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Human perception of time often resembles a collage — fragmented and layered, shaped by memory and experience. Berlin-based artist Maya Schweizer captures this complexity through her unique language of short film. In her work, everyday spaces become carriers of memory, interweaving found footage, situational observations, and soundscapes to create immersive, multifaceted narratives. Schweizer’s art subtly explores the intricacies of cultural identity and the role individuals play as political actors, encouraging deeper reflection on how we engage with our surroundings and their embedded histories. In her solo exhibition Stimmen (Voices) at the Museum Villa Stuck, composed of 10 films spanning the past 14 years, Schweizer gives voice to those who have disappeared, recounting stories of violence, memory, and loss, particularly within the context of German history and Munich’s past. By blending personal and collective histories, her work oscillates between documentation and staged reality, using urban spaces as laboratories for examining overlapping historical layers. As viewers dive into the culture of remembrance, Schweizer uncovers new and often unsettling depths of human memory, sparking a reflection on the invisible ties between people, places, and their histories.Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war. In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.BIG D@T@! BIG MON€Y! is a bold, thought-provoking exhibition that explores the intersection of data, finance, and digitalization. Featuring seven artists and collectives, the works explore how our everyday digital footprints and the rise of cryptocurrencies are reshaping economies, identities, and power structures. Through projects like a speculative trading AI, a data-driven remake of classic art, and an analysis of the hidden infrastructure behind Amazon transactions, the exhibition sheds light on the often-invisible forces governing our digital lives. In an era of increasing surveillance and technological control, the exhibition raises critical questions about freedom, privacy, and the future of society.A Poet Passes Through celebrates the expansive world of Abdellatif Laâbi, the Moroccan writer, poet, and painter, at the Mohammed VI Museum in Rabat. This exhibition explores Laâbi’s rich and engaged body of work, presenting him as a voice for a generation seeking meaning through art. It unveils the creative spirit of an era, featuring literary works, archival documents, paintings, and videos that trace his journey and reveal his less-known facet as a painter. A significant focus is the groundbreaking Souffles review, co-founded by Laâbi, which profoundly transformed Moroccan culture and liberated minds. Visitors will discover how one artist’s vision and intellectual struggle historically shaped artistic expression and continue to resonate today, offering a unique insight into a life dedicated to creative impact.The exhibition delves into a groundbreaking aspect of Russian cultural history birthed from the revolution—mobile propaganda trains. These unique vehicles served as a fusion of art and technology, transforming into vibrant mobile platforms that combined exhibitions, theater, libraries, and cinema on wheels. Launched in 1918 under the directive of the All-Russian Central Executive Committee, these trains traversed vast distances, reaching from Odessa to Irkutsk and engaging communities with their painted exteriors and rich artistic content. Supervised by renowned graphic artist Ignatiy Nivinsky, the trains featured contributions from a diverse array of artists, blending Symbolism with early avant-garde ideas. This exhibition promises an in-depth exploration of their socio-political significance during the Civil War, showcasing archival photos, posters, and various artifacts that capture the ethos of an era where art became instrumental in uniting and inspiring a nation.
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https://www.youtube.com/watch?v=PqX4SONZ3ec&rel=0&autoplay=0&controls=1
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#1)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#1)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#2)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#2)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#3)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#3)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#4)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#4)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#5)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#5)
18+
Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Arts | Culture | History

110 Years, 110 Works. Société Générale Collection

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Original Exhibition Title: 110 ans, 110 oeuvres. Collection Société Générale
Morocco Rabat 2024 8 French
Art Collecting HistoryCommunity-based ArtContemporary ArtCultural MemoryCultural ResilienceIntercultural RelationsMuseum EngagementNational IdentityParticipation

All rights and copyrights to the film are held by the producer: Musée Mohammed VI d’Art Moderne et Contemporain, Rabat, Morocco / Fondation Nationale des Musées du Maroc.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

110 ans, 110 œuvres, at the Mohammed VI Museum of Modern and Contemporary Art in Rabat, commemorates Société Générale Maroc’s 110th anniversary and its long-standing commitment to art and Moroccan culture. This exceptional exhibition, a collaboration with the National Museum Foundation, features a precious part of the bank’s collection, including previously unseen works. It takes visitors on a timeless journey, tracing Moroccan art’s evolution from the early 20th century, starting with pioneers like Ben Ali R’bati, across four distinct periods to the present day. The exhibition highlights Moroccan artists’ contribution to national identity. It celebrates a rich artistic heritage and Société Générale Maroc’s enduring role in art’s promotion, anticipating the opening of its own museum in 2024. Visitors gain insight into Morocco’s artistic dynamism and the intricate relationship between banking and cultural patronage over more than a century.

Why should you watch this?

The exhibition 110 ans, 110 œuvres matters today because it shows how art can carry a nation’s memory while speaking to its future. Moving between the early brushstrokes of Ben Ali R’bati and the global perspectives of contemporary Moroccan artists, it evokes both pride and questioning: how does creativity define who we are in a world of constant change? Visitors may feel inspired by the intimate voices of the 1980s generation, who turned personal experience into universal expression, or by today’s works shaped through worldwide dialogue. Ultimately, the exhibition reminds us that art’s power to connect time, place, and people remains urgently relevant.

Curator

Abdelaziz El Idrissi

Bio

Abdelaziz El Idrissi is a prominent Moroccan art historian, curator, and cultural leader. He currently serves as the Director of the Mohammed VI Museum of Modern and Contemporary Art in Rabat, the first national institution in Morocco devoted entirely to modern and contemporary art.
With a background as curator of the Kasbah Museum in Tangier and a long-standing commitment to cultural preservation and artistic innovation, El Idrissi has been instrumental in shaping the museum landscape in Morocco.

All films Last updated: 09/08/2025

In the press

“The 110 selected works are part of a “chrono-thematic” journey that sheds light on the history of Moroccan art, from its founding moments to the present day, explains El Idrissi. It is a stroll through artistic practices and movements, from the 1950s and their first pictorial experiments to the contemporary era, with works integrated into a globalized context. This rich collection, showcasing masterpieces by Chaibia, Hamri, Melehi, Kacimi, Belkahia, Gharbaoui, Labied, Demnati, Bellamine, Ouazzani, Yamou, Darsi, Erruas, Abouelouakar, and many others, reflects “a long history of encounters between exceptional men and women,” emphasizes Ahmed El Yacoubi.”
(translated from French)

― Houda Outarahout

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“The exhibition “110 Years, 110 Works” traces the evolution of Moroccan art from Ben Ali R’bati’s pioneering experiments in the early 20th century to the present day, highlighting the different eras and influences that have shaped its development. On this occasion, Société Générale Maroc announced the creation of the Société Générale Maroc Museum, scheduled to open in 2024 at its historic headquarters in Casablanca, underscoring the bank’s long-term commitment to supporting the arts and culture. According to Ahmed El Yacoubi, Chairman of the Management Board, this initiative seeks to enrich the bank’s artistic legacy while sharing a collective memory with the wider public.“
(translated from French)

 

― Noura Mzaghrani

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