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In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.Tobias Zielony’s “Maskirovka” offers a striking exploration of Kyiv’s queer techno scene in the wake of the post-Maidan era, blending artistic expression with a profound commentary on societal resistance. This project reflects the duality of its title, capturing moments where identity is both concealed and celebrated amid an unstable political landscape. Through his evocative photographs and a dynamic animated film composed of 5,400 images, Zielony provides a lens into a vibrant, underground community that challenges nationalism and conventional norms. The interplay of nighttime revelry and the stark realities of conflict creates a vivid tapestry, inviting viewers to engage with the multi-faceted narratives of the individuals within, while questioning the representation of Ukraine within broader sociopolitical dialogues. In this nuanced portrayal, Zielony reveals the fragility and resilience of a generation caught between chaos and the pursuit of self-determination.The group exhibition presents a compelling exploration of how art provides resilience in times of personal and societal crisis. The exhibition features works by renowned artists like Gustav Metzger, Shusaku Arakawa, and Alina Szapocznikow, each of whom faced extreme adversity and transformed their experiences into profound artistic statements. Whether addressing environmental destruction, illness, or existential threats, these artists used creativity as a means to survive and challenge the limits of human endurance. The exhibition emphasizes the power of art to propose alternative perspectives when the world seems trapped in binary thinking. By engaging with radical artistic responses to crisis, visitors are invited to reflect on how creativity can offer strength, hope, and new possibilities for navigating the uncertainties of modern life. Art, in this context, becomes more than expression — it becomes a strategy for survival and transformation.The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse.
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excoursio

Spoken Language / Estonian

Tartu Art Museum Arts | Culture | Music
18+

Museum Choreography

Muuseumi Koreograafia
Estonia Tartu 2018 53

This innovative exhibition reimagines the traditional museum experience through the lens of dance and choreography, inviting audiences to become active participants in the artistic dialogue. It foregrounds the unpredictable interplay between viewer movement and static artworks, showcasing how personal histories, cultural contexts, and physical presence transform the museum into a living, dynamic space. By exploring the nuances of how we look at and engage with art, the exhibition challenges visitors to reflect on their own movement and interactions within the gallery. This exhibition is a thought-provoking exploration of the embodied experience of art, making the viewer an integral part of the creative narrative.

Why should you watch this?

In today’s rapidly evolving cultural landscape, this exhibition stands out by positioning dance and choreography as vital means of understanding and engaging with art in the museum context. By centering the audience’s experience, it reflects our collective need for connection and interaction in spaces that often feel static and distant. In an era where individual perspectives and cultural backgrounds shape our understanding of art, this exhibition invites viewers to reclaim their role, reminding us that museums are not just repositories of art but vibrant environments shaped by human presence and movement. As the act of looking becomes more layered and complex in our digital world, this exhibition challenges us to reconsider our relationship with art, encouraging a deeper engagement that resonates well beyond the gallery walls.

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