Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour

Sergiy Bratkov. My Brother’s Cats | Immersive Artist Tour

Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war.

In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.

Why should you watch this?

Sergiy Bratkov’s latest exhibition captures a profound shift in his artistic practice, where irony gives way to a sobering confrontation with the brutal realities of war. Renowned for his socially charged photography rooted in the “Kharkiv School,” Bratkov’s new works — created after Russia’s invasion of Ukraine — delve into the trauma of conflict in his homeland. Emigrating to Berlin in 2022, his vivid and unsettling images, once focused on Soviet clichés and post-Soviet capitalism, now engage deeply with the devastation of war, transforming him from a detached observer to a reflective witness of historical tragedy.
Nissky. Horizon

Nissky. Horizon

Nissky. Horizon is a compelling exhibition at the Institute of Russian Realistic Art that explores the intricate relationship between contemporary art and traditional Russian realism. Featuring a diverse array of artists, the exhibition invites viewers to engage with works that reflect on cultural heritage while pushing artistic boundaries. Each piece serves as a dialogue between past and present, showcasing how contemporary creators reinterpret classical themes and techniques. This fusion not only honors the legacy of Russian art but also challenges perceptions, encouraging a deeper understanding of identity and artistic expression in today’s globalized context. Through thought-provoking installations and evocative imagery, Nissky. Horizon celebrates the enduring relevance of realism in contemporary discourse.

Why should you watch this?

This exhibition  invites you to explore the intricate interplay between tradition and innovation in contemporary art. This showcase features a diverse array of works that challenge conventional narratives, offering fresh perspectives on cultural identity and artistic expression. By engaging with both established and emerging artists, the exhibition creates a dialogue that resonates with today’s societal themes. Don’t miss this opportunity to witness how contemporary art reflects and reframes our understanding of the world — each piece serves as a unique lens through which to view the complexities of modern life. Immerse yourself in this vibrant exploration and discover the transformative power of art.

Victoria Lomasko. Other Russias

Victoria Lomasko. Other Russias

Victoria Lomasko’s retrospective at Cartoonmuseum Basel invites viewers to engage deeply with her explorations of Russia’s marginalized communities. This vibrant exhibition showcases her striking murals and drawings, which intricately depict the lives of LGBT activists, sex workers, and migrant laborers. Through her keen observations and bold, expressive style, Lomasko highlights the social injustices and political repression faced by these groups.

Why should you watch this?

Victoria Lomasko’s retrospective at Cartoonmuseum Basel resonates profoundly with today’s global landscape of social justice and human rights. As she illuminates the lives of Russia’s marginalized communities, her work serves as a poignant reminder of the ongoing struggles faced by those often overlooked in society. In a world increasingly confronted with issues of inequality, discrimination, and political repression, Lomasko’s murals and drawings act as both a testament to resilience and a call for advocacy. By capturing the essence of these lived experiences she invites audiences to reflect on the shared responsibility we hold in addressing injustices, igniting conversations that transcend borders. The exhibition serves as both a visual narrative and a call to action, reflecting her long-standing commitment to human rights advocacy. This exhibition underscores the enduring relevance of her work in fostering empathy and inspiring change in our contemporary era.

Actually, the Dead Are Not Dead. Una forma de ser. | Introduction

Actually, the Dead Are Not Dead. Una forma de ser. | Introduction

The exhibition explores the interplay between celebration and political expression, rooted in the context of marginalized communities. Drawing inspiration from the Bergen Assembly 2019, this exhibition examines how festivities serve as platforms for social emancipation and self-determination, particularly within the Rom*nja, Flamenco, and Bohemian cultures since the 19th century. By interweaving historical and contemporary works, the exhibition highlights the transformative power of communal gatherings, where joy, rebellion, and artistic innovation intertwine. Una forma de ser invites visitors to reflect on the significance of togetherness, creativity, and resilience in the face of adversity.

Why should you watch this?

