Menu

  • Categories
    • Arts
    • Culture
    • History
    • Music
    • Philosophy
    • Society & Politics
    • Technology & Science
  • Collections
  • Tags
  • Institutions
  • Contributors
  • All Films
  • Random Film

About

excoursio is a free platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences. excours.io means culture for everyone, everywhere.

Stay tuned

  • instagram
  • facebook
  • linkedin
  • bluesky
  • mastodon
In the early 1960s, photography emerged as a recognized art form, yet, in Latvia, it struggled for acceptance in traditional art spaces. The establishment of the Photo Club “Rīga” in 1962 marked a pivotal moment, fostering a vibrant community that embraced photography’s artistic potential. This collective became a vital force in shaping the perception of art photography both locally and globally, drawing in visionary talents who pushed creative boundaries. The club’s ongoing legacy reflects not just the evolution of photography as an art form but also its enduring relevance within contemporary Latvian culture. As it adapts to new challenges and styles, the Photo Club remains a cherished cornerstone, celebrating its historical impact while inspiring future generations of photographers.Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war. In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.Klaus Staeck’s exhibition offers a captivating journey through the provocative artistry that defined West Germany’s visual landscape from the late 1960s to the late 1980s. Celebrated as a political agitator, Staeck’s posters not only sparked public discourse but also reflected the turbulent social climate of the time. The display features around 180 of his striking designs, alongside early prints and three-dimensional multiples, showcasing his ability to intertwine art with activism. Each piece acts as a visual commentary on pressing societal issues, daring viewers to confront the challenges of their era. Staeck’s work serves as a reminder of the profound impact that art can have in shaping collective memory and igniting conversations long after the initial scandal has faded.The exhibition Sourtna. Carte Blanche to Yoriyas. Moroccan Photographers of Today and Tomorrow opens Morocco’s first National Museum of Photography, showcasing contemporary Moroccan image-makers. Inaugurated in January 2020 within Rabat’s historic Fort Rottembourg, a landmark built in 1888, this institution makes art accessible to diverse neighborhoods. The project expands cultural access, reflecting Morocco’s commitment to visual self-expression and societal reflection through its artists. Curated by acclaimed photographer Yassine Alaoui Ismaili (Yoriyas), it consciously bridges generations, presenting established and emerging talents. Visitors discover how local photographic voices capture a nation’s evolving identity and foster community connections.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.
Toggle sidebar & navigation
  • Categories
    • Arts
    • Culture
    • History
    • Music
    • Philosophy
    • Society & Politics
    • Technology & Science
  • Collections
  • Tags
  • Institutions
  • Contributors
  • All Films
  • Random Film
excoursio

Contributor / Hanna-Liis Kont

Tartu Art Museum Arts | Culture | Music
18+

Museum Choreography

Muuseumi Koreograafia
Estonia Tartu 2018 53

This innovative exhibition reimagines the traditional museum experience through the lens of dance and choreography, inviting audiences to become active participants in the artistic dialogue. It foregrounds the unpredictable interplay between viewer movement and static artworks, showcasing how personal histories, cultural contexts, and physical presence transform the museum into a living, dynamic space. By exploring the nuances of how we look at and engage with art, the exhibition challenges visitors to reflect on their own movement and interactions within the gallery. This exhibition is a thought-provoking exploration of the embodied experience of art, making the viewer an integral part of the creative narrative.

Why should you watch this?

In today’s rapidly evolving cultural landscape, this exhibition stands out by positioning dance and choreography as vital means of understanding and engaging with art in the museum context. By centering the audience’s experience, it reflects our collective need for connection and interaction in spaces that often feel static and distant. In an era where individual perspectives and cultural backgrounds shape our understanding of art, this exhibition invites viewers to reclaim their role, reminding us that museums are not just repositories of art but vibrant environments shaped by human presence and movement. As the act of looking becomes more layered and complex in our digital world, this exhibition challenges us to reconsider our relationship with art, encouraging a deeper engagement that resonates well beyond the gallery walls.

Explore

  • About
  • Contacts
  • FAQ
  • Collaborate
  • Any ideas?

Network

  • Institutions
  • Contributors
  • Partners
  • Support us

Transparency

  • Accessibility
  • Sustainability
  • #GoodForEducation
  • Usage Policy
  • Cookies

Latest guided tour films

loader

By subscribing, you acknowledge and agree that we will store, process, and manage your personal information in accordance with our Privacy Policy.

Stay tuned

  • instagram
  • facebook
  • linkedin
  • bluesky
  • mastodon
  • Imprint
  • Privacy Policy
  • Community Guidelines
  • Jobs

© 2026 excoursio e.V. (non-profit). All rights reserved.

We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.