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Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979
Arts | Culture
18+

Bauhaus – Shanghai – Stalinallee – Ha-Neu. The life of architect Richard Paulick, 1903­–1979

Bauhaus – Shanghai – Stalinallee – Ha-Neu. Der Lebensweg des Architekten Richard Paulick 1903 – 1979
Germany Dessau 2020 84
Richard Paulick’s career was a mosaic of contradictions — modernist Bauhaus ideals alongside socialist industrialism, avant-garde innovation woven into national architectural traditions. His life was marked by war, shifting ideologies, and forced relocations, yet his dedication to architecture never wavered. Paulick emerged as one of the most influential architects of the German Democratic Republic, breathing new life into war-torn cities like Dresden and Berlin, while also shaping the industrial landscapes of smaller East German towns. Remarkably, his work extended far beyond Europe’s borders, leaving a legacy in pre-communist Shanghai as well. The exhibition at the Bauhaus Dessau Foundation, a beacon of German avant-garde architecture, vividly captures Paulick’s lifelong quest for self-realization in the face of the political and social currents of the 20th century. Through his work, the complexities of personal and ideological resilience unfold, offering viewers a window into both the man and the turbulent world he helped to shape.
If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties
Arts | History | Philosophy
18+

If our soup can could speak: Mikhail Lifshitz and the Soviet Sixties

Если бы наша консервная банка заговорила… Михаил Лифшиц и советские шестидесятые
Russia Moscow 2018 59

The exhibition is dedicated to one of the most enigmatic, mysterious, and controversial philosophers of the USSR and his famous anthology of polemical texts, The Crisis of Ugliness, which criticizes the art of the 20th century. The retrospective showcases never presented before archive documents, Lifshitz’s texts, and artworks in ten interiors, each representing a milestone in the development of modernism or Lifshitz’s thought: 10 rooms – 10 stages of Soviet history – 10 knots in Lifshitz’s biography. The project is the first large-scale analysis attempt of the tense relationship between so-called progressive art and politics in the XX-XXI century.

TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism
Arts | Culture | History | Philosophy | Society & Politics
18+

TIME FOR OUTRAGE! Art in Times of Social Anger | Trumpism

Empört Euch! Kunst in Zeiten des Zorns
Germany Dusseldorf 2020 33

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Vladimir Bogdanov. Retrospective. Part of “The Classics of Russian Photography” Program
Arts | Culture | History
18+

Vladimir Bogdanov. Retrospective. Part of “The Classics of Russian Photography” Program

Владимир Богданов. Ретроспектива. В рамках программы «Классики российской фотографии»
Russia Moscow 2017 80

As part of the Classics of Russian Photography program, MAMM presents the first large-scale retrospective of renowned contemporary photographer Vladimir Bogdanov. The exhibition features over 100 photographs from the Multimedia Art Museum, Moscow, highlighting his work from the 1960s to the 1990s. Born in 1937, Bogdanov’s artistic journey began during the Khrushchev thaw, a period that allowed artists to explore themes beyond socialist realism. This era marked a shift where humanism replaced official dogma, enabling photographers to capture the lives of ordinary people. In 1955, while studying at the Textile Institute, he joined the Leningrad photo club VDK, transforming his passion into a profession. His compelling images reflect a deep connection to Russian society and its complexities during a time of change.

Klaus Staeck. Sand for the Gears
Arts | Culture | History | Society & Politics
18+

Klaus Staeck. Sand for the Gears

Klaus Staeck. Sand fürs Getriebe
Germany Essen 2018 55
Klaus Staeck’s exhibition offers a captivating journey through the provocative artistry that defined West Germany’s visual landscape from the late 1960s to the late 1980s. Celebrated as a political agitator, Staeck’s posters not only sparked public discourse but also reflected the turbulent social climate of the time. The display features around 180 of his striking designs, alongside early prints and three-dimensional multiples, showcasing his ability to intertwine art with activism. Each piece acts as a visual commentary on pressing societal issues, daring viewers to confront the challenges of their era. Staeck’s work serves as a reminder of the profound impact that art can have in shaping collective memory and igniting conversations long after the initial scandal has faded.
When I see the future, I close my eyes: Chapter II
Arts | Culture | History | Society & Politics
18+

When I see the future, I close my eyes: Chapter II

Germany Berlin 2023 45

In When I see the future, I close my eyes: Chapter II, Heba Y. Amin critically explores the intersection of colonialism, technology, and modern warfare, drawing attention to the lingering effects of these forces on contemporary society. Through installations, photography, and reconstructions, Amin revisits historical moments, such as early colonial photography and WWII landmines in Egypt, to highlight how visual and technological tools have been used to exert control and perpetuate violence. The exhibition asks us to reflect on how these past dynamics continue to shape narratives of power and oppression, urging us to confront the neocolonial tendencies of today’s technologies.

