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Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war. In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/In Mikhail Grachev. Soviet Daily Life. 1930s—1960s through an array of photographs, artifacts, and multimedia installations, attendees are invited to experience the complexities of everyday existence during a transformative era in Russian history. The exhibition captures the interplay of culture, politics, and personal narratives, reflecting how art and design were interwoven into the fabric of daily routines — from the bustling streets to communal celebrations. By showcasing both the mundane and the extraordinary, the exhibition offers a unique lens on how people lived, worked, and dreamt in a time of significant socio-political change, encouraging visitors to ponder the lasting impact of this period on contemporary society and culture.The exhibition Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow opens Morocco’s first National Museum of Photography, showcasing contemporary Moroccan image-makers. Inaugurated in January 2020 within Rabat’s historic Fort Rottembourg, a landmark built in 1888, this institution makes art accessible to diverse neighborhoods. The project expands cultural access, reflecting Morocco’s commitment to visual self-expression and societal reflection through its artists. Curated by acclaimed photographer Yassine Alaoui Ismaili (Yoriyas), it consciously bridges generations, presenting established and emerging talents. Visitors discover how local photographic voices capture a nation’s evolving identity and foster community connections.Eloquent Simplicity in Wood and Fiber is an exhibition exploring the versatility of natural materials, presenting sculptural forms and functional objects that blend traditional expression with contemporary design. The display defines the distinct aesthetic sensibilities of the Cordillera Mountain groups, including the Ifugao and Kalinga, who have long used wood and fiber to create objects for both utilitarian and ritual purposes. Juxtaposed against these traditional items, the exhibition features contemporary works by notable voices like National Artist Napoleon Abueva and designer Claude Tayag, who utilize Philippine hardwoods such as narra and molave. Addressing the modern scarcity of natural resources, the project highlights how artists continue to create meaningful, practical objects. This presentation encourages visitors to appreciate the enduring beauty, tactile quality, and profound functionality inherent in the world’s simplest materials.
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excoursio

City / Tartu

Tartu Art Museum Arts | Culture | Music
18+

Museum Choreography

Muuseumi Koreograafia
Estonia Tartu 2018 53

This innovative exhibition reimagines the traditional museum experience through the lens of dance and choreography, inviting audiences to become active participants in the artistic dialogue. It foregrounds the unpredictable interplay between viewer movement and static artworks, showcasing how personal histories, cultural contexts, and physical presence transform the museum into a living, dynamic space. By exploring the nuances of how we look at and engage with art, the exhibition challenges visitors to reflect on their own movement and interactions within the gallery. This exhibition is a thought-provoking exploration of the embodied experience of art, making the viewer an integral part of the creative narrative.

Why should you watch this?

In today’s rapidly evolving cultural landscape, this exhibition stands out by positioning dance and choreography as vital means of understanding and engaging with art in the museum context. By centering the audience’s experience, it reflects our collective need for connection and interaction in spaces that often feel static and distant. In an era where individual perspectives and cultural backgrounds shape our understanding of art, this exhibition invites viewers to reclaim their role, reminding us that museums are not just repositories of art but vibrant environments shaped by human presence and movement. As the act of looking becomes more layered and complex in our digital world, this exhibition challenges us to reconsider our relationship with art, encouraging a deeper engagement that resonates well beyond the gallery walls.

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