.
Implicit Modernism. Roman Babichev’s Collection. Part I.
Russia
Moscow
2017
123
The exhibition presents Roman Babichev’s collection as a compelling exploration of Soviet modernism, challenged by decades of controversy surrounding the term due to the anti-formalist campaigns of the 1930s and Cold War ideological battles. Offering a fresh lens, the exhibition sheds light on the often-overlooked variety within Soviet art, breaking down entrenched stereotypes and revealing the interconnections among post-avant-garde communities active after the 1932 ban on creative associations. By emphasizing the nuanced expressions of these artists—whose declarations were rendered in their unique painting styles rather than explicit statements—the exhibition invites viewers to reassess the rich tapestry of Soviet artistic heritage through a symbolist perspective, encouraging a more multidimensional understanding of its evolving narrative.