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Yokoo Tadanori’s Haunted Museum presents a compelling exploration of the intrinsic connection between art and fear, featuring a diverse range of the artist’s works. Yokoo Tadanori has consistently pursued phenomena that remain invisible or unexplainable by science, a fascination rooted in his childhood experiences with profound darkness and mystical encounters in Nishiwaki. This deeply personal history informs much of his art, from his celebrated illustrations for the Complete Works of Edogawa Rampo to his paintings created since his “painter’s declaration.” The exhibition, designed with deliberately darkened spaces, encourages visitors to engage with their own ambivalent emotions of wanting to look yet fearing the unknown. It highlights art’s enduring capacity to interpret and express humanity’s primal responses to mystery and the unseen, fostering a reflection on these universal aspects of human existence.The Tallinn Architecture Biennale (TAB) 2017delved into the future of urban environments through the lens of biotechnology and non-human-centered design. Curated by Prof. Claudia Pasquero, this fourth edition featured a diverse program comprising the Curatorial Exhibition, a thought-provoking symposium titled “Polycephalum City”, and the Tallinn Vision Competition, alongside satellite events like the Installation Programme exhibition and the bio.School showcase. Over two days, distinguished architects and researchers, including Mitchell Joachim and Rachel Armstrong, gathered to exchange insights on architecture’s intersection with biology and computation, envisioning cities as self-organizing systems. This Biennale not only highlighted innovative architectural practices but also prompted essential discussions on the evolving role of urban spaces in our rapidly changing world.Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition Time for Outrage! in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice.  The exhibition critically examines the evolution of mass mobilization and crowd dynamics in both historical and contemporary contexts, drawing inspiration from Elias Canetti’s “Crowds and Power.” Set against the backdrop of the GfZK’s new architectural space, the exhibition engages with the complexities of collective action, exploring how digital public spheres shape democratic participation while simultaneously being exploited for exclusionary practices. Featuring a rich array of video installations and cinematic works, including the new production “70.001,” which reimagines the 1989 Leipzig demonstrations, “Majorities” invites reflection on the nuances of social behavior and the implications of simulated experiences in gaming and surveillance. Through this thoughtful presentation, Wedemeyer prompts us to consider the intertwining narratives of isolation and community, resonating powerfully in today’s fragmented society.Victoria Lomasko’s retrospective at Cartoonmuseum Basel invites viewers to engage deeply with her explorations of Russia’s marginalized communities. This vibrant exhibition showcases her striking murals and drawings, which intricately depict the lives of LGBT activists, sex workers, and migrant laborers. Through her keen observations and bold, expressive style, Lomasko highlights the social injustices and political repression faced by these groups.
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https://www.youtube.com/watch?v=h_EDRTetxg8&rel=0&autoplay=0&controls=1
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
Yokoo Tadanori: Wow! ★ Y-Junctions
18+
Yokoo Tadanori Museum of Contemporary Art Arts | Culture

Yokoo Tadanori: Wow! ★ Y-Junctions

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Original Exhibition Title: 横尾忠則 ワーイ!★Y字路
Japan Kobe 2024 16 Japanese Japanese, English
Artistic ResearchContemporary ArtContemporary PhotographyInnovations in ArtLandscape PaintingModernismMuseum Engagement

All rights and copyrights to the film are held by the producer: Yokoo Tadanori Museum of Contemporary Art, Kobe, Japan.

For any legal inquiries, please contact the museum directly.

excoursio does not hold any copyright; it merely shares the original film material to support wider access and the dissemination of knowledge.

In a nutshell

Wow! ★ Y-Junctions presents Yokoo Tadanori’s extensive and evolving series, initiated in 2000, which transforms familiar three-way road junctions into profound artistic landscapes. This ambitious project began when Yokoo photographed a night scene in his hometown, revealing unexpected depths in everyday scenery. What started as an introspective world of light and shadow evolved through phases of explosive color, continuously generating new variations. The exhibition highlights this ongoing artistic exploration, featuring works from the series’ early years (2000-2005) and more recent creations from 2016 onwards. Visitors can witness how one artist’s singular vision redefines perception, inviting reflection on the hidden beauty and endless transformations within the commonplace world around us.

Why should you watch this?

The film Wow! ★ Y-Junctions speaks to our moment because it shows how a single flash of perception can turn ordinary streets into places for renewed attention and meaning after collective disruption. Yokoo’s nocturnal photograph of a three-way junction becomes a recurring voice that shifts from penumbral stillness to explosive color, producing scenes both eerie and exhilarating: a lamplit fork that reads like a private memory and a sweep of saturated paint that reads as public joy. These moments unsettle and uplift in equal measure, and the film’s lasting takeaway is clear—close looking can change how we imagine shared life.

Curator

Atsuo Yamamoto

Bio

Atsuo Yamamoto is a Japanese curator and Chief Curator at the Yokoo Tadanori Museum of Contemporary Art (Y+T MOCA), Kobe. He has held curator roles previously at the Ashiya City Museum of Art & History and the Museum of Modern Art, Shiga. Yamamoto has been closely involved with the establishment of Y+T MOCA since about 2011; the museum opened in November 2012 in a renovated wing of a building originally designed by architect Tōgō Murano. Under his direction, the museum’s holdings have grown to thousands of works and materials — including hundreds of paintings, prints, posters, drawings, photographs and archival boxes — and he oversees the archival, conservation, and exhibition programs. Yamamoto is also known for his interest in post-war Japanese modernism, including the Gutai art movement. He has curated exhibitions and contributed publications about Gutai members such as Saburo Murakami.

All films Last updated: 12/09/2025

Artist

Tadanori Yokoo

Bio

Tadanori Yokoo (born 1936 in Nishiwaki, Hyogo, Japan) is a celebrated Japanese graphic designer, illustrator, printmaker, and painter, widely recognized as one of Japan’s most influential contemporary artists. After a successful career in graphic design in the 1960s and 70s, where he gained international acclaim for his psychedelic, pop art-infused posters and album covers, he shifted his focus to painting in 1981. Yokoo’s work is characterized by its vibrant colors, intricate collages, and a unique blend of Japanese tradition with Western influences, often exploring themes of mysticism, the subconscious, and the human condition. His diverse career and unconventional approach have left an indelible mark on both Japanese and international art.

All films Last updated: 15/09/2025
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