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Can anger and rage be justified in a world riddled with oppression and inequality? Are these emotions destructive forces or vital catalysts for social change? As democracy faces crises and populism gains ground globally, these questions have sparked renewed debate. Contemporary artists have responded, using their work to navigate and challenge the pressing issues of our time. The exhibition ‘Time for Outrage!’ in Düsseldorf explores these questions through six thematic blocks: Right-wing Shift, Trumpism, Protest, Postcolonialism, Feminism, and Discrimination. Across a diverse range of mediums — including installations, drawings, paintings, sculptures, photography, and video art — 40 international artists immerse viewers in the visceral realms of protest, social dissent, and public anger. The exhibition doesn’t just present anger as a raw emotion; it portrays it as a vehicle for dialogue, resistance, and empowerment in the face of systemic injustice. A substantial portion of the works on display come from the collection of entrepreneur and collector Florian Peters-Messer, whose commitment to socially engaged art amplifies the urgent messages these pieces convey.Continuing its celebration of photography, the Mohammed VI Museum of Modern and Contemporary Art (MMVI) proudly presents De rage et de désir, le coeur battant des Hommes. This unique exhibition showcases forty monumental photographs by renowned international artist Gérard Rancinan, offering a fantasized and expansive history of humanity. The visual narrative is masterfully intertwined with three compelling calligraphic installations from French author Caroline Gaudriault, creating a striking dialogue between images and stories. The exhibition invites visitors to embark on a three-part journey—”Métamorphoses,” “Wonderful World,” and “Un petit Homme dans un vaste monde”—prompting profound reflection on the complexities of our contemporary society and the enduring human condition. This thought-provoking presentation underscores the power of artistic expression to engage with universal themes of existence, change, and societal interplay.Sergiy Bratkov (b. 1960) is renowned for his radically unsettling and striking photographs that, beneath their vivid surface, present an unflinching report on societal conditions. Like other members of the “Kharkiv School of Photography,” his work over the past 30 years has focused on social photography. In spring 2022, the Ukrainian artist, who had been living in Moscow since 2004, emigrated to Berlin. His recent work, previously centered on outdated Soviet-era clichés and the brash new capitalism of post-Soviet Ukraine, has now been sharply refocused by the brutal realities of the ongoing war. In this exhibition, Bratkov presents new cycles of images and videos created since Russia’s invasion of Ukraine. The once ironic observer has transformed into a reflective analyst, confronting the horrors of war in his former homeland. His new works grapple with this trauma while resisting the pull of hopelessness.The group exhibition presents a compelling exploration of how art provides resilience in times of personal and societal crisis. The exhibition features works by renowned artists like Gustav Metzger, Shusaku Arakawa, and Alina Szapocznikow, each of whom faced extreme adversity and transformed their experiences into profound artistic statements. Whether addressing environmental destruction, illness, or existential threats, these artists used creativity as a means to survive and challenge the limits of human endurance. The exhibition emphasizes the power of art to propose alternative perspectives when the world seems trapped in binary thinking. By engaging with radical artistic responses to crisis, visitors are invited to reflect on how creativity can offer strength, hope, and new possibilities for navigating the uncertainties of modern life. Art, in this context, becomes more than expression — it becomes a strategy for survival and transformation.The exhibition presents Roman Babichev’s collection as a compelling exploration of Soviet modernism, challenged by decades of controversy surrounding the term due to the anti-formalist campaigns of the 1930s and Cold War ideological battles. Offering a fresh lens, the exhibition sheds light on the often-overlooked variety within Soviet art, breaking down entrenched stereotypes and revealing the interconnections among post-avant-garde communities active after the 1932 ban on creative associations. By emphasizing the nuanced expressions of these artists—whose declarations were rendered in their unique painting styles rather than explicit statements—the exhibition invites viewers to reassess the rich tapestry of Soviet artistic heritage through a symbolist perspective, encouraging a more multidimensional understanding of its evolving narrative.
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Collection / Redefining Tradition: Groundbreaking Art

This collection of guided tours examines how artists and curators reinterpret cultural heritage, merging old legacy with modern themes. Viewers will discover innovative and diverse narratives that challenge conventional perspectives. Each tour fosters a deeper understanding of the dynamic relationship between past and present, history and momentum.

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Yokoo Tadanori’s Game of Life
Yokoo Tadanori Museum of Contemporary Art Arts | Culture | Philosophy
18+

Yokoo Tadanori’s Game of Life

横尾忠則の人生スゴロク展
Japan Kobe 2025 18

Yokoo Tadanori’s Game of Life transforms the artist’s remarkable journey into an interactive board game, inviting visitors to experience his extensive artistic world firsthand. Born in 1936, Yokoo Tadanori has navigated a career spanning decades, marked by a philosophy that embraces destiny and chance. The exhibition explores how his art reflects life’s unpredictable path, where outcomes are often left to fate, much like reaching the “Finish” square in a game. Through this engaging format, featuring the visionary artist’s work, the exhibition encourages reflection on the interplay of choice and fortune in shaping creative expression and individual trajectories. Visitors will gain a fresh perspective on his unique artistic vision and the unpredictable nature of life itself.

Why should you watch this?

The film Yokoo Tadanori’s Game of Life feels urgent now because it frames existence as both play and chance, echoing the uncertainty of our own times. Yokoo’s use of the board game format highlights how life’s path is shaped as much by accident as by intention, a theme that resonates in an era of shifting global realities. Moving between moments of triumph, setback, and surprise, the exhibition transforms autobiography into a shared reflection on fate. The playful roll of the dice becomes a metaphor for resilience, leaving viewers with a reminder that unpredictability is not chaos but a condition of living.

Hanbok, Poetics of Line and the Passage of Life
Korean Cultural Center (KCC) Arts | Culture | History
18+

Hanbok, Poetics of Line and the Passage of Life

선이 흘러 삶, 그리고 한복이 되다
Canada Ottawa 2021 19

The exhibition Hanbok, Poetics of Line and the Passage of Life presents the story of traditional Korean attire, tracing its cultural significance and transformation through time. With a basic style originating in the Three Kingdoms period (37 BCE – 668 CE), the Hanbok shown primarily reflects that of the Joseon dynasty (1392 – 1910). The exhibition explores how this clothing embodies Korean ancestral values, worldview, and reverence for nature through its use in life’s milestone ceremonies and its symbolic colours derived from Yin-Yang theory. Curated by EuiJung McGillis, the presentation showcases items from a baby’s first birthday dress to royal robes, alongside modern reinterpretations by early twentieth-century shinyeoseong (new women). Visitors will discover Hanbok as a transmitter of tradition and a dynamic symbol of Korean identity in a global context.

Why should you watch this?

Hanbok, Poetics of Line and the Passage of Life resonates today because it frames clothing as both a vessel of memory and a mirror of change. The exhibition’s display of the Obangjang durumagi, alive with five elemental colors, reminds us of humanity’s search for balance with nature at a time when sustainability is a global concern. Equally striking are the “new women” who reshaped Hanbok to claim individuality during Korea’s modernization — a gesture that still feels bold and liberating. This exhibition shows that tradition is not fixed but evolving, offering viewers a timeless reflection on identity, resilience, and creativity.

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