Una forma de ser offers a deeper understanding of the vital connections between celebration and social justice within marginalized communities. In a time when the world has faced unprecedented challenges like social distancing, the insights from an expert guide can illuminate the historical context and contemporary relevance of the works on display. These tours foster a greater appreciation for how communal gatherings can serve as acts of resistance and self-assertion, encouraging critical reflection on our own experiences of connection and separation. Additionally, the guided tour provides a unique opportunity to engage with the complexities of identity and representation that the exhibition addresses, enriching the viewer’s experience and sparking meaningful conversations about the role of art in shaping our understanding of community and resilience in today’s society.
CLUBS of the FUTURE. Common Spaces in Transitional Societies

CLUBS of the FUTURE. Common Spaces in Transitional Societies

CLUBS of the FUTURE explores the legacy of communal spaces, particularly the Houses of Culture across Europe and the former GDR, as it reflects on contemporary practices of collectivity and reform. Emerging from research into the 1,800 GDR Houses of Culture—two-thirds of which were closed post-reunification—the project addresses the societal gaps exploited by right-wing groups. Featuring innovative workshop formats, the exhibition includes Ina Wudtke’s video Greif zur Feder (Grab a Pen), Andrea Pichl’s Klub Zukunft (Future Club), and Ming Wong’s KONTAKTHOPE. Highlighting future-oriented projects, it also showcases garden initiatives like Katya Gardea Browne’s A Floating Garden & Exchange of Seeds, emphasizing the ongoing negotiation of shared civic spaces in times of transition. More at https://www.clubsofthefuture.net/

Why should you watch this?

CLUBS of the FUTURE is a compelling exhibition that explores the significance of communal spaces and collective practices, particularly in light of the legacy of the GDR’s Houses of Culture. By addressing the societal gaps left by their closure, the project invites reflection on how shared spaces can foster collaboration and social cohesion in a time of increasing individualism. With diverse artistic practices, including innovative workshops, installations, and performances, the exhibition engages with contemporary issues such as the rise of right-wing extremism and the ongoing conflict in Ukraine. It highlights community-centric projects that inspire collective action and offers a hopeful vision for sustainable, inclusive futures through art.
History of the Photo Club “Riga”

History of the Photo Club “Riga”

In the early 1960s, photography emerged as a recognized art form, yet, in Latvia, it struggled for acceptance in traditional art spaces. The establishment of the Photo Club “Rīga” in 1962 marked a pivotal moment, fostering a vibrant community that embraced photography’s artistic potential. This collective became a vital force in shaping the perception of art photography both locally and globally, drawing in visionary talents who pushed creative boundaries. The club’s ongoing legacy reflects not just the evolution of photography as an art form but also its enduring relevance within contemporary Latvian culture. As it adapts to new challenges and styles, the Photo Club remains a cherished cornerstone, celebrating its historical impact while inspiring future generations of photographers.

Why should you watch this?

Joining a guided tour of this exhibition offers an invaluable opportunity to delve into the nuanced evolution of photography as an art form, enriching our understanding of its role in contemporary visual culture. With today’s landscape awash in images, the tour provides context to the historical dialogues and artistic practices that shaped current perceptions of photography. It invites reflection on the delicate interplay between artist and viewer, shedding light on how these artworks resonate with themes of identity and memory. Engaging with the photographs in a communal setting not only enhances appreciation for the craft but also encourages a deeper connection to the stories that accompany each piece, making the experience both enriching and thought-provoking in our fast-paced, image-driven world.
Nicholas Roerich. Sanctuaries and Citadels

Nicholas Roerich. Sanctuaries and Citadels

N.K. Roerich’s exhibition unveils over 80 captivating works inspired by his 1925 Central Asian expedition. With an extraordinary blend of majestic mountain landscapes, Buddhist monasteries, and formidable fortresses, Roerich crafts a compelling narrative of heroism and spiritual pursuit that transcends cultural boundaries. His pieces celebrate the sacredness of labor and the enduring human spirit, evoking a universal call to courage and resilience. Roerich’s unique style, characterized by what can be termed “epic realism,” draws upon his deep understanding of history, folklore, and religious traditions.

