Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979

Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979

Richard Paulick’s career was a mosaic of contradictions — modernist Bauhaus ideals alongside socialist industrialism, avant-garde innovation woven into national architectural traditions. His life was marked by war, shifting ideologies, and forced relocations, yet his dedication to architecture never wavered. Paulick emerged as one of the most influential architects of the German Democratic Republic, breathing new life into war-torn cities like Dresden and Berlin, while also shaping the industrial landscapes of smaller East German towns. Remarkably, his work extended far beyond Europe’s borders, leaving a legacy in pre-communist Shanghai as well. The exhibition at the Bauhaus Dessau Foundation, a beacon of German avant-garde architecture, vividly captures Paulick’s lifelong quest for self-realization in the face of the political and social currents of the 20th century. Through his work, the complexities of personal and ideological resilience unfold, offering viewers a window into both the man and the turbulent world he helped to shape.

Why should you watch this?

This exhibition offers more than just an understanding of Richard Paulick’s architectural legacy — it provides timely insights into the enduring tension between modernism, tradition, and the political influence on design. In today’s context, where cities worldwide face the issues of sustainable development, urban sprawl, and the preservation of cultural identity, Paulick’s work exemplifies the challenges of building for both functionality and aesthetic character under shifting ideologies. The guided tour illuminates how these issues resonate in contemporary debates about urban planning, sustainability, and the role of architecture in shaping not only cities but societal values. Understanding Paulick’s adaptive yet visionary approach offers fresh perspectives on the balance we seek today between innovation and heritage.
Raqs Media Collective. Everything Else is Ordinary

Raqs Media Collective. Everything Else is Ordinary

The Raqs Media Collective, founded in 1992 in New Delhi by Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta, operates at the intersection of contemporary art, historical inquiry, philosophical speculation, and political critique. Their work probes the fundamental, often elusive, concepts of time, language, and history, challenging linear narratives and fixed interpretations. Central to their practice is the interrogation of time — not merely as a measurable entity but as a force that governs societal rhythms, disciplines human life, and underpins capitalist structures. In works such as Escapement (2009) and Re-Run (2013), they explore how time shapes experience, asking what it means to measure time and how it intersects with space and history.

Why should you watch this?

The Raqs Media Collective’s exploration of time as a force shaping human experience offers a profound critique of how society functions under capitalism. Their works challenge traditional notions of time, revealing its role in regulating life and framing historical narratives. By dismantling these fixed interpretations, they invite audiences to rethink the ways time is measured, experienced, and manipulated. In doing so, their practice merges art, history, and philosophy, making their work a compelling reflection on the rhythms that shape our individual and collective existence.

Implicit Modernism. Roman Babichev’s Collection.  Part I.

Implicit Modernism. Roman Babichev’s Collection. Part I.

The exhibition presents Roman Babichev’s collection as a compelling exploration of Soviet modernism, challenged by decades of controversy surrounding the term due to the anti-formalist campaigns of the 1930s and Cold War ideological battles. Offering a fresh lens, the exhibition sheds light on the often-overlooked variety within Soviet art, breaking down entrenched stereotypes and revealing the interconnections among post-avant-garde communities active after the 1932 ban on creative associations. By emphasizing the nuanced expressions of these artists—whose declarations were rendered in their unique painting styles rather than explicit statements—the exhibition invites viewers to reassess the rich tapestry of Soviet artistic heritage through a symbolist perspective, encouraging a more multidimensional understanding of its evolving narrative.

Why should you watch this?

The exhibition challenges prevailing narratives about art and encourages critical engagement with the complexities of cultural identity. In a time when discussions about artistic censorship, identity politics, and the role of art in society are more pertinent than ever, this exhibition provides a vital platform to explore how historical legacies shape contemporary artistic expressions. By delving into the often-misunderstood facets of Soviet modernism, viewers will uncover important parallels with current global movements calling for the recognition of marginalized voices and the reevaluation of entrenched ideologies. The guided experience not only enriches understanding of the artwork but also fosters a dialogue about the role of art as a form of resistance and expression in addressing modern societal challenges.
TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism

TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Why should you watch this?

