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As part of the Classics of Russian Photography program, MAMM presents the first large-scale retrospective of renowned contemporary photographer Vladimir Bogdanov. The exhibition features over 100 photographs from the Multimedia Art Museum, Moscow, highlighting his work from the 1960s to the 1990s. Born in 1937, Bogdanov’s artistic journey began during the Khrushchev thaw, a period that allowed artists to explore themes beyond socialist realism. This era marked a shift where humanism replaced official dogma, enabling photographers to capture the lives of ordinary people. In 1955, while studying at the Textile Institute, he joined the Leningrad photo club VDK, transforming his passion into a profession. His compelling images reflect a deep connection to Russian society and its complexities during a time of change.N.K. Roerich’s exhibition unveils over 80 captivating works inspired by his 1925 Central Asian expedition. With an extraordinary blend of majestic mountain landscapes, Buddhist monasteries, and formidable fortresses, Roerich crafts a compelling narrative of heroism and spiritual pursuit that transcends cultural boundaries. His pieces celebrate the sacredness of labor and the enduring human spirit, evoking a universal call to courage and resilience. Roerich’s unique style, characterized by what can be termed “epic realism,” draws upon his deep understanding of history, folklore, and religious traditions.Step back into the vibrant world of the 1920s with the Movement. 1920s exhibition, which captures the revolutionary spirit and artistic innovation of this transformative decade. Celebrating a surge of creativity across visual arts, architecture, and design, the exhibit showcases how artists challenged traditional norms and embraced new mediums and themes. Through a carefully curated selection of works and engaging installations, visitors can explore the interplay between art, politics, and society during a time marked by upheaval and change. From the bold geometries of constructivism to the experimental forms of avant-garde movements, Movement. 1920s invites audiences to witness how the decade laid the groundwork for contemporary art, illuminating the ongoing dialogue between past and present in the ever-evolving landscape of visual culture.In Mikhail Grachev. Soviet Daily Life. 1930s—1960s through an array of photographs, artifacts, and multimedia installations, attendees are invited to experience the complexities of everyday existence during a transformative era in Russian history. The exhibition captures the interplay of culture, politics, and personal narratives, reflecting how art and design were interwoven into the fabric of daily routines — from the bustling streets to communal celebrations. By showcasing both the mundane and the extraordinary, the exhibition offers a unique lens on how people lived, worked, and dreamt in a time of significant socio-political change, encouraging visitors to ponder the lasting impact of this period on contemporary society and culture.The Raqs Media Collective, founded in 1992 in New Delhi by Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta, operates at the intersection of contemporary art, historical inquiry, philosophical speculation, and political critique. Their work probes the fundamental, often elusive, concepts of time, language, and history, challenging linear narratives and fixed interpretations. Central to their practice is the interrogation of time — not merely as a measurable entity but as a force that governs societal rhythms, disciplines human life, and underpins capitalist structures. In works such as Escapement (2009) and Re-Run (2013), they explore how time shapes experience, asking what it means to measure time and how it intersects with space and history.
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https://www.youtube.com/watch?v=kUaqYIt9ihM&rel=0&autoplay=0&controls=1
Requiem: Cats, Portraits, and Yokoo Tadanori
Requiem: Cats, Portraits, and Yokoo Tadanori
Requiem: Cats, Portraits, and Yokoo Tadanori
Requiem: Cats, Portraits, and Yokoo Tadanori
Requiem: Cats, Portraits, and Yokoo Tadanori
Requiem: Cats, Portraits, and Yokoo Tadanori
Requiem: Cats, Portraits, and Yokoo Tadanori
18+
Yokoo Tadanori Museum of Contemporary Art Arts | Culture | Philosophy

Requiem: Cats, Portraits, and Yokoo Tadanori

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Original Exhibition Title: レクイエム 猫と肖像と一人の画家
Japan Kobe 2024 17 Japanese Japanese, English
Artistic ResearchContemporary ArtCultural MemoryDaily LifeHumanismIndividual and Collective in ArtMuseum Engagement

All rights and copyrights to the film are held by the producer: Yokoo Tadanori Museum of Contemporary Art, Kobe, Japan.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

Requiem: Cats, Portraits explores artist Yokoo Tadanori’s profound connections with departed friends, family, and beloved cats, tracing his influential career from the 1960s to the present. Born in 1936, Yokoo’s artistic journey has always been shaped by deep personal relationships and collaborative endeavors across various creative fields. The exhibition features portraits and personal statements, alongside items like the Tama, Come Home series, dedicated to his late cat. Visitors will also see examples of his enduring friendship with designer Issey Miyake, including iconic invitation designs from the 1970s onwards. This unique presentation invites viewers to reflect on how cherished relationships transcend time, influencing an artist’s vision and offering a glimpse into a timeless “Yokoo World.”

Why should you watch this?

The film Requiem: Cats, Portraits speaks to the need to keep memories alive in a time when loss touches many lives. Yokoo Tadanori’s portraits of friends, family, and his late cat Tama are not only records of affection but also reminders of how relationships shape creative vision. The display of Issey Miyake’s invitations alongside Yokoo’s drawings captures the energy of a friendship that spanned decades, showing how personal ties can fuel artistic innovation. Moving between private recollection and shared cultural history, the work invites viewers to consider how love, grief, and memory continue to shape the world we inhabit.

Curator

Megumi Hirabayashi

Bio

Megumi Hirabayashi is curator at the Yokoo Tadanori Museum of Contemporary Art, Kobe. She previously worked at the 21st Century Museum of Contemporary Art, Kanazawa, and with Gifu Prefectural Museum Hida. Hirabayashi plays a central role in managing Yokoo’s archives, selecting both finished and in-process works for exhibition, and she champions displays that reveal not only Yokoo’s iconic finished pieces but also his sketches, idea notebooks, and lesser-seen creative material.

All films Last updated: 15/09/2025

Artist

Tadanori Yokoo

Bio

Tadanori Yokoo (born 1936 in Nishiwaki, Hyogo, Japan) is a celebrated Japanese graphic designer, illustrator, printmaker, and painter, widely recognized as one of Japan’s most influential contemporary artists. After a successful career in graphic design in the 1960s and 70s, where he gained international acclaim for his psychedelic, pop art-infused posters and album covers, he shifted his focus to painting in 1981. Yokoo’s work is characterized by its vibrant colors, intricate collages, and a unique blend of Japanese tradition with Western influences, often exploring themes of mysticism, the subconscious, and the human condition. His diverse career and unconventional approach have left an indelible mark on both Japanese and international art.

All films Last updated: 15/09/2025
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