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The exhibition serves as a poignant exploration of the pervasive and often absurd censorship that defined Soviet culture over 70 years. By navigating through the Russian alphabet—from the arrest of manuscripts to the Yauza tape recorder and the underground phenomenon of magnitizdat—visitors will uncover a narrative rich in both cruelty and resilience. Each letter unveils stories of meticulous scrutiny and cold repression, highlighting the complex interplay between censorship and state security, while also showcasing remarkable acts of civil defiance against artistic oppression. Enhanced by an array of documents, media, and artifacts, this exhibition invites you to explore the hidden layers of Soviet history and the power of creative expression that endeavored to resist the “red pencils” of authority.KOMAR & MELAMID delves into the fusion of art and ideology, spotlighting the pioneering duo known for their satirical takes on Soviet culture. This exhibition showcases their innovative approach to ‘Sots Art,’ a movement that critiques the socialist aesthetic while playfully engaging with the political and commercial landscapes of the 20th century. Through a diverse array of works, including paintings, installations, and conceptual pieces, Komar and Melamid invite viewers to reconsider the purpose and function of art in society. Their collaboration challenges traditional boundaries, marrying humor with profound sociopolitical commentary—a must-see for anyone interested in contemporary art’s dialogue with history and culture.The exhibition GASTEV. How to Work examines the profound influence of Alexey Gastev, a key figure in Soviet thought and the founder of the Central Institute of Labor (CIT). Gastev’s work in the 1920s and 1930s revolutionized labor practices through his development of scientific labor organization (NOT), blending Marxist ideology with avant-garde approaches to efficiency, biomechanics, and human-machine interaction. His theories sought to transform workers into precise, efficient elements of industrial production, reflecting the broader Soviet utopian vision of reshaping society through labor. The exhibition contextualizes Gastev’s role not just as an organizer but as a visionary whose ideas on human potential and mechanization resonate with contemporary discussions on automation and the future of work. Despite his execution during the Stalin’s Great Purge/Terror, Gastev’s legacy continues to provoke thought on the relationship between labor, politics, and the shaping of the modern human. More at http://avantgarde.center/gastev (in Russian only)The exhibition Whispers of the Forest presents a playful, interactive world where contemporary Korean art explores themes of nature, community, and coexistence. This immersive installation, designed especially for children and families, addresses pressing modern issues like rapid urban development, environmental loss, and displacement. The gallery becomes a forest playground featuring works by artists Um A Long, who creates sculptures from discarded materials, and Haksoon Hong, who brings his vibrant Wink Tokki World to life through murals and animations. Visitors are encouraged to engage directly with the art, moving beyond passive viewing to reflect on sustainability and our relationships with others. The experience prompts us to imagine a future where all beings can live and grow together in harmony.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition Time for Outrage! in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.  
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https://www.youtube.com/watch?v=h_EDRTetxg8&rel=0&autoplay=0&controls=1&wmode=transparent&enablejsapi=1
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
18+
Yokoo Tadanori Museum of Contemporary Art Arts | Culture

Yokoo Tadanori: Wow! ★ Y-Junctions

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Original Exhibition Title: 横尾忠則 ワーイ!★Y字路
Japan Kobe 2024 16 Japanese Japanese, English
Artistic ResearchContemporary ArtContemporary PhotographyInnovations in ArtLandscape PaintingModernismMuseum Engagement

All rights and copyrights to the film are held by the producer: Yokoo Tadanori Museum of Contemporary Art, Kobe, Japan.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

Wow! ★ Y-Junctions presents Yokoo Tadanori’s extensive and evolving series, initiated in 2000, which transforms familiar three-way road junctions into profound artistic landscapes. This ambitious project began when Yokoo photographed a night scene in his hometown, revealing unexpected depths in everyday scenery. What started as an introspective world of light and shadow evolved through phases of explosive color, continuously generating new variations. The exhibition highlights this ongoing artistic exploration, featuring works from the series’ early years (2000-2005) and more recent creations from 2016 onwards. Visitors can witness how one artist’s singular vision redefines perception, inviting reflection on the hidden beauty and endless transformations within the commonplace world around us.

Why should you watch this?

The film Wow! ★ Y-Junctions speaks to our moment because it shows how a single flash of perception can turn ordinary streets into places for renewed attention and meaning after collective disruption. Yokoo’s nocturnal photograph of a three-way junction becomes a recurring voice that shifts from penumbral stillness to explosive color, producing scenes both eerie and exhilarating: a lamplit fork that reads like a private memory and a sweep of saturated paint that reads as public joy. These moments unsettle and uplift in equal measure, and the film’s lasting takeaway is clear—close looking can change how we imagine shared life.

Curator

Atsuo Yamamoto

Bio

Atsuo Yamamoto is a Japanese curator and Chief Curator at the Yokoo Tadanori Museum of Contemporary Art (Y+T MOCA), Kobe. He has held curator roles previously at the Ashiya City Museum of Art & History and the Museum of Modern Art, Shiga. Yamamoto has been closely involved with the establishment of Y+T MOCA since about 2011; the museum opened in November 2012 in a renovated wing of a building originally designed by architect Tōgō Murano. Under his direction, the museum’s holdings have grown to thousands of works and materials — including hundreds of paintings, prints, posters, drawings, photographs and archival boxes — and he oversees the archival, conservation, and exhibition programs. Yamamoto is also known for his interest in post-war Japanese modernism, including the Gutai art movement. He has curated exhibitions and contributed publications about Gutai members such as Saburo Murakami.

All films Last updated: 12/09/2025

Artist

Tadanori Yokoo

Bio

Tadanori Yokoo (born 1936 in Nishiwaki, Hyogo, Japan) is a celebrated Japanese graphic designer, illustrator, printmaker, and painter, widely recognized as one of Japan’s most influential contemporary artists. After a successful career in graphic design in the 1960s and 70s, where he gained international acclaim for his psychedelic, pop art-infused posters and album covers, he shifted his focus to painting in 1981. Yokoo’s work is characterized by its vibrant colors, intricate collages, and a unique blend of Japanese tradition with Western influences, often exploring themes of mysticism, the subconscious, and the human condition. His diverse career and unconventional approach have left an indelible mark on both Japanese and international art.

All films Last updated: 15/09/2025
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