Yokoo Tadanori: 100 Takes of Hanshan and Shide

Yokoo Tadanori: 100 Takes of Hanshan and Shide

100 Takes of Hanshan and Shide presents artist Yokoo Tadanori’s series of 102 paintings, reinterpreting figures from China’s Tang dynasty. Hanshan and Shide, eccentric poets believed to be bodhisattvas, have inspired artists for centuries with their enduring mystery. Yokoo found them an ideal image, projecting them onto diverse scenes like ukiyo-e-style women and marathon runners, a quest begun with his interpretation of Soga Shohaku. This exhibition reveals Yokoo’s sustained creative power after forty years, connecting ancient legends with contemporary art. Visitors will reflect on the timeless interplay between myth and artistic vision, appreciating how one artist continually reshapes enduring narratives.

Why should you watch this?

The film 100 Takes of Hanshan and Shide speaks to our moment by showing how myth and misrule become tools for thinking about continuity and change. Yokoo’s decision to paint 102 versions — placing ragged, poetic figures beside ukiyo-e women, Belorussian lovers, and marathon runners — stretches time and tests who belongs in stories we keep. Some images shock: Hanshan laughing in garish color or Shide pacing through a crowd of runners; others disarm with tenderness. The work feels at once playful and provocative, inviting viewers to reconsider tradition as a living practice and to carry forward compassion and imagination into uncertain futures.

Yokoo in Wonderland

Yokoo in Wonderland

Yokoo in Wonderland invites visitors into artist Yokoo Tadanori’s parallel realm, where the boundaries of reality dissolve into a collection of wonders. Drawing inspiration from Lewis Carroll’s classic Alice in Wonderland, the exhibition guides viewers through a journey that begins with a girl falling into an underground kingdom, then continues into space and an unknown world. The experience progresses through “The Looking-Glass World,” where real and virtual images intertwine, and concludes in “The Land of Dreams,” blurring reality and unreality. Through Yokoo’s distinctive artistic vision, this exhibition encourages a deep immersion into an infinitely expanding universe, prompting reflection on how art can transport and reshape our perception of the world.

Why should you watch this?

The film Yokoo in Wonderland resonates now because it stages how our sense of reality unravels and reforms under technological and social pressure. Yokoo’s Alice-like girl — leaping down a hole into an underground kingdom, surfacing beneath seas and in orbit — models curiosity as a way to face dizzying image worlds. The mirror passage, where reflections splice with virtual figures, feels eerily topical in an era of screens and layered identities. The work unsettles and thrills, alternating moments of childlike astonishment with sudden dislocation. Its lasting charge is both simple and urgent: openness to strangeness sharpens perception, and imagination becomes a civic skill for living together.

Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide

Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide

The exhibition Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide presents artist Yokoo Tadanori’s compelling new paintings, inspired by the Tang-dynasty (618-907 CE) Zen monks Hanshan and Shide, alongside key works from his extensive artistic journey. Responding to the profound global shifts beginning in 2020, Yokoo retreated to his studio, developing his “moro-tai” (obscure style) to portray Hanshan and Shide, celebrated for their tousled hair, ragged clothes, and hearty laughter. This collection reveals how an artist’s personal introspection during times of societal change can lead to an unexpected connection with historical figures and artistic renewal, inviting visitors to consider the enduring power of creative resilience across ages.

Why should you watch this?

The film Forward to the Past: Yokoo Tadanori’s Road to Hanshan and Shide is timely because it shows how an artist’s practice can turn isolation into a public language of resilience and wit. Yokoo’s loose moro-tai brushwork reimagines Tang-era misfits as companions for our own fraught moment—ragged clothes and hearty laughter become forms of resistance. A trembling contour that bursts into a grin, or a pale wash that reads like a private confession, mixes unease with solace. The experience challenges and comforts in equal measure, leaving a simple charge: art can hold loss, reopen stories, and invite renewed care for one another.

Abdellatif Laâbi: A Poet Passes Through

Abdellatif Laâbi: A Poet Passes Through

A Poet Passes Through celebrates the expansive world of Abdellatif Laâbi, the Moroccan writer, poet, and painter, at the Mohammed VI Museum in Rabat. This exhibition explores Laâbi’s rich and engaged body of work, presenting him as a voice for a generation seeking meaning through art. It unveils the creative spirit of an era, featuring literary works, archival documents, paintings, and videos that trace his journey and reveal his less-known facet as a painter. A significant focus is the groundbreaking Souffles review, co-founded by Laâbi, which profoundly transformed Moroccan culture and liberated minds. Visitors will discover how one artist’s vision and intellectual struggle historically shaped artistic expression and continue to resonate today, offering a unique insight into a life dedicated to creative impact.

Why should you watch this?

A Poet Passes Through speaks directly to questions of voice, memory, and cultural freedom. Abdellatif Laâbi’s journey — from the radical energy of Souffles to the intimacy of his paintings — shows how words and images can both confront oppression and nurture renewal. The exhibition reveals the texture of a life lived in dialogue with history, where poetry became protest and later painting carried a quieter, but no less powerful, resonance. To watch it is to sense how one artist’s struggle for expression connects with ongoing searches for dignity and meaning, making Laâbi’s work as urgent as it is timeless.