Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide
Japan
Kobe
2022
17
The exhibition Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide presents artist Yokoo Tadanori’s compelling new paintings, inspired by the Tang-dynasty (618-907 CE) Zen monks Hanshan and Shide, alongside key works from his extensive artistic journey. Responding to the profound global shifts beginning in 2020, Yokoo retreated to his studio, developing his “moro-tai” (obscure style) to portray Hanshan and Shide, celebrated for their tousled hair, ragged clothes, and hearty laughter. This collection reveals how an artist’s personal introspection during times of societal change can lead to an unexpected connection with historical figures and artistic renewal, inviting visitors to consider the enduring power of creative resilience across ages.
Why should you watch this?
The film Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide is timely because it shows how an artist’s practice can turn isolation into a public language of resilience and wit. Yokoo’s loose moro-tai brushwork reimagines Tang-era misfits as companions for our own fraught moment—ragged clothes and hearty laughter become forms of resistance. A trembling contour that bursts into a grin, or a pale wash that reads like a private confession, mixes unease with solace. The experience challenges and comforts in equal measure, leaving a simple charge: art can hold loss, reopen stories, and invite renewed care for one another.
Yokoo Tadanori’s Haunted Museum
Japan
Kobe
2021
13
Yokoo Tadanori’s Haunted Museum presents a compelling exploration of the intrinsic connection between art and fear, featuring a diverse range of the artist’s works. Yokoo Tadanori has consistently pursued phenomena that remain invisible or unexplainable by science, a fascination rooted in his childhood experiences with profound darkness and mystical encounters in Nishiwaki. This deeply personal history informs much of his art, from his celebrated illustrations for the Complete Works of Edogawa Rampo to his paintings created since his “painter’s declaration.” The exhibition, designed with deliberately darkened spaces, encourages visitors to engage with their own ambivalent emotions of wanting to look yet fearing the unknown. It highlights art’s enduring capacity to interpret and express humanity’s primal responses to mystery and the unseen, fostering a reflection on these universal aspects of human existence.
Why should you watch this?
The film Yokoo Tadanori’s Haunted Museum asks what happens when fear and curiosity meet in the same moment. Drawing on childhood nights of complete darkness and on the unsettling imagery of his Edogawa Rampo illustrations, Yokoo turns the unseen into something you can almost touch. A face appearing out of shadow or a mouth repeated like a chant unsettles, yet also holds you in place. The experience lingers because it reminds us that fear is not only about danger but about discovery, and that learning to face it can change how we see the world.
Curators in Panic
Japan
Kobe
2021
21
The exhibition Curators in Panic addresses the unpredictable realities of operating a contemporary art museum, presenting unique works by artist Yokoo Tadanori, who has continuously redefined painting since the 1980s. Rooted in the early 2020s — a period marked by the coronavirus crisis and logistical demands from the large-scale retrospective Genkyo Yokoo Tadanori — this show responds directly to the sudden absence of major holdings and the challenges of museum governance. Three participating curators, deeply familiar with the collection, selected their personal favorites not included in the tour, highlighting the profound existence of the artist’s full creative output. This perspective reflects the confusion of managing a cultural facility during a state of emergency. By adopting the curators’ viewpoint, visitors gain an opportunity to freely enjoy the viewing experience and rediscover the rich, constantly changing creative world of Yokoo Tadanori.
Why should you watch this?
Curators in Panic speaks directly to the uncertainties of our present, when cultural institutions and everyday life alike are shaped by disruption and absence. The film captures the uneasy humor of curators calling their own exhibition a “state of emergency,” a phrase that resonates far beyond the museum walls in a world still negotiating the aftershocks of the coronavirus crisis. Their candid voices, recounting both discoveries and setbacks, turn curatorial practice into a deeply human story of resilience and adaptation. Viewers are left with a striking reminder that art, even when interrupted or displaced, continues to create meaning and connection.
Yokoo Tadanori Collection Gallery 2021
Japan
Kobe
2021
13
The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art.
Why should you watch this?
