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Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.110 ans, 110 œuvres, at the Mohammed VI Museum of Modern and Contemporary Art in Rabat, commemorates Société Générale Maroc’s 110th anniversary and its long-standing commitment to art and Moroccan culture. This exceptional exhibition, a collaboration with the National Museum Foundation, features a precious part of the bank’s collection, including previously unseen works. It takes visitors on a timeless journey, tracing Moroccan art’s evolution from the early 20th century, starting with pioneers like Ben Ali R’bati, across four distinct periods to the present day. The exhibition highlights Moroccan artists’ contribution to national identity. It celebrates a rich artistic heritage and Société Générale Maroc’s enduring role in art’s promotion, anticipating the opening of its own museum in 2024. Visitors gain insight into Morocco’s artistic dynamism and the intricate relationship between banking and cultural patronage over more than a century.As part of the Classics of Russian Photography program, MAMM presents the first large-scale retrospective of renowned contemporary photographer Vladimir Bogdanov. The exhibition features over 100 photographs from the Multimedia Art Museum, Moscow, highlighting his work from the 1960s to the 1990s. Born in 1937, Bogdanov’s artistic journey began during the Khrushchev thaw, a period that allowed artists to explore themes beyond socialist realism. This era marked a shift where humanism replaced official dogma, enabling photographers to capture the lives of ordinary people. In 1955, while studying at the Textile Institute, he joined the Leningrad photo club VDK, transforming his passion into a profession. His compelling images reflect a deep connection to Russian society and its complexities during a time of change.Mr. Yokoo’s Palette showcases artist Yokoo Tadanori’s striking use of color, tracing his vibrant painting career since his “painter’s declaration” in the early 1980s. This pivotal moment marked his shift from graphic design to a prolific period of pictorial experiments, creating diverse works without fixed subjects or styles. The exhibition uniquely reorganizes his artistic world by categorizing paintings from series like Pink Girl and Y-junction based on their dominant hues, transforming the museum galleries into a grand palette. Visitors will discover background materials, including actual used palettes and paints from his studio, offering a glimpse into his creative process. This presentation invites reflection on the overwhelming power of Yokoo’s colors and how a singular artistic element can define an entire body of work, offering a fresh perspective on his timeless vision.The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art.
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https://www.youtube.com/watch?v=PqX4SONZ3ec&rel=0&autoplay=0&controls=1
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#1)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#1)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#2)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#2)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#3)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#3)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#4)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#4)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#5)
110 Years, 110 Works. Société Générale Collection – A still from the docursion (#5)
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Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Arts | Culture | History

110 Years, 110 Works. Société Générale Collection

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Original Exhibition Title: 110 ans, 110 oeuvres. Collection Société Générale
Morocco Rabat 2024 8 French
Art Collecting HistoryCommunity-based ArtContemporary ArtCultural MemoryCultural ResilienceIntercultural RelationsMuseum EngagementNational IdentityParticipation

All rights and copyrights to the film are held by the producer: Musée Mohammed VI d’Art Moderne et Contemporain, Rabat, Morocco / Fondation Nationale des Musées du Maroc.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

110 ans, 110 œuvres, at the Mohammed VI Museum of Modern and Contemporary Art in Rabat, commemorates Société Générale Maroc’s 110th anniversary and its long-standing commitment to art and Moroccan culture. This exceptional exhibition, a collaboration with the National Museum Foundation, features a precious part of the bank’s collection, including previously unseen works. It takes visitors on a timeless journey, tracing Moroccan art’s evolution from the early 20th century, starting with pioneers like Ben Ali R’bati, across four distinct periods to the present day. The exhibition highlights Moroccan artists’ contribution to national identity. It celebrates a rich artistic heritage and Société Générale Maroc’s enduring role in art’s promotion, anticipating the opening of its own museum in 2024. Visitors gain insight into Morocco’s artistic dynamism and the intricate relationship between banking and cultural patronage over more than a century.

Why should you watch this?

The exhibition 110 ans, 110 œuvres matters today because it shows how art can carry a nation’s memory while speaking to its future. Moving between the early brushstrokes of Ben Ali R’bati and the global perspectives of contemporary Moroccan artists, it evokes both pride and questioning: how does creativity define who we are in a world of constant change? Visitors may feel inspired by the intimate voices of the 1980s generation, who turned personal experience into universal expression, or by today’s works shaped through worldwide dialogue. Ultimately, the exhibition reminds us that art’s power to connect time, place, and people remains urgently relevant.

Curator

Abdelaziz El Idrissi

Bio

Abdelaziz El Idrissi is a prominent Moroccan art historian, curator, and cultural leader. He currently serves as the Director of the Mohammed VI Museum of Modern and Contemporary Art in Rabat, the first national institution in Morocco devoted entirely to modern and contemporary art.
With a background as curator of the Kasbah Museum in Tangier and a long-standing commitment to cultural preservation and artistic innovation, El Idrissi has been instrumental in shaping the museum landscape in Morocco.

All films Last updated: 09/08/2025

In the press

“The 110 selected works are part of a “chrono-thematic” journey that sheds light on the history of Moroccan art, from its founding moments to the present day, explains El Idrissi. It is a stroll through artistic practices and movements, from the 1950s and their first pictorial experiments to the contemporary era, with works integrated into a globalized context. This rich collection, showcasing masterpieces by Chaibia, Hamri, Melehi, Kacimi, Belkahia, Gharbaoui, Labied, Demnati, Bellamine, Ouazzani, Yamou, Darsi, Erruas, Abouelouakar, and many others, reflects “a long history of encounters between exceptional men and women,” emphasizes Ahmed El Yacoubi.”
(translated from French)

― Houda Outarahout

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“The exhibition “110 Years, 110 Works” traces the evolution of Moroccan art from Ben Ali R’bati’s pioneering experiments in the early 20th century to the present day, highlighting the different eras and influences that have shaped its development. On this occasion, Société Générale Maroc announced the creation of the Société Générale Maroc Museum, scheduled to open in 2024 at its historic headquarters in Casablanca, underscoring the bank’s long-term commitment to supporting the arts and culture. According to Ahmed El Yacoubi, Chairman of the Management Board, this initiative seeks to enrich the bank’s artistic legacy while sharing a collective memory with the wider public.“
(translated from French)

 

― Noura Mzaghrani

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