Katrin Nenasheva. Between Here and There: Stories of City Isolations
Arts | Society & Politics
18+

Katrin Nenasheva. Between Here and There: Stories of City Isolations

Катрин Ненашева. Между здесь и там: Истории городских изоляций
Russia Moscow 2017 50

Between Here and There: Stories of Urban Isolation is an exhibition by Katrin Nenasheva that explores the lives of individuals permanently isolated in psychiatric institutions. In her performance, Nenasheva traversed city streets wearing virtual reality glasses displaying panoramic images from these institutions, highlighting the barriers that separate their world from ours. She engaged with the public in various locations, including the subway and Red Square, inviting them to experience her perspective and share the motivations behind her work. The exhibition presents documentation of her journey, allowing visitors to engage with virtual reality themselves, fostering a dialogue between “here” and “there.” This immersive experience encourages reflection on societal isolation and connection.

Agitprop Trains
Arts | Culture | History
18+

Agitprop Trains

Агитпоезда
Russia Moscow 2018 55

The exhibition delves into a groundbreaking aspect of Russian cultural history birthed from the revolution—mobile propaganda trains. These unique vehicles served as a fusion of art and technology, transforming into vibrant mobile platforms that combined exhibitions, theater, libraries, and cinema on wheels. Launched in 1918 under the directive of the All-Russian Central Executive Committee, these trains traversed vast distances, reaching from Odessa to Irkutsk and engaging communities with their painted exteriors and rich artistic content. Supervised by renowned graphic artist Ignatiy Nivinsky, the trains featured contributions from a diverse array of artists, blending Symbolism with early avant-garde ideas. This exhibition promises an in-depth exploration of their socio-political significance during the Civil War, showcasing archival photos, posters, and various artifacts that capture the ethos of an era where art became instrumental in uniting and inspiring a nation.

HOW TO SURVIVE ― Art as Survival Strategy | with Paula Schwerdtfeger
Arts | Culture | History | Philosophy | Society & Politics
18+

HOW TO SURVIVE ― Art as Survival Strategy | with Paula Schwerdtfeger

How to Survive – Kunst als Überlebensstrategie
Germany Hanover 2020 34

The group exhibition presents a compelling exploration of how art provides resilience in times of personal and societal crisis. The exhibition features works by renowned artists like Gustav Metzger, Shusaku Arakawa, and Alina Szapocznikow, each of whom faced extreme adversity and transformed their experiences into profound artistic statements. Whether addressing environmental destruction, illness, or existential threats, these artists used creativity as a means to survive and challenge the limits of human endurance. The exhibition emphasizes the power of art to propose alternative perspectives when the world seems trapped in binary thinking. By engaging with radical artistic responses to crisis, visitors are invited to reflect on how creativity can offer strength, hope, and new possibilities for navigating the uncertainties of modern life. Art, in this context, becomes more than expression — it becomes a strategy for survival and transformation.

Alexander Grinberg. Movement. 1920s
Arts | Culture
18+

Alexander Grinberg. Movement. 1920s

Александр Гринберг. Движение. 1920-е годы
Russia Moscow 2019 53

Step back into the vibrant world of the 1920s with the Movement. 1920s exhibition, which captures the revolutionary spirit and artistic innovation of this transformative decade. Celebrating a surge of creativity across visual arts, architecture, and design, the exhibit showcases how artists challenged traditional norms and embraced new mediums and themes. Through a carefully curated selection of works and engaging installations, visitors can explore the interplay between art, politics, and society during a time marked by upheaval and change. From the bold geometries of constructivism to the experimental forms of avant-garde movements, Movement. 1920s invites audiences to witness how the decade laid the groundwork for contemporary art, illuminating the ongoing dialogue between past and present in the ever-evolving landscape of visual culture.

Implicit Modernism. Roman Babichev’s Collection. Part II.
Arts | Culture
18+

Implicit Modernism. Roman Babichev’s Collection. Part II.

Модернизм без манифеста. Часть 2. Ленинград. Собрание Романа Бабичева
Russia Moscow 2017 95

The exhibition presents Roman Babichev’s collection as a compelling exploration of Soviet modernism, challenged by decades of controversy surrounding the term due to the anti-formalist campaigns of the 1930s and Cold War ideological battles. Offering a fresh lens, the exhibition sheds light on the often-overlooked variety within Soviet art, breaking down entrenched stereotypes and revealing the interconnections among post-avant-garde communities active after the 1932 ban on creative associations. By emphasizing the nuanced expressions of these artists—whose declarations were rendered in their unique painting styles rather than explicit statements—the exhibition invites viewers to reassess the rich tapestry of Soviet artistic heritage through a symbolist perspective, encouraging a more multidimensional understanding of its evolving narrative.

HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath
Arts | Culture | History | Philosophy | Society & Politics
18+

HOW TO SURVIVE ― Art as Survival Strategy | with Valérie Favre & Carina Plath

How to Survive – Kunst als Überlebensstrategie
Germany Hanover 2020 34

The group exhibition presents a compelling exploration of how art provides resilience in times of personal and societal crisis. The exhibition features works by renowned artists like Gustav Metzger, Shusaku Arakawa, and Alina Szapocznikow, each of whom faced extreme adversity and transformed their experiences into profound artistic statements. Whether addressing environmental destruction, illness, or existential threats, these artists used creativity as a means to survive and challenge the limits of human endurance. The exhibition emphasizes the power of art to propose alternative perspectives when the world seems trapped in binary thinking. By engaging with radical artistic responses to crisis, visitors are invited to reflect on how creativity can offer strength, hope, and new possibilities for navigating the uncertainties of modern life. Art, in this context, becomes more than expression — it becomes a strategy for survival and transformation.

Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”
Arts | Culture | Society & Politics
18+

Human Condition. Session III. “Time And Senses”: Trauma, Memory, Oblivion, Knowledge. Exhibition “The Haunted House”

Удел человеческий. Сессия III «Время и смыслы»: Травма, память, забвение, знание. Выставка «Дом с привидениями»
Russia Moscow 2018 95

The Human Condition exhibition, a thought-provoking exploration of contemporary art that delves into the complexities of human experience. This showcase features a diverse collection of works that challenge perceptions and provoke dialogue about identity, society, and the emotional landscape of modern life. Each piece serves as a mirror, reflecting the multifaceted nature of existence in today’s world. Through innovative mediums and striking visuals, the artists invite viewers to engage deeply with themes of vulnerability, connection, and resilience. This exhibition is not just a display of art; it’s an immersive journey that encourages introspection and a deeper understanding of what it means to be human in an ever-evolving society.

Tobias Zielony. Maskirovka [Concealment]
Arts | Culture | Music
18+

Tobias Zielony. Maskirovka [Concealment]

Tobias Zielony. Maskirovka
Germany Berlin 2018 37
Tobias Zielony’s “Maskirovka” offers a striking exploration of Kyiv’s queer techno scene in the wake of the post-Maidan era, blending artistic expression with a profound commentary on societal resistance. This project reflects the duality of its title, capturing moments where identity is both concealed and celebrated amid an unstable political landscape. Through his evocative photographs and a dynamic animated film composed of 5,400 images, Zielony provides a lens into a vibrant, underground community that challenges nationalism and conventional norms. The interplay of nighttime revelry and the stark realities of conflict creates a vivid tapestry, inviting viewers to engage with the multi-faceted narratives of the individuals within, while questioning the representation of Ukraine within broader sociopolitical dialogues. In this nuanced portrayal, Zielony reveals the fragility and resilience of a generation caught between chaos and the pursuit of self-determination.
HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath
Arts | Culture | History | Philosophy | Society & Politics
18+

HOW TO SURVIVE ― Art as Survival Strategy | with Jean-Pascal Flavien & Carina Plath

How to Survive – Kunst als Überlebensstrategie
Germany Hanover 2020 31

The group exhibition presents a compelling exploration of how art provides resilience in times of personal and societal crisis. The exhibition features works by renowned artists like Gustav Metzger, Shusaku Arakawa, and Alina Szapocznikow, each of whom faced extreme adversity and transformed their experiences into profound artistic statements. Whether addressing environmental destruction, illness, or existential threats, these artists used creativity as a means to survive and challenge the limits of human endurance. The exhibition emphasizes the power of art to propose alternative perspectives when the world seems trapped in binary thinking. By engaging with radical artistic responses to crisis, visitors are invited to reflect on how creativity can offer strength, hope, and new possibilities for navigating the uncertainties of modern life. Art, in this context, becomes more than expression — it becomes a strategy for survival and transformation.

“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story
Culture | History | Society & Politics
18+

“Heart of a Dog” : Adventures of a Banned Book. A Monstrous Story

"Собачье сердце" : Приключения запрещенной книги. Чудовищная история
Russia Moscow 2019 75

The exhibition Heart of a Dog: Adventures of a Banned Book. A Monstrous Story delves into the provocative themes of banned literature, spotlighting the cultural ripples caused by censorship. Through a compelling blend of visual art and literary references, this showcase invites visitors to reflect on the power of words and the resilience of artistic expression. By intertwining the narrative of Mikhail Bulgakov’s infamous novella with contemporary artistic interpretations, the exhibition not only celebrates the defiance against oppression but also fosters a dialogue on freedom and creativity in our modern world.