The Yokoo Tadanori Collection Gallery reveals the surprising connections between Yokoo’s imaginative designs and the works of artists he admired, such as Picabia and de Chirico, showing how ideas travel across time and place. Scenes capturing his bold color proofs alongside delicate sketches create moments of both delight and contemplation, exposing the processes behind visual invention. By following the intersections of personal creativity and broader artistic currents, the film invites viewers to experience the thrill of discovery and recognize how enduring inspiration emerges from unexpected juxtapositions, offering a vivid reminder of the vitality of art across generations.
Whispers of the Forest
Canada
Ottawa
2025
8
The exhibition Whispers of the Forest presents a playful, interactive world where contemporary Korean art explores themes of nature, community, and coexistence. This immersive installation, designed especially for children and families, addresses pressing modern issues like rapid urban development, environmental loss, and displacement. The gallery becomes a forest playground featuring works by artists Um A Long, who creates sculptures from discarded materials, and Haksoon Hong, who brings his vibrant Wink Tokki World to life through murals and animations. Visitors are encouraged to engage directly with the art, moving beyond passive viewing to reflect on sustainability and our relationships with others. The experience prompts us to imagine a future where all beings can live and grow together in harmony.
Why should you watch this?
The film Whispers of the Forest asks what it means to share a world at a moment when climate change and rapid urban growth unsettle familiar ways of living. Um A Long’s sculptures, shaped from discarded materials, echo the resilience of creatures adapting to damaged environments, while Haksoon Hong’s Wink Tokki characters invite us into a universe where play and friendship make coexistence possible. Together, these voices create a mood that shifts between unease and delight, reminding us that survival and joy are intertwined. The film ultimately leaves viewers with a simple yet urgent question: how do we choose to live together?
Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903–1979
Germany
Dessau
2020
84
Why should you watch this?
Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
Germany
Berlin
2018
56
The exhibition Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 examines the intersection of underground music and visual arts under communist regimes in Eastern Europe. It highlights how rock, punk, and new wave music, alongside performance art, fashion, and film, became tools of countercultural expression against state control. In response to censorship and scarcity, artists and musicians created homemade instruments, produced Samizdat magazines, and distributed recordings. The exhibition underscores the role of improvisation and irony in resisting authoritarianism, with works from Poland, Yugoslavia, the Soviet Union, and Czechoslovakia, offering a new perspective on how art and music intertwined as forms of dissent.
Why should you watch this?
In a time where freedom of expression remains a contested issue, Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 draws vital parallels between past and present struggles against authoritarianism. By showcasing how rock, punk, and new wave music intertwined with visual arts to resist state control, the exhibition highlights the subversive power of creativity. From DIY instruments to Samizdat magazines, it captures the spirit of rebellion and improvisation that thrived under repressive regimes, making it a timely exploration of art’s role in confronting oppression and fueling collective resistance.
Anthropocene Island. The Tallinn Architecture Biennale 2017
Estonia
Tallin
2017
68
The Tallinn Architecture Biennale (TAB) 2017delved into the future of urban environments through the lens of biotechnology and non-human-centered design. Curated by Prof. Claudia Pasquero, this fourth edition featured a diverse program comprising the Curatorial Exhibition, a thought-provoking symposium titled “Polycephalum City”, and the Tallinn Vision Competition, alongside satellite events like the Installation Programme exhibition and the bio.School showcase. Over two days, distinguished architects and researchers, including Mitchell Joachim and Rachel Armstrong, gathered to exchange insights on architecture’s intersection with biology and computation, envisioning cities as self-organizing systems. This Biennale not only highlighted innovative architectural practices but also prompted essential discussions on the evolving role of urban spaces in our rapidly changing world.
Why should you watch this?
In our current context, when climate change and urbanization demand urgent attention, it’s crucial to learn about the creative solutions sustainable architecture can provide. This exhibition serves as a vital platform to explore innovative solutions at the intersection of architecture, biology, and technology, emphasizing the importance of sustainable urban development. In today’s rapidly evolving society, where environmental crises impact our daily lives, understanding how cities can evolve into self-organizing entities is more relevant than ever. A guided tour illuminates the intricate relationships between human and non-human systems, fostering a deeper appreciation for how architecture can adapt to our ecological challenges. By engaging with expert interpretations, viewers can gain insight into the pressing issues of resilience, sustainability, and the ethical considerations of urban design, making this experience not only educational but transformative in our quest for a more sustainable future.
TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
Germany
Dusseldorf
2020
33
Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.
The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.
A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.