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A Poet Passes Through celebrates the expansive world of Abdellatif Laâbi, the Moroccan writer, poet, and painter, at the Mohammed VI Museum in Rabat. This exhibition explores Laâbi’s rich and engaged body of work, presenting him as a voice for a generation seeking meaning through art. It unveils the creative spirit of an era, featuring literary works, archival documents, paintings, and videos that trace his journey and reveal his less-known facet as a painter. A significant focus is the groundbreaking Souffles review, co-founded by Laâbi, which profoundly transformed Moroccan culture and liberated minds. Visitors will discover how one artist’s vision and intellectual struggle historically shaped artistic expression and continue to resonate today, offering a unique insight into a life dedicated to creative impact.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.The exhibition GASTEV. How to Work examines the profound influence of Alexey Gastev, a key figure in Soviet thought and the founder of the Central Institute of Labor (CIT). Gastev’s work in the 1920s and 1930s revolutionized labor practices through his development of scientific labor organization (NOT), blending Marxist ideology with avant-garde approaches to efficiency, biomechanics, and human-machine interaction. His theories sought to transform workers into precise, efficient elements of industrial production, reflecting the broader Soviet utopian vision of reshaping society through labor. The exhibition contextualizes Gastev’s role not just as an organizer but as a visionary whose ideas on human potential and mechanization resonate with contemporary discussions on automation and the future of work. Despite his execution during the Stalin’s Great Purge/Terror, Gastev’s legacy continues to provoke thought on the relationship between labor, politics, and the shaping of the modern human. More at http://avantgarde.center/gastev (in Russian only)As part of the Classics of Russian Photography program, MAMM presents the first large-scale retrospective of renowned contemporary photographer Vladimir Bogdanov. The exhibition features over 100 photographs from the Multimedia Art Museum, Moscow, highlighting his work from the 1960s to the 1990s. Born in 1937, Bogdanov’s artistic journey began during the Khrushchev thaw, a period that allowed artists to explore themes beyond socialist realism. This era marked a shift where humanism replaced official dogma, enabling photographers to capture the lives of ordinary people. In 1955, while studying at the Textile Institute, he joined the Leningrad photo club VDK, transforming his passion into a profession. His compelling images reflect a deep connection to Russian society and its complexities during a time of change.The exhibition Curators in Panic addresses the unpredictable realities of operating a contemporary art museum, presenting unique works by artist Yokoo Tadanori, who has continuously redefined painting since the 1980s. Rooted in the early 2020s — a period marked by the coronavirus crisis and logistical demands from the large-scale retrospective Genkyo Yokoo Tadanori — this show responds directly to the sudden absence of major holdings and the challenges of museum governance. Three participating curators, deeply familiar with the collection, selected their personal favorites not included in the tour, highlighting the profound existence of the artist’s full creative output. This perspective reflects the confusion of managing a cultural facility during a state of emergency. By adopting the curators’ viewpoint, visitors gain an opportunity to freely enjoy the viewing experience and rediscover the rich, constantly changing creative world of Yokoo Tadanori.
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110 Years, 110 Works. Société Générale Collection
Mohammed VI Museum of Modern and Contemporary Art (MMVI Rabat) Arts | Culture | History
18+

110 Years, 110 Works. Société Générale Collection

110 ans, 110 oeuvres. Collection Société Générale
Morocco Rabat 2024 8

110 ans, 110 œuvres, at the Mohammed VI Museum of Modern and Contemporary Art in Rabat, commemorates Société Générale Maroc’s 110th anniversary and its long-standing commitment to art and Moroccan culture. This exceptional exhibition, a collaboration with the National Museum Foundation, features a precious part of the bank’s collection, including previously unseen works. It takes visitors on a timeless journey, tracing Moroccan art’s evolution from the early 20th century, starting with pioneers like Ben Ali R’bati, across four distinct periods to the present day. The exhibition highlights Moroccan artists’ contribution to national identity. It celebrates a rich artistic heritage and Société Générale Maroc’s enduring role in art’s promotion, anticipating the opening of its own museum in 2024. Visitors gain insight into Morocco’s artistic dynamism and the intricate relationship between banking and cultural patronage over more than a century.

Why should you watch this?

The exhibition 110 ans, 110 œuvres matters today because it shows how art can carry a nation’s memory while speaking to its future. Moving between the early brushstrokes of Ben Ali R’bati and the global perspectives of contemporary Moroccan artists, it evokes both pride and questioning: how does creativity define who we are in a world of constant change? Visitors may feel inspired by the intimate voices of the 1980s generation, who turned personal experience into universal expression, or by today’s works shaped through worldwide dialogue. Ultimately, the exhibition reminds us that art’s power to connect time, place, and people remains urgently relevant.

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