“Your Feedback is Very Important for Us”
Arts | Culture
18+

“Your Feedback is Very Important for Us”

«Ваш отзыв очень важен для нас»
Russia Moscow 2018 47

The exhibition “Your review is very important to us” delves into the evolving landscape of reader engagement with classical literature, inviting visitors to explore how expressions of opinion have transformed from the 19th century to today’s digital era. Through a compelling blend of research by philologist Anna Gerasimova and innovative works from contemporary Russian artists, the show raises thought-provoking questions about the interplay between amateur reviews and literary criticism. Viewers will experience how machine learning interprets text, engage with an audio installation that echoes voices from the past and present, and even connect Nabokov’s correspondence to modern digital discourse.

TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism
Arts | Culture | History | Philosophy | Society & Politics
18+

TIME FOR OUTRAGE! Art in Times of Social Anger | Feminism

Empört Euch! Kunst in Zeiten des Zorns
Germany Dusseldorf 2020 23

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

KOMAR & MELAMID
Arts | Culture | Society & Politics
18+

KOMAR & MELAMID

Russia Moscow 2019 135

KOMAR & MELAMID delves into the fusion of art and ideology, spotlighting the pioneering duo known for their satirical takes on Soviet culture. This exhibition showcases their innovative approach to ‘Sots Art,’ a movement that critiques the socialist aesthetic while playfully engaging with the political and commercial landscapes of the 20th century. Through a diverse array of works, including paintings, installations, and conceptual pieces, Komar and Melamid invite viewers to reconsider the purpose and function of art in society. Their collaboration challenges traditional boundaries, marrying humor with profound sociopolitical commentary—a must-see for anyone interested in contemporary art’s dialogue with history and culture.

Nautilus – Snails, Shells, and Mollusks in Photography
Arts | Culture
18+

Nautilus – Snails, Shells, and Mollusks in Photography

Nautilus - Schnecken, Muscheln und andere Mollusken in der Fotografie
Germany Berlin 2018 68

The exhibition delves deep into the captivating world of shells and snails as seen through the lenses of iconic modern photographers like Edward Weston and Imogen Cunningham. This pioneering showcase assembles a rich tapestry of images, tracing humanity’s longstanding fascination with these natural forms—from their mathematical elegance to their cosmic symbolism. Grounded in Alfred Ehrhardt’s seminal works, including his influential books “Muscheln und Schnecken” and “Geprägte Form,” the exhibition also highlights the intersection of art and science, featuring innovative techniques like X-ray photography and the New Objectivity movement. Beyond mere visual appeal, the show offers an exploration of cultural significance, inviting viewers to reflect on the beauty and complexity of these “structural forms in nature,” culminating in the screening of Ehrhardt’s award-winning film “Tanz der Muscheln.”

TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism
Arts | Culture | History | Philosophy | Society & Politics
18+

TIME FOR OUTRAGE! Art in Times of Social Anger | Postcolonialism

Empört Euch! Kunst in Zeiten des Zorns
Germany Dusseldorf 2020 36

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Mikhail Grachev. Soviet Daily Life. 1930s—1960s
Arts | Culture
18+

Mikhail Grachev. Soviet Daily Life. 1930s—1960s

Михаил Грачёв. Советская повседневная жизнь. 1930–1960-е годы
Russia Moscow 2019 62

In Mikhail Grachev. Soviet Daily Life. 1930s—1960s through an array of photographs, artifacts, and multimedia installations, attendees are invited to experience the complexities of everyday existence during a transformative era in Russian history. The exhibition captures the interplay of culture, politics, and personal narratives, reflecting how art and design were interwoven into the fabric of daily routines — from the bustling streets to communal celebrations. By showcasing both the mundane and the extraordinary, the exhibition offers a unique lens on how people lived, worked, and dreamt in a time of significant socio-political change, encouraging visitors to ponder the lasting impact of this period on contemporary society and culture.

“A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities
History | Society & Politics
18+

“A” fell down, “B” is gone. Glossary of Soviet censorship. Censorship practices in the USSR from the first to the last day of the Soviet authorities

А упало, Б пропало. Словник советской цензуры. Цензурные практики в СССР с первых шагов советской власти и до последнего ее дня
Russia Moscow 2019 66

The exhibition serves as a poignant exploration of the pervasive and often absurd censorship that defined Soviet culture over 70 years. By navigating through the Russian alphabet—from the arrest of manuscripts to the Yauza tape recorder and the underground phenomenon of magnitizdat—visitors will uncover a narrative rich in both cruelty and resilience. Each letter unveils stories of meticulous scrutiny and cold repression, highlighting the complex interplay between censorship and state security, while also showcasing remarkable acts of civil defiance against artistic oppression. Enhanced by an array of documents, media, and artifacts, this exhibition invites you to explore the hidden layers of Soviet history and the power of creative expression that endeavored to resist the “red pencils” of authority.

