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excoursio is a free platform for immersive guided tours, turning one-time walkthroughs into lasting learning experiences. excours.io means culture for everyone, everywhere.

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Mr. Yokoo’s Palette showcases artist Yokoo Tadanori’s striking use of color, tracing his vibrant painting career since his “painter’s declaration” in the early 1980s. This pivotal moment marked his shift from graphic design to a prolific period of pictorial experiments, creating diverse works without fixed subjects or styles. The exhibition uniquely reorganizes his artistic world by categorizing paintings from series like Pink Girl and Y-junction based on their dominant hues, transforming the museum galleries into a grand palette. Visitors will discover background materials, including actual used palettes and paints from his studio, offering a glimpse into his creative process. This presentation invites reflection on the overwhelming power of Yokoo’s colors and how a singular artistic element can define an entire body of work, offering a fresh perspective on his timeless vision.The exhibition Curators in Panic addresses the unpredictable realities of operating a contemporary art museum, presenting unique works by artist Yokoo Tadanori, who has continuously redefined painting since the 1980s. Rooted in the early 2020s — a period marked by the coronavirus crisis and logistical demands from the large-scale retrospective Genkyo Yokoo Tadanori — this show responds directly to the sudden absence of major holdings and the challenges of museum governance. Three participating curators, deeply familiar with the collection, selected their personal favorites not included in the tour, highlighting the profound existence of the artist’s full creative output. This perspective reflects the confusion of managing a cultural facility during a state of emergency. By adopting the curators’ viewpoint, visitors gain an opportunity to freely enjoy the viewing experience and rediscover the rich, constantly changing creative world of Yokoo Tadanori.Requiem: Cats, Portraits explores artist Yokoo Tadanori’s profound connections with departed friends, family, and beloved cats, tracing his influential career from the 1960s to the present. Born in 1936, Yokoo’s artistic journey has always been shaped by deep personal relationships and collaborative endeavors across various creative fields. The exhibition features portraits and personal statements, alongside items like the Tama, Come Home series, dedicated to his late cat. Visitors will also see examples of his enduring friendship with designer Issey Miyake, including iconic invitation designs from the 1970s onwards. This unique presentation invites viewers to reflect on how cherished relationships transcend time, influencing an artist’s vision and offering a glimpse into a timeless “Yokoo World.”The exhibition Whispers of the Forest presents a playful, interactive world where contemporary Korean art explores themes of nature, community, and coexistence. This immersive installation, designed especially for children and families, addresses pressing modern issues like rapid urban development, environmental loss, and displacement. The gallery becomes a forest playground featuring works by artists Um A Long, who creates sculptures from discarded materials, and Haksoon Hong, who brings his vibrant Wink Tokki World to life through murals and animations. Visitors are encouraged to engage directly with the art, moving beyond passive viewing to reflect on sustainability and our relationships with others. The experience prompts us to imagine a future where all beings can live and grow together in harmony.In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.
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Hanbok, Poetics of Line and the Passage of Life
Korean Cultural Center (KCC) Arts | Culture | History
18+

Hanbok, Poetics of Line and the Passage of Life

선이 흘러 삶, 그리고 한복이 되다
Canada Ottawa 2021 19

The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context.

Why should you watch this?

Hanbok, Poetics of Line and the Passage of Life resonates today because it frames clothing as both a vessel of memory and a mirror of change. The exhibition’s display of the Obangjang durumagi, alive with five elemental colors, reminds us of humanity’s search for balance with nature at a time when sustainability is a global concern. Equally striking are the “new women” who reshaped Hanbok to claim individuality during Korea’s modernization — a gesture that still feels bold and liberating. This exhibition shows that tradition is not fixed but evolving, offering viewers a timeless reflection on identity, resilience, and creativity.

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