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Between Here and There: Stories of Urban Isolation is an exhibition by Katrin Nenasheva that explores the lives of individuals permanently isolated in psychiatric institutions. In her performance, Nenasheva traversed city streets wearing virtual reality glasses displaying panoramic images from these institutions, highlighting the barriers that separate their world from ours. She engaged with the public in various locations, including the subway and Red Square, inviting them to experience her perspective and share the motivations behind her work. The exhibition presents documentation of her journey, allowing visitors to engage with virtual reality themselves, fostering a dialogue between “here” and “there.” This immersive experience encourages reflection on societal isolation and connection.The Tallinn Architecture Biennale (TAB) 2017delved into the future of urban environments through the lens of biotechnology and non-human-centered design. Curated by Prof. Claudia Pasquero, this fourth edition featured a diverse program comprising the Curatorial Exhibition, a thought-provoking symposium titled “Polycephalum City”, and the Tallinn Vision Competition, alongside satellite events like the Installation Programme exhibition and the bio.School showcase. Over two days, distinguished architects and researchers, including Mitchell Joachim and Rachel Armstrong, gathered to exchange insights on architecture’s intersection with biology and computation, envisioning cities as self-organizing systems. This Biennale not only highlighted innovative architectural practices but also prompted essential discussions on the evolving role of urban spaces in our rapidly changing world.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/Nissky. Horizon is a compelling exhibition at the Institute of Russian Realistic Art that explores the intricate relationship between contemporary art and traditional Russian realism. Featuring a diverse array of artists, the exhibition invites viewers to engage with works that reflect on cultural heritage while pushing artistic boundaries. Each piece serves as a dialogue between past and present, showcasing how contemporary creators reinterpret classical themes and techniques. This fusion not only honors the legacy of Russian art but also challenges perceptions, encouraging a deeper understanding of identity and artistic expression in today’s globalized context. Through thought-provoking installations and evocative imagery, Nissky. Horizon celebrates the enduring relevance of realism in contemporary discourse.
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excoursio

Contributor / Hanna-Liis Kont

Tartu Art Museum Arts | Culture | Music
18+

Museum Choreography

Muuseumi Koreograafia
Estonia Tartu 2018 53

This innovative exhibition reimagines the traditional museum experience through the lens of dance and choreography, inviting audiences to become active participants in the artistic dialogue. It foregrounds the unpredictable interplay between viewer movement and static artworks, showcasing how personal histories, cultural contexts, and physical presence transform the museum into a living, dynamic space. By exploring the nuances of how we look at and engage with art, the exhibition challenges visitors to reflect on their own movement and interactions within the gallery. This exhibition is a thought-provoking exploration of the embodied experience of art, making the viewer an integral part of the creative narrative.

Why should you watch this?

In today’s rapidly evolving cultural landscape, this exhibition stands out by positioning dance and choreography as vital means of understanding and engaging with art in the museum context. By centering the audience’s experience, it reflects our collective need for connection and interaction in spaces that often feel static and distant. In an era where individual perspectives and cultural backgrounds shape our understanding of art, this exhibition invites viewers to reclaim their role, reminding us that museums are not just repositories of art but vibrant environments shaped by human presence and movement. As the act of looking becomes more layered and complex in our digital world, this exhibition challenges us to reconsider our relationship with art, encouraging a deeper engagement that resonates well beyond the gallery walls.

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