As political polarization, social inequality, and widespread protests dominate global headlines, the exhibition sheds light on the emotional and political power of anger as a response to injustice. The tour offers nuanced insights into how contemporary artists interpret and challenge societal issues like fake news, racial violence, and the erosion of democratic values. By exploring the different artistic expressions of outrage, viewers gain a richer understanding of how these works speak to our current moment, making the exhibition incredibly relevant as we navigate a world increasingly defined by conflict and resistance.
If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century.

Why should you watch this?

This exhibition is a must-see for anyone interested in the deep connections between art, politics, and society. Lifshitz’s The Crisis of Ugliness offers a rare Soviet critique of modernism, challenging Cubism and Pop Art in ways that still resonate today. The exhibition’s exploration of these ideas through archival materials, artworks, and Lifshitz’s own writings sheds light on the complex relationship between avant-garde art and political ideology. In a time of global crisis, Lifshitz’s critiques are more relevant than ever, inviting viewers to reconsider the role of art in shaping social consciousness.

Only by faith! On the occasion of the 500th Anniversary of the Reformation

Only by faith! On the occasion of the 500th Anniversary of the Reformation

Unveiling the transformative journey of Protestantism, this exhibition showcases around 150 artifacts from the State Museum of the History of Religion, bringing to life the pivotal moments and influential figures, such as Martin Luther, that shaped this movement. Spanning from the 16th century to the present, it delves into the synergy between religion and culture, revealing how Protestant ideals influenced art, literature, and social change. This rich array of historical items not only contextualizes the theological underpinnings of the Reformation but also illustrates its enduring legacy in contemporary society. It is an enlightening exploration that challenges the boundaries between faith and creativity, inviting visitors to reflect on the profound impact of Protestantism on our world today.

Why should you watch this?

In today’s context, this exhibition on Protestantism serves as a crucial reflection on the enduring influence of religion in shaping contemporary values, culture, and identity. As society navigates complex discussions around faith, freedom of expression, and social justice, the historical insights revealed through artifacts and narratives from the Protestant Reformation prompt us to consider how these early movements laid the groundwork for modern thought and civil rights. By revisiting the struggles and triumphs of figures like Martin Luther, we gain a deeper understanding of the ideological battles that resonate in current debates about religious tolerance, individualism, and community life. This exploration invites us to connect the past to the present, encouraging critical dialogue on the role of faith in our increasingly pluralistic world.

When I see the future, I close my eyes: Chapter II

When I see the future, I close my eyes: Chapter II

In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.

Why should you watch this?

This exhibition is essential for gaining a deeper understanding of how colonial histories and technological advancements continue to shape global power dynamics today. In a world increasingly dominated by digital surveillance, militarization, and the exploitation of resources, Heba Y. Amin’s works offer critical insights into how these tools are rooted in historical forms of oppression. The tour provides context to complex pieces that tackle everything from colonial photography to nuclear fallout, showing how these past events resonate with current issues like digital authoritarianism and neocolonialism. At a time when technology is both a tool for liberation and control, this exhibition is especially relevant, helping us reconsider the role of visual culture in framing our collective future.
From Kerenkа to Sovznak: Money and Revolution

From Kerenkа to Sovznak: Money and Revolution

The exhibition invites viewers into the intricate narrative of Russia’s monetary evolution during a time of upheaval. It explores the profound impact of the 1917 revolution on currency, showcasing how money served as both a reflection and catalyst of societal change. Visitors can discover unique artifacts, many on display for the first time, organized into sections such as “Stable Ruble,” “Money and War,” and “The New Economic Policy.” Highlights include the first “Kerensky” notes, designs featuring Marx, and the initial Soviet currency.

Why should you watch this?

This exhibition offers a fascinating glimpse into a pivotal period in Russian history, exploring how currency reflects the societal upheavals of the early 20th century. It presents unique artifacts, many on public display for the first time, showcasing the evolution of money from the stable ruble to revolutionary currencies. Each section meticulously details the impact of World War I and the 1917 revolution on the monetary system, featuring highlights like the iconic “Kerensky” notes and innovative designs for Soviet currency. This exploration not only reveals the artistic and political significance of currency but also connects past struggles with contemporary economic debates, making it a thought-provoking experience for anyone interested in history, art, or economics.