TIME FOR OUTRAGE! Art in Times of Social Anger | Protest
Arts | Culture | History | Philosophy | Society & Politics
18+

TIME FOR OUTRAGE! Art in Times of Social Anger | Protest

Empört Euch! Kunst in Zeiten des Zorns
Germany Dusseldorf 2020 24

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition Time for Outrage! in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

 

Vasily Ulitin. Elegy
Arts
18+

Vasily Ulitin. Elegy

Василий Улитин. Элегия
Russia Moscow 2018 63

Vasily Ulitin. Elegy is a poignant exploration of memory and the human experience, showcasing contemporary artworks that delve into themes of loss and nostalgia. This compelling exhibition brings together a diverse array of artists, each offering a unique lens on the fragility of existence and the echoes of the past. Through striking visuals and thought-provoking installations, visitors are invited to reflect on the transient nature of life and the artifacts of memory that linger in our minds. The careful curation weaves a narrative that transcends individual perspectives, creating a shared space for solace and contemplation.

Clemens von Wedemeyer – Mehrheiten [Majorities]
Culture | History
18+

Clemens von Wedemeyer – Mehrheiten [Majorities]

Clemens von Wedemeyer – Mehrheiten
Germany Leipzig 2019 27

The exhibition critically examines the evolution of mass mobilization and crowd dynamics in both historical and contemporary contexts, drawing inspiration from Elias Canetti’s “Crowds and Power.” Set against the backdrop of the GfZK’s new architectural space, the exhibition engages with the complexities of collective action, exploring how digital public spheres shape democratic participation while simultaneously being exploited for exclusionary practices. Featuring a rich array of video installations and cinematic works, including the new production “70.001,” which reimagines the 1989 Leipzig demonstrations, “Majorities” invites reflection on the nuances of social behavior and the implications of simulated experiences in gaming and surveillance. Through this thoughtful presentation, Wedemeyer prompts us to consider the intertwining narratives of isolation and community, resonating powerfully in today’s fragmented society.

TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination
Arts | Culture | History | Philosophy | Society & Politics
18+

TIME FOR OUTRAGE! Art in Times of Social Anger | Discrimination

Empört Euch! Kunst in Zeiten des Zorns
Germany Dusseldorf 2020 24

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Augury of Cosmos
Arts | Culture
18+

Augury of Cosmos

Предчувствие космоса
Russia Moscow 2018 78

The exhibition Augury of Cosmos showcases the innovative works of contemporary artists, who masterfully blend traditional techniques with modern themes to explore the complexities of human experience. Through a diverse array of mediums, including painting and installation, viewers engage with the interplay of memory, identity, and the passage of time. Thought-provoking pieces challenge conventional narratives, encouraging a dialogue between the past and present. This exhibition not only highlights unique artistic vision but also serves as a reflection on the broader cultural landscape, making it a must-see for anyone interested in the evolution of contemporary art.

Train Arrival
Arts | History | Technology & Science
18+

Train Arrival

Прибытие поезда
Russia Moscow 2018 56

“Arrival of the Train” is a captivating exhibition that unites over a hundred artistic works from both Russian and international creators, celebrating the train’s rich cultural significance as a harbinger of change and progress. It delves into the multifaceted roles of trains throughout history—from transformative technological marvels to poignant symbols in art—inviting viewers to journey through time and space. Showcasing everything from the historic funeral train of Lenin to the nostalgic echoes of the Trans-Siberian Railway, the exhibition highlights the train’s enduring impact on civilization and its power as a vessel for communication and innovation, ultimately crafting a shared narrative that connects cultures and eras in a uniquely dynamic way.

TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift
Arts | Culture | History | Philosophy | Society & Politics
18+

TIME FOR OUTRAGE! Art in Times of Social Anger | Right-wing Shift

Empört Euch! Kunst in Zeiten des Zorns
Germany Dusseldorf 2020 32

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

Nissky. Horizon
Arts | Culture | History
18+

Nissky. Horizon

Нисский. Горизонт
Russia Moscow 2018 56

Nissky. Horizon is a compelling exhibition at the Institute of Russian Realistic Art that explores the intricate relationship between contemporary art and traditional Russian realism. Featuring a diverse array of artists, the exhibition invites viewers to engage with works that reflect on cultural heritage while pushing artistic boundaries. Each piece serves as a dialogue between past and present, showcasing how contemporary creators reinterpret classical themes and techniques. This fusion not only honors the legacy of Russian art but also challenges perceptions, encouraging a deeper understanding of identity and artistic expression in today’s globalized context. Through thought-provoking installations and evocative imagery, Nissky. Horizon celebrates the enduring relevance of realism in contemporary discourse.