Why should you watch this?

N.K. Roerich’s “Shrines and Strongholds” resonates powerfully in today’s world, where themes of resilience, spirituality, and cultural identity are increasingly vital. As modern society redefines spirituality Roerich’s exploration of heroism and the sacred nature of labor offers a poignant reflection on the indomitable human spirit that transcends boundaries of faith and nationality. His majestic depictions of mountain landscapes and spiritual sites serve as symbols of hope, encouraging us to aspire for personal and collective growth. Roerich’s emphasis on courage and the potential for spiritual feats invites contemporary audiences to recognize the shared human experience and the transformative power of art as a catalyst for understanding. The exhibition not only honors Roerich’s legacy but also inspires a renewed dialogue about courage, identity, and our interconnectedness in the global narrative.

Maya Schweizer – Voices

Maya Schweizer – Voices

Human perception of time often resembles a collage — fragmented and layered, shaped by memory and experience. Berlin-based artist Maya Schweizer captures this complexity through her unique language of short film. In her work, everyday spaces become carriers of memory, interweaving found footage, situational observations, and soundscapes to create immersive, multifaceted narratives. Schweizer’s art subtly explores the intricacies of cultural identity and the role individuals play as political actors, encouraging deeper reflection on how we engage with our surroundings and their embedded histories. In her solo exhibition Stimmen (Voices) at the Museum Villa Stuck, composed of 10 films spanning the past 14 years, Schweizer gives voice to those who have disappeared, recounting stories of violence, memory, and loss, particularly within the context of German history and Munich’s past. By blending personal and collective histories, her work oscillates between documentation and staged reality, using urban spaces as laboratories for examining overlapping historical layers. As viewers dive into the culture of remembrance, Schweizer uncovers new and often unsettling depths of human memory, sparking a reflection on the invisible ties between people, places, and their histories.

Why should you watch this?

Maya Schweizer’s exhibition illuminates pressing issues of collective memory, identity, and the power dynamics embedded in our urban environments. In an age where historical narratives are constantly contested and reshaped, Schweizer’s work offers a profound reflection on how personal and societal histories intersect, particularly in divided or marginalized spaces. Her exploration of everyday locations — spaces that might seem mundane — invites viewers to question how memory is inscribed into these environments, often highlighting forgotten or overlooked stories. With rising global tensions surrounding borders, migration, and the politics of identity, Schweizer’s art becomes a timely and poignant commentary on how we perceive and interact with both physical and symbolic boundaries. A guided tour offers a deeper understanding of these complex themes, fostering critical engagement with the socio-political narratives that shape our contemporary world.
GASTEV. How to Work

GASTEV. How to Work

The exhibition GASTEV. How to Work examines the profound influence of Alexey Gastev, a key figure in Soviet thought and the founder of the Central Institute of Labor (CIT). Gastev’s work in the 1920s and 1930s revolutionized labor practices through his development of scientific labor organization (NOT), blending Marxist ideology with avant-garde approaches to efficiency, biomechanics, and human-machine interaction. His theories sought to transform workers into precise, efficient elements of industrial production, reflecting the broader Soviet utopian vision of reshaping society through labor. The exhibition contextualizes Gastev’s role not just as an organizer but as a visionary whose ideas on human potential and mechanization resonate with contemporary discussions on automation and the future of work. Despite his execution during the Stalin’s Great Purge/Terror, Gastev’s legacy continues to provoke thought on the relationship between labor, politics, and the shaping of the modern human.
More at http://avantgarde.center/gastev (in Russian only)

Why should you watch this?

This exhibition’ topic is especially relevant now because it connects Gastev’s groundbreaking theories on labor and mechanization to current debates about automation, AI, and the future of work. As industries rapidly evolve, Gastev’s vision of optimizing human potential through scientific organization offers critical insights into the challenges we face today. The show raises urgent questions about how labor is being transformed, the role of technology, and the balance between human and machine — a timely reflection in an era where these issues impact our daily lives more than ever.