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The exhibition serves as a poignant exploration of the pervasive and often absurd censorship that defined Soviet culture over 70 years. By navigating through the Russian alphabet—from the arrest of manuscripts to the Yauza tape recorder and the underground phenomenon of magnitizdat—visitors will uncover a narrative rich in both cruelty and resilience. Each letter unveils stories of meticulous scrutiny and cold repression, highlighting the complex interplay between censorship and state security, while also showcasing remarkable acts of civil defiance against artistic oppression. Enhanced by an array of documents, media, and artifacts, this exhibition invites you to explore the hidden layers of Soviet history and the power of creative expression that endeavored to resist the “red pencils” of authority.The Yokoo Tadanori Collection Gallery presents a comprehensive view of the artistic world and deep influences shaping the practice of Japanese artist Yokoo Tadanori. This permanent space, established in 2021 within the Yokoo Tadanori Museum of Contemporary Art in Hyogo Prefecture, Japan, displays his original drawings, color proofs, and project designs. The collection offers insight into the cultural and historical contexts that fed Yokoo’s aesthetic, illuminating the wider network of artistic references he engaged with. Visitors can study archive materials and works by figures he admired, such as Francis Picabia and Giorgio de Chirico, revealing the sources that informed his output. The gallery ultimately encourages visitors to recognize the enduring dialogue between personal vision and international creative lineage that defines lasting contemporary art.“Arrival of the Train” is a captivating exhibition that unites over a hundred artistic works from both Russian and international creators, celebrating the train’s rich cultural significance as a harbinger of change and progress. It delves into the multifaceted roles of trains throughout history—from transformative technological marvels to poignant symbols in art—inviting viewers to journey through time and space. Showcasing everything from the historic funeral train of Lenin to the nostalgic echoes of the Trans-Siberian Railway, the exhibition highlights the train’s enduring impact on civilization and its power as a vessel for communication and innovation, ultimately crafting a shared narrative that connects cultures and eras in a uniquely dynamic way.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context.
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https://www.youtube.com/watch?v=hgpl86rDNT4&rel=0&autoplay=0&controls=1
Yokoo Tadanori's Haunted Museum
Yokoo Tadanori's Haunted Museum
Yokoo Tadanori's Haunted Museum
Yokoo Tadanori's Haunted Museum
Yokoo Tadanori's Haunted Museum
Yokoo Tadanori's Haunted Museum
Yokoo Tadanori's Haunted Museum
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Yokoo Tadanori Museum of Contemporary Art Arts | Culture | Philosophy

Yokoo Tadanori’s Haunted Museum

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Original Exhibition Title: 横尾忠則の恐怖の館
Japan Kobe 2021 13 Japanese Japanese, English
Art and TraumaArtistic ResearchContemporary ArtCultural MemoryEastern ArtMuseum EngagementPsychiatric Institutions

All rights and copyrights to the film are held by the producer: Yokoo Tadanori Museum of Contemporary Art, Kobe, Japan.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

Yokoo Tadanori’s Haunted Museum presents a compelling exploration of the intrinsic connection between art and fear, featuring a diverse range of the artist’s works. Yokoo Tadanori has consistently pursued phenomena that remain invisible or unexplainable by science, a fascination rooted in his childhood experiences with profound darkness and mystical encounters in Nishiwaki. This deeply personal history informs much of his art, from his celebrated illustrations for the Complete Works of Edogawa Rampo to his paintings created since his “painter’s declaration.” The exhibition, designed with deliberately darkened spaces, encourages visitors to engage with their own ambivalent emotions of wanting to look yet fearing the unknown. It highlights art’s enduring capacity to interpret and express humanity’s primal responses to mystery and the unseen, fostering a reflection on these universal aspects of human existence.

Why should you watch this?

The film Yokoo Tadanori’s Haunted Museum asks what happens when fear and curiosity meet in the same moment. Drawing on childhood nights of complete darkness and on the unsettling imagery of his Edogawa Rampo illustrations, Yokoo turns the unseen into something you can almost touch. A face appearing out of shadow or a mouth repeated like a chant unsettles, yet also holds you in place. The experience lingers because it reminds us that fear is not only about danger but about discovery, and that learning to face it can change how we see the world.

Curator

Atsuo Yamamoto

Bio

Atsuo Yamamoto is a Japanese curator and Chief Curator at the Yokoo Tadanori Museum of Contemporary Art (Y+T MOCA), Kobe. He has held curator roles previously at the Ashiya City Museum of Art & History and the Museum of Modern Art, Shiga. Yamamoto has been closely involved with the establishment of Y+T MOCA since about 2011; the museum opened in November 2012 in a renovated wing of a building originally designed by architect Tōgō Murano. Under his direction, the museum’s holdings have grown to thousands of works and materials — including hundreds of paintings, prints, posters, drawings, photographs and archival boxes — and he oversees the archival, conservation, and exhibition programs. Yamamoto is also known for his interest in post-war Japanese modernism, including the Gutai art movement. He has curated exhibitions and contributed publications about Gutai members such as Saburo Murakami.

All films Last updated: 12/09/2025

Artist

Tadanori Yokoo

Bio

Tadanori Yokoo (born 1936 in Nishiwaki, Hyogo, Japan) is a celebrated Japanese graphic designer, illustrator, printmaker, and painter, widely recognized as one of Japan’s most influential contemporary artists. After a successful career in graphic design in the 1960s and 70s, where he gained international acclaim for his psychedelic, pop art-infused posters and album covers, he shifted his focus to painting in 1981. Yokoo’s work is characterized by its vibrant colors, intricate collages, and a unique blend of Japanese tradition with Western influences, often exploring themes of mysticism, the subconscious, and the human condition. His diverse career and unconventional approach have left an indelible mark on both Japanese and international art.

All films Last updated: 15/09/2025
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