Victoria Lomasko. Other Russias
Arts | Society & Politics
18+

Victoria Lomasko. Other Russias

Switzerland Basel 2019 41

Victoria Lomasko’s retrospective at Cartoonmuseum Basel invites viewers to engage deeply with her explorations of Russia’s marginalized communities. This vibrant exhibition showcases her striking murals and drawings, which intricately depict the lives of LGBT activists, sex workers, and migrant laborers. Through her keen observations and bold, expressive style, Lomasko highlights the social injustices and political repression faced by these groups.

TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction
Arts | Culture | History | Philosophy | Society & Politics
18+

TIME FOR OUTRAGE! Art in Times of Social Anger | Introduction

Empört Euch! Kunst in Zeiten des Zorns
Germany Dusseldorf 2020 27

Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time.

The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.

A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.

History of the Photo Club “Riga”
Arts
18+

History of the Photo Club “Riga”

Izstāde „Fotokluba „Rīga” Vēsture”
Latvia Riga 2017 45

In the early 1960s, photography emerged as a recognized art form, yet, in Latvia, it struggled for acceptance in traditional art spaces. The establishment of the Photo Club “Rīga” in 1962 marked a pivotal moment, fostering a vibrant community that embraced photography’s artistic potential. This collective became a vital force in shaping the perception of art photography both locally and globally, drawing in visionary talents who pushed creative boundaries. The club’s ongoing legacy reflects not just the evolution of photography as an art form but also its enduring relevance within contemporary Latvian culture. As it adapts to new challenges and styles, the Photo Club remains a cherished cornerstone, celebrating its historical impact while inspiring future generations of photographers.

Nicholas Roerich. Sanctuaries and Citadels
Arts
18+

Nicholas Roerich. Sanctuaries and Citadels

Николай Рерих. Святыни и твердыни
Russia Moscow 2018 108

N.K. Roerich’s exhibition unveils over 80 captivating works inspired by his 1925 Central Asian expedition. With an extraordinary blend of majestic mountain landscapes, Buddhist monasteries, and formidable fortresses, Roerich crafts a compelling narrative of heroism and spiritual pursuit that transcends cultural boundaries. His pieces celebrate the sacredness of labor and the enduring human spirit, evoking a universal call to courage and resilience. Roerich’s unique style, characterized by what can be termed “epic realism,” draws upon his deep understanding of history, folklore, and religious traditions.

HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath
Arts | Culture | History | Philosophy | Society & Politics
18+

HOW TO SURVIVE ― Art as Survival Strategy | with Carina Plath

How to Survive – Kunst als Überlebensstrategie
Germany Hannover 2020 34

The group exhibition presents a compelling exploration of how art provides resilience in times of personal and societal crisis. The exhibition features works by renowned artists like Gustav Metzger, Shusaku Arakawa, and Alina Szapocznikow, each of whom faced extreme adversity and transformed their experiences into profound artistic statements. Whether addressing environmental destruction, illness, or existential threats, these artists used creativity as a means to survive and challenge the limits of human endurance. The exhibition emphasizes the power of art to propose alternative perspectives when the world seems trapped in binary thinking. By engaging with radical artistic responses to crisis, visitors are invited to reflect on how creativity can offer strength, hope, and new possibilities for navigating the uncertainties of modern life. Art, in this context, becomes more than expression — it becomes a strategy for survival and transformation.

CLUBS of the FUTURE. Common Spaces in Transitional Societies
Arts | Culture | History | Society & Politics
18+

CLUBS of the FUTURE. Common Spaces in Transitional Societies

CLUBS der ZUKUNFT. Gemeinsame Räume in Übergangsgesellschaften
Germany Berlin 2024 54

CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/

Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution
Arts | Culture | History | Society & Politics
18+

Revolved Revolutions. On the Occasion of Centenary of the Great October Socialist Revolution

Рулевые революции. К 100-летию Великой Октябрьской социалистической революции
Russia Moscow 2017 47

The exhibition illuminates the profound influence of the Great October Revolution on Eastern art. Featuring over 100 works from Soviet Turkmenistan, Uzbekistan, Azerbaijan, Mongolia, China, and Vietnam, the exhibition showcases a rich tapestry of artistic expressions—embroideries, posters, paper cutouts, and more—that reflect a unique amalgamation of local traditions and Soviet ideologies. Visitors will encounter the cult of personality through portraits of revolutionary leaders, discover the vibrant propaganda posters that redefined societal roles, and engage with stunning engravings depicting the industrial ambitions of China. This exhibition not only highlights the artistic responses to political shifts but also serves as a testament to the complex legacy of the Russian Revolution, revealing how hope, trauma, and cultural identity were woven into the fabric of artistry across nations. Many of these pieces are being showcased to the Russian public for the first time in decades, offering fresh insights into this historical narrative.

