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CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/The exhibition presents Roman Babichev’s collection as a compelling exploration of Soviet modernism, challenged by decades of controversy surrounding the term due to the anti-formalist campaigns of the 1930s and Cold War ideological battles. Offering a fresh lens, the exhibition sheds light on the often-overlooked variety within Soviet art, breaking down entrenched stereotypes and revealing the interconnections among post-avant-garde communities active after the 1932 ban on creative associations. By emphasizing the nuanced expressions of these artists—whose declarations were rendered in their unique painting styles rather than explicit statements—the exhibition invites viewers to reassess the rich tapestry of Soviet artistic heritage through a symbolist perspective, encouraging a more multidimensional understanding of its evolving narrative.BIG D@T@! BIG MON€Y! is a bold, thought-provoking exhibition that explores the intersection of data, finance, and digitalization. Featuring seven artists and collectives, the works explore how our everyday digital footprints and the rise of cryptocurrencies are reshaping economies, identities, and power structures. Through projects like a speculative trading AI, a data-driven remake of classic art, and an analysis of the hidden infrastructure behind Amazon transactions, the exhibition sheds light on the often-invisible forces governing our digital lives. In an era of increasing surveillance and technological control, the exhibition raises critical questions about freedom, privacy, and the future of society.The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century.Yokoo Tadanori’s Game of Life transforms the artist’s remarkable journey into an interactive board game, inviting visitors to experience his extensive artistic world firsthand. Born in 1936, Yokoo Tadanori has navigated a career spanning decades, marked by a philosophy that embraces destiny and chance. The exhibition explores how his art reflects life’s unpredictable path, where outcomes are often left to fate, much like reaching the “Finish” square in a game. Through this engaging format, featuring the visionary artist’s work, the exhibition encourages reflection on the interplay of choice and fortune in shaping creative expression and individual trajectories. Visitors will gain a fresh perspective on his unique artistic vision and the unpredictable nature of life itself.
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Yokoo Tadanori Museum of Contemporary Art Arts | Culture | Philosophy
18+

Yokoo Tadanori’s Haunted Museum

横尾忠則の恐怖の館
Japan Kobe 2021 13

Yokoo Tadanori’s Haunted Museum presents a compelling exploration of the intrinsic connection between art and fear, featuring a diverse range of the artist’s works. Yokoo Tadanori has consistently pursued phenomena that remain invisible or unexplainable by science, a fascination rooted in his childhood experiences with profound darkness and mystical encounters in Nishiwaki. This deeply personal history informs much of his art, from his celebrated illustrations for the Complete Works of Edogawa Rampo to his paintings created since his “painter’s declaration.” The exhibition, designed with deliberately darkened spaces, encourages visitors to engage with their own ambivalent emotions of wanting to look yet fearing the unknown. It highlights art’s enduring capacity to interpret and express humanity’s primal responses to mystery and the unseen, fostering a reflection on these universal aspects of human existence.

Why should you watch this?

The film Yokoo Tadanori’s Haunted Museum asks what happens when fear and curiosity meet in the same moment. Drawing on childhood nights of complete darkness and on the unsettling imagery of his Edogawa Rampo illustrations, Yokoo turns the unseen into something you can almost touch. A face appearing out of shadow or a mouth repeated like a chant unsettles, yet also holds you in place. The experience lingers because it reminds us that fear is not only about danger but about discovery, and that learning to face it can change how we see the world.

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