Haim Sokol. Testimony
Arts | History
18+

Haim Sokol. Testimony

Хаим Сокол. Свидетельство
Russia Moscow 2018 90

Haim Sokol’s solo exhibition delves into the intricate interplay of memory and oblivion, offering a poignant exploration of individual narratives amidst historical upheaval. Blending documentary material with artistic expression, Sokol showcases a decade’s worth of work that includes videos in collaboration with migrant workers, a workshop dedicated to the art of protest, and a thought-provoking examination of “paper memory.” The exhibition features a rich tapestry of forms — drawings, performances, installations, and objects crafted from diverse materials such as metal, leather, and plastic — all converging around the central video installation “Testimony,” which poignantly recounts his father’s harrowing experiences in a ghetto during WWII. This compelling collection not only honors those marginalized in history but also ignites crucial conversations about identity, resilience, and the significance of personal testimonies in contemporary art.

Actually, the Dead Are Not Dead. Una forma de ser. | Introduction
Arts | Culture | History | Music | Philosophy | Society & Politics | Technology & Science
18+

Actually, the Dead Are Not Dead. Una forma de ser. | Introduction

Actually, the Dead Are Not Dead. Una forma de ser
Germany Stuttgart 2020

The exhibition explores the interplay between celebration and political expression, rooted in the context of marginalized communities. Drawing inspiration from the Bergen Assembly 2019, this exhibition examines how festivities serve as platforms for social emancipation and self-determination, particularly within the Rom*nja, Flamenco, and Bohemian cultures since the 19th century. By interweaving historical and contemporary works, the exhibition highlights the transformative power of communal gatherings, where joy, rebellion, and artistic innovation intertwine. Una forma de ser invites visitors to reflect on the significance of togetherness, creativity, and resilience in the face of adversity.

GASTEV. How to Work
Culture | History | Philosophy | Society & Politics
18+

GASTEV. How to Work

Гастев. Как надо работать
Russia Moscow 2019 66

The exhibition GASTEV. How to Work examines the profound influence of Alexey Gastev, a key figure in Soviet thought and the founder of the Central Institute of Labor (CIT). Gastev’s work in the 1920s and 1930s revolutionized labor practices through his development of scientific labor organization (NOT), blending Marxist ideology with avant-garde approaches to efficiency, biomechanics, and human-machine interaction. His theories sought to transform workers into precise, efficient elements of industrial production, reflecting the broader Soviet utopian vision of reshaping society through labor. The exhibition contextualizes Gastev’s role not just as an organizer but as a visionary whose ideas on human potential and mechanization resonate with contemporary discussions on automation and the future of work. Despite his execution during the Stalin’s Great Purge/Terror, Gastev’s legacy continues to provoke thought on the relationship between labor, politics, and the shaping of the modern human.
More at http://avantgarde.center/gastev (in Russian only)

Anthropocene Island. The Tallinn Architecture Biennale 2017
Arts | Technology & Science
18+

Anthropocene Island. The Tallinn Architecture Biennale 2017

TAB 2017 kuraatornäitus "Antropotseeni saar"
Estonia Tallin 2017 68

The Tallinn Architecture Biennale (TAB) 2017delved into the future of urban environments through the lens of biotechnology and non-human-centered design. Curated by Prof. Claudia Pasquero, this fourth edition featured a diverse program comprising the Curatorial Exhibition, a thought-provoking symposium titled “Polycephalum City”, and the Tallinn Vision Competition, alongside satellite events like the Installation Programme exhibition and the bio.School showcase. Over two days, distinguished architects and researchers, including Mitchell Joachim and Rachel Armstrong, gathered to exchange insights on architecture’s intersection with biology and computation, envisioning cities as self-organizing systems. This Biennale not only highlighted innovative architectural practices but also prompted essential discussions on the evolving role of urban spaces in our rapidly changing world.

Maya Schweizer – Voices
Arts | Culture | History
18+

Maya Schweizer – Voices

Maya Schweizer – Stimmen
Germany Munich 2020 43

Human perception of time often resembles a collage — fragmented and layered, shaped by memory and experience. Berlin-based artist Maya Schweizer captures this complexity through her unique language of short film. In her work, everyday spaces become carriers of memory, interweaving found footage, situational observations, and soundscapes to create immersive, multifaceted narratives. Schweizer’s art subtly explores the intricacies of cultural identity and the role individuals play as political actors, encouraging deeper reflection on how we engage with our surroundings and their embedded histories. In her solo exhibition Stimmen (Voices) at the Museum Villa Stuck, composed of 10 films spanning the past 14 years, Schweizer gives voice to those who have disappeared, recounting stories of violence, memory, and loss, particularly within the context of German history and Munich’s past. By blending personal and collective histories, her work oscillates between documentation and staged reality, using urban spaces as laboratories for examining overlapping historical layers. As viewers dive into the culture of remembrance, Schweizer uncovers new and often unsettling depths of human memory, sparking a reflection on the invisible ties between people, places, and their histories.

Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994
Arts | Culture | History | Music | Society & Politics
18+

Notes from the Underground. Art and Alternative Music in Eastern Europe 1968-1994

Underground und Improvisation. Alternative Musik und Kunst nach 1968
Germany Berlin 2018 56

The exhibition Notes from the Underground. Art and Alternative Music in Eastern Europe 1968–1994 examines the intersection of underground music and visual arts under communist regimes in Eastern Europe. It highlights how rock, punk, and new wave music, alongside performance art, fashion, and film, became tools of countercultural expression against state control. In response to censorship and scarcity, artists and musicians created homemade instruments, produced Samizdat magazines, and distributed recordings. The exhibition underscores the role of improvisation and irony in resisting authoritarianism, with works from Poland, Yugoslavia, the Soviet Union, and Czechoslovakia, offering a new perspective on how art and music intertwined as forms of dissent.

Implicit Modernism. Roman Babichev’s Collection. Part I.
Arts | Culture
18+

Implicit Modernism. Roman Babichev’s Collection. Part I.

Модернизм без манифеста. Часть 1. Собрание Романа Бабичева
Russia Moscow 2017 123

The exhibition presents Roman Babichev’s collection as a compelling exploration of Soviet modernism, challenged by decades of controversy surrounding the term due to the anti-formalist campaigns of the 1930s and Cold War ideological battles. Offering a fresh lens, the exhibition sheds light on the often-overlooked variety within Soviet art, breaking down entrenched stereotypes and revealing the interconnections among post-avant-garde communities active after the 1932 ban on creative associations. By emphasizing the nuanced expressions of these artists—whose declarations were rendered in their unique painting styles rather than explicit statements—the exhibition invites viewers to reassess the rich tapestry of Soviet artistic heritage through a symbolist perspective, encouraging a more multidimensional understanding of its evolving narrative.

BIG D@T@! BIG MON€Y!
Culture | Philosophy | Society & Politics | Technology & Science
18+

BIG D@T@! BIG MON€Y!

Germany Leipzig 2020 55

BIG D@T@! BIG MON€Y! is a bold, thought-provoking exhibition that explores the intersection of data, finance, and digitalization. Featuring seven artists and collectives, the works explore how our everyday digital footprints and the rise of cryptocurrencies are reshaping economies, identities, and power structures. Through projects like a speculative trading AI, a data-driven remake of classic art, and an analysis of the hidden infrastructure behind Amazon transactions, the exhibition sheds light on the often-invisible forces governing our digital lives. In an era of increasing surveillance and technological control, the exhibition raises critical questions about freedom, privacy, and the future of society.

Raqs Media Collective. Everything Else is Ordinary
Arts | Philosophy | Society & Politics
18+

Raqs Media Collective. Everything Else is Ordinary

Germany Dusseldorf 2018 97
The Raqs Media Collective, founded in 1992 in New Delhi by Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta, operates at the intersection of contemporary art, historical inquiry, philosophical speculation, and political critique. Their work probes the fundamental, often elusive, concepts of time, language, and history, challenging linear narratives and fixed interpretations. Central to their practice is the interrogation of time — not merely as a measurable entity but as a force that governs societal rhythms, disciplines human life, and underpins capitalist structures. In works such as Escapement (2009) and Re-Run (2013), they explore how time shapes experience, asking what it means to measure time and how it intersects with space and history.
Only by faith! On the occasion of the 500th Anniversary of the Reformation
Culture | History
18+

Only by faith! On the occasion of the 500th Anniversary of the Reformation

Только верою! К 500-летию Реформации
Russia Saint Petersburg 2017 62

Unveiling the transformative journey of Protestantism, this exhibition showcases around 150 artifacts from the State Museum of the History of Religion, bringing to life the pivotal moments and influential figures, such as Martin Luther, that shaped this movement. Spanning from the 16th century to the present, it delves into the synergy between religion and culture, revealing how Protestant ideals influenced art, literature, and social change. This rich array of historical items not only contextualizes the theological underpinnings of the Reformation but also illustrates its enduring legacy in contemporary society. It is an enlightening exploration that challenges the boundaries between faith and creativity, inviting visitors to reflect on the profound impact of Protestantism on our world today.